Comparison of Michelangelo8217s and Bernini8217s Davids
“The greatest artist has no conception which a single block of marble does not potentially contain within its mass, but only a hand obedient to the mind can penetrate to this image.”
Michelangelo describes in the above quote what it is like to carve a likeness of a person out of a large block of marble. As we know from seeing his work, he did an excellent job with this task. Bernini did just as fine a job on his, but in a much different way as you will see in the following pages.
Michelangelo
Michelangelo was born on March 6, 1475, in Caprese, Italy, a tiny village, owned by the nearby city-state of Florence. His father was the mayor. He attended school in Florence, but he was preoccupied by art. When he was 13, his father agreed to apprentice him to some well-known painters in Florence. Michelangelo was unsatisfied with these artists, because they would not teach him their artistic secrets. He went to work under another sculptor hired by Lorenzo de Medici.
When Michelangelo was 21, he went to Rome, where he was commissioned to carve a group of marble statues showing the Virgin Mary supporting the dead Christ on her knees. His sculpture was called Madonna Della Pieta, and it made Michelangelo famous. A few years later, in 1501, he accepted a commission for a statue of David. He took on the challenge of carving this beautiful work out of a “huge oblong chunk of pure white unflawed Carrara marble – some 18 feet high and weighing several tons - that had been badly block out and then abandoned by an earlier sculptor” (Coughlan 85). This piece had always fascinated Michelangelo, but neither he, nor anyone else, could think of what to carve from it, until now (Coughlan 85). Thus began a new era in art, the High Renaissance.
He began carving this statue for the city of Florence. It would become a symbol of this city, “a city willing to take on all comers in defense of its liberty” (Coughlan 91). The statue acquired this meaning by the way Michelangelo depicted this biblical character. Instead of presenting us with the winner of the battle, with the giant’s head at his feet and a sword in his hand like Donatello did many years before, he portrays David right before the battle begins. David is in the moment where his people are hesitating and Goliath is mocking him. He is placed...
... middle of paper ...
...that will live on forever, just as their names and sculptures will.
Works Cited
Ceysson, Bernard. Sculpture: The Great Tradition of Sculpture from the Fifteenth
Century to the Eighteenth Century. New York: Rizzloi International Publications,
Inc, 1987.
Coughlan, Robert. The World of Michelangelo:1475-1564. New York: Time-Life
Books, 1966.
Gilbert, Creighton. Michelangelo. New York: McGraw-Hill Books Co, 1967.
Hartt, Frederick. Michelangelo: The Complete Sculpture. New York: Harry N. Abrams,
Inc.
Heusinger, Lutz. The Library of Great Masters: Michelangelo. New York: Riverside
Book Co, 1989.
http://www.geocities.com/Vienna/Choir/4792/david.html
http://www.murrayco.com/eleganza/238David.html
http://www.arthistory.sbc.edu/euroart/117euroart/berninidavid.html
Janson, H. W. History of Art. 4th ed. New York: Harry N. Abrams, Inc, 1991.
Keutner, Herbert. Sculpture Renaissance to Rococo: A History of Western Sculpture.
Greenwich, CT: New York Graphic Society, 1969.
Stokstad, Marilyn. Art History. New York: Harry N. Abrams, Inc, 1995.
Wallace, Robert. The World of Bernini: 1598-1680. New York: Time-Life Books,
1970.
Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...
During the time of the renaissance, Italy became the cultural center of Europe and of the renaissance (“Italian Renaissance”). Art had a major impact on the people of Italy during the Renaissance. Many pieces of art were seen as a metaphor for the people of Italy. Italy had independent city-states with their own governments (“Italian Renaissance”). Michelangelo’s sculpture “David” was an example of a sculpture seen as a metaphor. It represented the biblical hero from the story of David and Goliath was seen as a metaphor for the people of Italy against the government it reminded them that someone as small as David once defeated a giant(“Michelangelo Buonarroti”). Even though the arts were changing in Italy, the government was not doing so well. Michelangelo had training in humanism which in the renaissance artist’s art challenged the church and government, they also encouraged that others do the same (“Italian Renaissance”.) This led to many wars throughout this
Firstly, it is frequent to jumble the two names as they are nearly the same; both start with an “L” and end with similar pronunciations. Furthermore, the two women are not exactly perfect citizens of the “Brave New World” community. Lenina seems to fulfill the perfect roles of a common citizen at a first glance, although there are several gray ideals that she contributes. For instance, Lenina desires to have an affectionate relationship with only one man, of which is a shock to her best friend, Fanny, and the rest of the community; “‘No, there hasn’t been anyone else’, she answered almost translucently.
Bernini’s “David” is 5 foot, 7 inches tall and was made in the year 1623. It is from the Baroque period, a time of discovery, exploration and increased trade. Bernini’s “David” is a three-dimensional sculpture that gives the viewer the ability to relate the image with one’s body and not only in one’s mind. Bernini wanted to show the intensity and dramatic tension in the hero David as he prepares to cast the stone from the sling. In contrast to the intensity of Bernini’s David, Michelangelo’s “David” looks much more contemplative, statuesque and less “life-like” than Bernini’s. This marble sculpture, unlike Michelang...
