The Moment and Inwardness
I. Introduction
In The Concept of Anxiety, S�ren Kierkegaard deals with human anxiety about the possibility posed by freedom as it relates to sinfulness and spiritual progress. This paper will show that Kierkegaard?s concept of the moment and his prescription for inwardness, both in the context of spirituality, are connected. Importantly, inwardness depends on the moment and the possibility of transition that does not take place in time, transition that seems sudden if spotted from a temporal perspective. First, this paper will make sense of Kierkegaard?s concepts of time, eternity, and the moment, which will be an interpretation taken from his discussion at the first part of chapter three. Second, it will explain what his concept of inwardness is and what it means for human life, which will be based on text from chapter four, section two, subsection two (?Freedom Lost Pneumatically?). Finally, it will use those points to explain the connection between the moment and inwardness and then point out the importance of that connection.
II. Time, Eternity, and the Moment
Time and eternity are important concepts that correspond to the finite and infinite aspects of human life. Time is the realm occupied by the human body, the human psyche, and all worldly affairs. In everyday thought people spatialize the events in this finite realm in terms of the past, present, and future. Eternity is the realm of the spirit that synthesizes the body and psyche, and spirit is the aspect of human life that belongs to the infinite. Kierkegaard thinks of eternity strictly in an infinite sense and wants to avoid regarding as eternity the indefinite passing of time.
The inspiring concept that begins in the analysis of ...
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...s nature. One angle on this is that abstracting the moment from spirituality, namely, to focus on the temporal moment involving worldly affairs, is to prevent spiritual inwardness to be reached. Another angle is to understand that with spirit it is possible to understand the future with an immediate sense of its possibility to go about life as an earnest task, which means that one does not need to be anxious about the future and idly waiting for it to come in order to understand human possibility.
Finally, it should be added that since spirituality is best regarded from the immediacy of the moment, understanding the moment helps one understand Kierkegaard?s goal in this work of preparing his readers for understanding the leap of faith.
Bibliography
Kierkegaard, S�ren. The Concept of Anxiety. Trans. Reidar Thomte. Princeton: Princeton University Press, 1980.
Kierkegaard, Søren, Howard V. Hong, Edna H. Hong, and Søren Kierkegaard. Philosophical Fragments, Johannes Climacus. Princeton, N.J.: Princeton UP, 1985. Print.
Soren Kierkegaard, a German philosopher, throughout the 1800’s developed concepts defending the sovereignty of the individual against the idea that the significance of oneself is derived solely from one’s participation in the universal or community (Basic Writings of Existentialism: Gordon Marino, p. 4). Gordon continues by explaining that, much of Kierkegaard’s work contains a primary focus on what it means to have faith. Kierkegaard arrived at several conclusions regarding one’s belief in Christ, including, “…the imitation of Christ was about the furthest thing possible from the mind-set of institutionalized Christianity.” Published in 1843, “Fear and Trembling”, written by S. Kierkegaard is often described as an analysis of the over simplification
How to live one’s life is a question faced by any human being with relatively normal cognitive functioning. Some find beauty in every day life, reveling in something as simple as the gentle shaking of leaves dancing to the whispered song of the wind, or waking up to someone they have decided to spend the rest of their lives with. Others only see the mundane and the tedious, growing bitter and resentful as a relentless existential crisis latches on to the deepest parts of their psyche, casting a grim and ominous shadow over every thought and action. This probing question of how to live is at the forefront of Soren Kierkegaard’s “Either/Or: A Fragment of Life.” The aforementioned views are, indeed, reflected in the fragmented perspectives provided by Kierkegaard’s fictional characters, “A” and “Judge Wilhelm,” who perhaps reflect Kierkegaard’s own divided views. Love and companionship are at the crux of how to live for both A and Wilhelm, despite the glaring contrast between A’s calls for a hedonistic,
In Concluding Unscientific Postscript, Kierkegaard differentiates between the subject as the knower, and the world (object) as the known: the only way we know the world is through ourselves. Kierkegaard emphasizes the importance of "how" the subject is related to the truth, and not the "what" (content) of the objective. He asserts that the truth can only exist in the subject, for if it lies in the world, we could never access (know) the truth the way we know ourselves. Kierkegaard explains that we can only discover the truth by turning inward: "passionate inwardness" is essential to finding the truth, as it is the way in which the subject is seeking the truth; the more passion the subject has, the closer she/he comes to the truth. "Passionate inwardness" is fueled by "objective uncertainty": if an individual sees objective proof of her truth, she will become less passionate; however, when she does not find reassurance in the objective, her inward passion will lead her to "the" (her) truth. This paradox relies on the subject believing passionately in the truth that exists in her while believing in a lack of objective support for that truth.
Kierkegaard was a Danish philosopher in the mid 1800s. He is known to be the father of existentialism and was at least 70 years ahead of his time. Kierkegaard set out to attack Kant’s rational ethics and make attacks on the Christianity of our day. He poses the question, how do we understand faith? He states that faith equals the absurd. In “Fear and Trembling”, he uses the story of Abraham and his son Isaac to show an example of faith as the absurd. The story of God asking Abraham to sacrifice his son Isaac signifies a break in the theory that ethics and religion go hand in hand. He shows how the ethical and the religious can be completely different. “I by no means conclude that faith is something inferior but rather that it is the highest, also that it is dishonest of philosophy to give something else in its place and to disparage faith” (Fear and Trembling, 12).
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