Members of their town did not respect Mercutio and Tybalt Why?. They are passionate and over eccentric characters who enjoy voicing their opinions. Although it can seem humorous, they are psychopaths who enjoy stirring up trouble. If they didn’t express their views history would’ve been completely altered. An example of their craziness is Mercutio’s long monologue warning Romeo about Queen Mab, a fairy queen. Mercutio rants, “O, then, I see Queen Mab hath been with you. She is the fairies’ midwife, and she comes. In shape no bigger than an agate-stone” (1.4,54-55) This proves that Mercutio is over eccentric and has a large sense of imagination. This may not directly lead to conflict, but this crazy action proves that Mercutio can be heavily
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Approaching the coast of France, Martin rebukes the idea of visiting Paris for the city’s deceptive persona. Paris, as described by Martin, is a perpetual site for chaos and empty desires. While recounting Paris, Martin is also iterating the cycle of his and Candide’s life such as Candide losing his profits and Martin being used by his family. The context of chaos and pleasure is subtly revealing the internal conflict of Candide’s optimism. His philosophy allows him to suggest that when he is dosed with good fortune, all is good. However, Candide immediately is struck with ill-fortune and chaos. This leads to him pursuing pleasure once more, just to be placed in another chaotic environment. Adding onto the cycle of Candide’s life, the contrasting
When asked by Benvolio to make peace in the streets, Tybalt bluntly responds,” talk of peace, I hate the word. As I hate hell all Montagues.” This is the attitude of Tybalt throughout the play. He believes he is doing all for the best and uses violence as his tool. He gets angry at the ball with Romeo being there, “villain as a guest,” and believes it best to defend his family’s honor by later taking revenge. When Tybalt finds Romeo, he thinks it best to fight him and when he ends up killing Mercutio he believes he has done his duty by causing Romeo the same hurt he has brought Tybalt, “the injuries that thou hast done me.”
Mercutio: Menî–¸ eyes were made to look, and let them gaze. I will not budge for no manî–¸ pleasure, I. This is just a small sampling of crime and violence versus peace and law. Later in this scene, Mercutio challenges Tybalt in a duel, then when Mercutio is slain, Romeo goes on to challenge Tybalt, killing him. If Mercutio, Tybalt and Romeo would have listened to Benvolio, the fights would have not occurred, and the outcome of the play would be changed. An example of love versus hate occurs through the relationship Romeo and Juliet and the hate between their families.
Romeo was very loyal to his friends and family, and it is possible that Mercutio thought that Romeo would help him fight off Tybalt (since he was unaware of Romeo and Juliet’s secret marriage that somewhat united Romeo and Tybalt). However, this argument is easily deemed invalid. Romeo was not in the town square when the fight had first begun, so Mercutio expected his help in the fight would be a far-fetched idea. A person who is not present cannot help or hinder the situation at hand. In addition, Romeo tried to break up the fight when he said, “Gentlemen, for shame forbear this outrage!
Mercutio in the 1967 version of Romeo and Juliet directed by Franco Zeffirelli is the opposite of violent and dark. The Mercutio shown in this film is a jester and makes light of a situation. This shows through during his fight scene with Tybalt. The scene starts off not very serious. Tybalt and Mercutio are in a fencing with a group of encouraging people standing around in a circle. After Tybalt accidently stabs Mercutio, the scene turns solemn and Tybalt becomes
Mercutio, though a minor character, had and enormous impact on the outcome of the play. Before the Capulet Ball, Romeo had been debating whether to go or not. Mercutio persuaded him to go by giving a big speech to him about a dream he had. This makes him partially responsible because the Ball is where Romeo first met Juliet. Mercutio also caused Romeo to be banished from Verona. Mercutio got in a fight with Tybalt and ended up dead. His death enraged Romeo enough to make him kill Tybalt in revenge. When the Prince saw what happened, he sent Romeo into exile. Romeo's banishment to Mantua made it near impossible for Romeo and Juliet to see each other. Mercutio was to blame, though only partially for the deaths of Romeo and Juliet.
Humor can be found to be a virtue and a vice; however, in the grimmest situations humor may allow the gravity to turn into glee and gayness. Mercutio’s greatest aspect is his sense of humor. Which he doesn’t fail to display even in the most inappropriate moments. An instance of such portrayal is during the scene where Romeo has ditched Benvolio and Mercutio in pursuit of Juliet, in the Capulet’s garden. In which Mercutio comically says, “Nay, I’ll conjure too. / Romeo! Humors! Madman! Passion! Lover!” (II.i.7-8). This moment can be considered much graver than Mercutio depicts it to be which makes this scene much more like comic relief than a serious scene. The fact that there are Montague’s in Capulet’s territory is serious enough and can cause some major consequences for the perpetrators if caught. And now to betray their positio...