Where one is a bronze statue with a singular figure, the other is a painting with a central figure, from which the story is built. However, their contrasts go beyond what they are made of, to their different subjects and their complexity. Donatello’s David shows youthful beauty and strength, which he confidently exudes through his body language. Standing with one foot atop Goliath’s severed head while turning his body to balance his weight to the other leg, this statue is a clear example of Contrapposto, which the Greeks invented and introduced into their sculptures. Donatello’s statue of David stands triumphant and proudly atop his trophy, while telling the audience I am the conqueror of Giants. His expression is stern to match his
And Lenina was the girl of Bernard’s fancy, who he wanted to be with, but Lenina agreed with the consumption of soma and having sex all the time.
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
The next sculpture that Michelangelo made was for a French cardinal, Jean Villiers de Fezencac. The cardinal wanted a sculpture of Virgin Mary and Jesus. Michelangelo signed a contract to be paid 450 ducats if he completed the sculpture in one year. Gladly, he finished the sculpture successfully. The sculpture was called the Pieta and consisted of the siting Virgin Mary with the dead body of her son Jesus across her lap (McNeese 35).
In this novel, there are very few women. In the World State society, men are the dominant gender. Lenina Crowe and Linda are the most featured women in this society. Lenina is a nurse at the hatchery and she can be used to represent single independent women in this society. She is described as young, beautiful and sexy. She is admired by many men in this community and has dated several of them. While in the lift, Lenina says that she had spent a night with most of the men there (Huxley, 2007 pp. 4). Lenina dates one man at a time. She is dating Henry Foster while at the same time she is attracted to Bernard. Sex in the World State society is encouraged from a young age and Lenina is scolded by her friend Fanny Crowe for dating one man for too long (Huxley, 2004 pp. 13). In this novel, being a single independent woman is not a virtue. A woman should date as many men as possible. Having sex with them should not be made a big deal. It is said “everyone belongs to everyone else” (Huxley, 2004 pp. 12). A single independent woman...
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
Michelangelo di Ludovico Buonarroti Simoni was a painter, sculptor, architect, and poet. He was born on March 6, 1475 in, Caprese, Italy. He was the 2nd born of five sons. He passed away at the age of 88 years old on February 18th, 1564. He was one of the most famous Italian Renaissance artist. He became an apprentice to a painter before studying sculpture gardens of the power in the Medici family. Michelangelo had several works in his time. His most popular sculptures were “Pieta” and “David” Some of his painting are “Sistine Chapel” and “Last Judgment” The pieta painting had showed the “Virgin Mary holding of her son Jesus after he
Lenina and Linda are both shown as Beta females who come from the civilized world. Even though Huxley does not clearly state that Lenina is from a upper class within society; however the text strongly suggests her to be a Beta through dialogue and association presented with other characters, and her specific thoughts and actions. Having a background and childhood in ‘The Other Place’, both women support the idea of conditioning from heart. Despite sharing a common interest in obsessing over materialistic possessions, such as jewellery, clothing, outer appearances and body fragrances; they also share an interest in p...
In the first couple of chapters, Lenina, a young woman, is introduced. When we first meet her, we learn that she has been seeing a guy, Henry, for the past 4 months. The reader can assume that this is normal, since the same happens in our everyday lives, but we soon discover that this is abnormal. In the new world, a regulation is set that men and woman cannot be in committed relationships, but are supposed to have sex with as many men or woman possible. The fact that she is not promiscuous enough can get her into trouble. “And you know how strongly the D. H. C. objects to anything intense or long-drawn… why, he’d be furious if he knew…” (Huxley, 41) As the story progresses, however, she becomes an example of new world regulations, admitting that she had sex with many men. “She was a popular girl and, at one time or another, had spent a night with almost all of them.” (Huxley, 57) Old world r...
Michelangelo’s David does not react with the surroundings but it stands alone with the little movements disguised behind it. The sculpture brings out David as a soldier preparing for war and not a person engaged in a battle (Miller, Vandome, & McBrewster, 2010). The hands are larger than normal and the arms are longer than his body. This is meant to illustrate the renaissance period. In contrast, the Bernini’s David has aspects of motion, showing that he was already engaged in the battle with Goliath. The idea of movement is enhanced by the loosely flowing robes. In addition, the sculpture demonstrates that unlike Michelangelo’s David that has longer hands, Bernini’s David has contracted muscles. The Michelangelo’s sculpture was created during Renascence period while the Bernini’s sculpture was done during the Baroque period.
In his novel, women did not represent any authority in contrast with men. A “Brave New World” depicted women in a typical role in which men have a lot of women around them. In the Utopia that Huxley described, women are victims of discrimination because of their physicals appearance. It follows into the pattern of today’s society, like sexist stereotypes and women 's body image. Sexism in the novel is very visible. Men only valued women for their appearance, rather than for their intelligence. Huxley developed and gave more importance to male characters than to female characters. Female characters were undervalued by the author. Huxley changed many aspects of the female experience. Although Lenina did something as amazing as falling in love, it was not permitted in Utopia. The author should have developed Lenina as a stronger and more courageous