Conformity In The Conformist

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The Conformist directed by Bernardo Bertolucci follows the rise and fall of Italian Fascism, but tells it through the perspective of one man, Marcello Clerici. The narrative of the film is told through several non-sequential flashbacks that take place while Clerici and his chauffeur are driving to assassinate Professor Luca Quadri, a former professor of Clerici who is an exiled fascist. Clerici is a man of a troubled past and an uncertain future. He joined the Fascist secret police even though he doesn’t seem to really believe in Fascism and he’s marrying a woman that he doesn’t necessarily seem to love. All to have a life that appears normal. Marcello Clerici is a man imprisoned by his need to fit in, to appear socially and politically normal. …show more content…

There is less sharp contrast in the lighting, and in general the scenes tend to be lit brighter. The color pallet of Rome is mostly white, gray, black, brown to represent Clerici’s conformity to the Fascist regime, his blending in, and his lack of joy. There is much more color in Paris starting with the orange tinted train ride to Paris, the bright purple Parma violets that Clerici buys for Anna, the blue tint when Clerici goes to the dance class Anna is teaching. The change in lighting and color reflects the change in Clerici’s mental state. He is falling in love with Anna, and yet he still kills her. Anna is everything that Guilia will never be and everything that Clerici wishes he could be. He is a coward who just wants to fade into the background but Anna is strong-willed and would never conform to any person or government. She is confident in her bisexuality and not afraid to exhibit that in public places such as the dancehall. She goes against the traditional gender roles of the 1930’s and fully accepts herself and sexuality while Clerici refuses to even acknowledge certain aspects of his past. The two women in his life represent the two sides of him. Guilia is the normal, dull middle-class woman who is focused on values, a family, church. In contrast, Anna is political, the wife of an intellectual, and sexually free. He would never be able to choose the side of himself that Anna represents so instead, the security and normalcy the Fascist secret police provides him with wins over love. He impassively watches the woman he loves get murdered, not even turning to look at her while she is banging on the car window screaming for help. Clerici shows that a person will sacrifice all their own values in order to blend into

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