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Sir Gawain and the Green Knight comments on the social constructs for males and females through its characters. In the Middle Ages, it was believed that men are superior to women. In Sir Gawain and the Green Knight, the men are judgmental and use women, but do not wield power over them. Rather, the women have immense influence over their male counterparts, which they use to decrease the value of the men through manipulation. Sir Gawain and the Green Knight speaks to the immoral character of both men and women through the treatment of Guenevere, Lady Bercilak, and Morgana Le Fay by Sir Gawain and the lord, and through the way that the men are tricked and criticized by the women. King Arthur’s wife, “Guenevere the gay” (74), is beautiful and subdued, allowing herself to be used to cover up male weaknesses without protesting. In Sir Gawain and the Green Knight, Guenevere sets the precedent that women are powerless, voiceless, and often used as scapegoats. Arthur is too afraid to admit that he …show more content…
Upon meeting her, Gawain ignores “the ancient lady” (1001) once he realizes that there is “better sport” (998) in Lady Bercilak, not thinking that Morgana could be cleverer and more powerful than he. Gawain makes assumptions about people’s worthiness based on their appearance, before even knowing them. Morgana herself does not use her power for good, as she singlehandedly succeeds in lowering the esteem of all of King Arthur and his companions. She gains her magic through sleeping with Merlin, which is not respectable, only to use it to scheme against Arthur and trick men into dishonesty. Gawain’s interaction, or lack thereof, with Morgana, as well as her expression of power, demonstrates the immorality of all characters in the
We first meet her as the ugly old lady that was along side Lady Bertilak in the castle, she is covered head to toe but is described as “repulsive to see and shockingly bleared (Winny 2011: 55).” In the end we find out she is really Morgan le Fay. Though she is not mentioned very much in Sir Gawain and the Green Knight, but she plays a very significant role. Morgan le Fay is really King Arthur’s half sister and sent the Green Knight, who we also find out is the same person as the Lord Bertilak, to King Arthur’s in the very beginning of the poem. She does so to test King Arthur’s knights as well as to scare Queen Guenevere to death (Winny 2011: 137). “Through the power of Morgan le Fay” she controls Lady Bertilak as well as Lord Bertilak to do the work and test King Arthur’s knight, Sir Gawain (Winny 2011: 137). The whole time Morgan le Fay had power over most of the characters. She was the one that set up the idea that Sir Gawain would have to meet the Lord Bertilak/Green Knight at his chapel and set up the agreement that Sir Gawain and Lord Bertilak/Green Knight to exchange gifts daily. Though Lady Bertilak did go about testing Sir Gawain with her own power, it was Morgan le Fay who made it happen. This whole poem would not have happened if Morgan le Fay did not set up the whole thing. Morgan le Fay had power over everyone and everything throughout the entire
Lady Bercilak attempts to exploit Gawain’s reputation as she tries to seduce him. She greets him in the bedroom and coyly asks how “a man so well-meaning, and mannerly disposed…cannot act in company as courtesy bids” (189). Lady Bercilak is not subtle (she points out that the door is locked and the two are alone in the castle) as she offers herself to Gawain, saying, “I am yours to command, to kiss when you please” (189). She tries to make Gawain feel guilty by implying that he is insulting her by not succumbing to her seductions and proclaiming his love to her.
Sir Gawain is King Arthur’s nephew and one of his most faithful knights. Although Gawain modestly refutes it, he has a reputation of being an honorable knight and courtly man. He prides himself on his adherence of the five parts of chivalry and is a pinnacle display of humility, piety, integrity, loyalty, and honesty that all other knights strive for. Though Gawain sits at the high table during the New Year’s celebration at Arthur’s court, he defines himself as the least of King Arthur’s knights in terms of both physical ability and mental aptitude. Gawain continually seeks to better improve his inner self throughout the story. His only known flaw proves to be his love to preserve his own life, so much that he will sacrifice his honor in order to save himself.