Orgon and candide were two major characters from different books that were devoted to Tartuffe and pangloss respectively. Orgon was a man that followed Tartuffe blindly and candide was a devoted student of pangloss. Orgon and Tartuffe both depended on Tartuffe and pangloss to the point of folly.
Oh malicious Tybalt. He is naturally an aggressive person and the feud gave him people to aim it towards. This is how Mercutio’s blood was spilled. By the fuel of the feud thrown on the fire we call Tybalt. Maybe in an alternate universe Tybalt and Mercutio could be friends. The only reason they were sworn enemies is for this hate the Feud
In Act One of William Shakespeare’s play, Romeo and Juliet, we meet Romeo, Mercutio, and Tybalt. Right away, we get an idea of who these characters are and what kind of role they will play throughout the story. Romeo, Mercutio, and Tybalt share many distinctive characteristics and personalities in the story. We learn that Romeo is the romantic and handsome son of the Montagues. In the beginning of the story, he was depressed, but his mood quickly changed as the story went on. We also learn that Mercutio is Romeo’s closest and good friend who tries to make Romeo forget about his first love, Rosaline. He is a great entertainer and he’s very sarcastic too. Instantly, we learn that Tybalt is a Capulet and Juliet’s cousin. He is very hot-headed, aggressive, and violent. He loathes the Montagues very much. Finally, in Act One of William Shakespeare’s play, Romeo and Juliet, we meet three characters, Romeo, Mercutio, and Tybalt and we directly get an idea of what the characters are like.
The plot for Romeo and Juliet stems from a love story based on Romeo meeting Juliet at a ball where Tybalt from the Capulet family attends. Friction begins when Tybalt voices his dislike for Romeo of the Montague family. This sets the stage for a confrontation between Tybalt and Romeo. Mercutio's character takes on importance as the confrontation takes form. If there were no Mercutio than Juliet would still be alive. Unfortunately, Romeo would not be alive because Tybalt would have surely killed
Romeo on the other hand would much rather use his words than resort to violence. In Act 3, scene 1, during the violent encounter between Mercutio and Tybalt, Romeo is seen as trying to settle the feud between the two men rather than them getting into a fight. “Gentle Mercutio, put thy rapier up. / Draw, Benvolio; beat down their weapons. / Gentlemen, for shame! forbear this outrage!” (3.1.83-86). Romeo is once again portrayed as more feminine since he is trying to diffuse the situation using his words and not actions. However, later in the scene when Mercutio is murdered, Romeo’s feminine traits as well as masculine traits are portrayed since he only then resorts to violence in order to defend Mercutio’s honour and avenge his death. This shows that Romeo has the capability to show his more masculine side when he choses. Unfortunately, when faced with difficult circumstances, Romeo is forced to choose between the two sets of
Of all the things that occur in Romeo and Juliet, the death of Tybalt is one of the most climatic parts of the story. Yet, this all started from another killing of a different person, Mercutio. Mercutio, a relative of the Prince and friend of Romeo, and Tybalt, nephew to Lady Capulet and Mercutio’s arch enemy, were in a heated conversion when Romeo walked in after getting married to Juliet and saw what was going on. Tybalt and Mercutio began to fight and Romeo tried to come in between them to stop the whole thing. Unfortunately, as Tybalt was under Romeo’s arms, he stabbed Mercutio and he died soon after. In all the rage, Romeo was furious that his friend was dead and starts to fight with Tybalt. Eventually, Romeo slays Tybalt and he falls to the floor and dies. Romeo runs away in agony before the Prince soon arrives at the scene of the fight with all the other citizens that were awakened by this fray to see what happened. Although Romeo is guilty of homicide, he is charged for manslaughter as he unlawfully killed a person in the heat of passion while defending Mercutio’s honor.
...yalty. The line said by Mercutio: “O calm, dishonourable, vile submission! Alla stoccata carries it away (He draws) Tybalt, you ratcatcher, will you walk” The use of Descriptive triplet in the words ‘vile,’ ‘dishonourable’ and ‘submission’ all have negative connotations which emphasises Mercutio’s anger with Romeo because he won’t defend for himself, thinking Romeo is submissive and cowardly in not wanting to fight.. Mercutio had paid the ultimate price of love, to protect Romeo’s honour and loyalty, his life. Mercutio’s tone of bitterness emphasises his anger with the conflict with the two families taking his life cursing them both (families): “I am hurt. A plague a’ both house! I am sped. Is he gone and hath nothing.”