In the Fourteenth Century, Feudalism and its offspring, chivalry, were in decline due to drastic social and economic changes. In this light, _Sir Gawain and the Green Knight_ presents both a nostalgic support of the feudal hierarchies and an implicit criticism of changes, which, if left unchecked will lead to its ultimate destruction. I would suggest that the women in the story are the Gawain poet's primary instruments in this critique and reinforcement of Feudalism. By positioning The Virgin Mary (as the singular female archetype representing spiritual love, obedience, chastity, and life) against Morgan and Bertilak's wife (who represent the traditional female archetypes of courtly love, disobedience, lust and death) the Gawain poet points out the conflict between courtly love and spiritual love which he, and other critics of the time, felt had drastically weakened the religious values behind chivalry. As such, the poem is a warning to its Aristocratic readers that the traditional religious values underlying the feudal system must be upheld in order to avert destruction of their way of life.
Morgan, Gerald. "Medieval misogyny and Gawain's outburst against women in 'Sir Gawain and the green Knight'." The Modern Language Review 97.2 (2002): 265+. Literature Resource Center. Web. 28 Jan. 2014.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Men exemplify heroic qualities in both Beowulf and Sir Gawain and the Green Knight, however, women are depicted differently in the two stories. In Beowulf, women are not necessary to the epic, where as in Green Knight, women not only play a vital role in the plot, but they also directly control the situations that arise. Men are acknowledged for their heroic achievement in both stories, while the women's importance in each story differ. However, women are being equally degraded in both Beowulf and Sir Gawain and the Green Knight.
After reading through the piece of literature Sir Gawain and the Green Knight, one will realize there are many elements present throughout that could be analyzed such as humility, chastity, and courage. It could be interpreted that the author meant for the main theme of the writing to be a theme of chastity. Although the element of chastity is present in that Sir Gawain is tested by many sexual temptations, the element of humility is one that is prominent and changing throughout the piece. Humility is apparent throughout the story in the way Sir Gawain displays false humility at the beginning, the way he keeps his humility during his stay at the castle, and the way he is truly learns humility after his challenges with the Green Knight are over.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
...rtesy toward females are all tested in the poem. Sir Gawain who is supposed to embody these principles is tested by the Green knight and the lady and he fails to uphold the chivalric code. The failure leaves Gawain scarred for life but it also reflects a change in attitude towards capital violence and the role that it should play in the knights’ life. Gawain makes clear that there is a limit to how loyal and strict a knight can be when he is following the chivalric code and that the demands of the code are so immense that eventually a knight will fail to uphold the code. But this failure to uphold the code and not adhering to capital violence does not show cowardice and is in reality just human mistakes that are expected and are justified
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
Sir Gawain and the Green Knight fit in with the concept of a romance; it has all the elements that would make one consider the text as so. The tale holds adventure, magic, a quest and an unexpected reality check that even those who are considered “perfect” are also just humans. The author used this story as a way of revealing faults in some of the aspects of knighthood through the use of intertwining chivalric duty with natural human acts; thus showing to be perfectly chivalrous would be inhuman.
The roles of women was an issue in medieval times and in The Canterbury Tales. In A Knight 's Tale, the women were portrayed as objects. To men they didn 't mean much. Women for them were there to help only when needed and didn 't hold an important role in society. Women were treated differently and had not much of importance.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
The dual character of her sexual impersonation announces that all sexual identity is enacted as to disguise ones self. As s result of her performance, sexed identity in the seduction scenes is represented as a series of gestures and moments that dispense now femininity, now masculinity. Her indecisiveness between genders necessarily subjects to the site of gender division to continual movement, and under pressure the bipolarity it customarily becomes unstable (Heng 123). Through close analysis of the seduction scenes and all the temptations of Lady Bertilak, there are many sexual connotations in Sir Gawain and the Green Knight, hidden behind the characters dialogue, gestures, language, and physical objects including the girdle. Men and also Knights stood as a chivalric symbol during the late 14th century, but with the exception of Gawain, he loses his virility through Lady Bertilak. Another angle in which this poem can be seen through, Lady Bertilak is given the masculinity Gawain looses and with that, she is given power. As we know women during the 14th century were marginalized and were not given the same rights as men had. In the poem she is able to get what she pleases and desires. Through my precise analysis of Heng’s article and others, now several questions have evolved while developing this paper such as: under what circumstances is a “knight” or a “lady”? What is a woman or a man? What positions are available to each, in the disguise of sexual identity? Thus it would go on forever and I think that is what draws my interest in Sir Gawain and the Green Knight. Although some answers and arguments are set valid, there are many questions that are still unanswered and that is the beauty of it because it keeps us on our toes trying to figure out answers through recent literature and literature that were written centuries