In The House on Mango Street by Sandra Cisneros, and in A Raisin in the Sun by Lorraine Hansberry, majority of the characters have dreams. Many of the dreams that reveal in the stories are unrealistic to come to a reality, considering where they come from, their backgrounds, and the environment around them. In The House on Mango Street, the main character Esperanza struggles to find her true identity and wishes she was a grown up making her own decisions and experiencing new things. While in Raisin in the Sun, Walter thinks he has everything under control, and only does what is best for him, not what is best for his family. In both The House on Mango Street and Raisin in the Sun, the authors reveal that maturity begins when you have to make …show more content…
She dreams about a young boy named Sire, a neighborhood boy who she always catches looking at her, and she starts to develop a small crush on him. Esperanza is told by her parents that he’s a punk and to not talk to him. “I want to sit out bad at night, a boy around my neck and the wind under my skirt. Not this way, every evening talking to the trees, leaning out my window, imagining what I can’t see” (Cisneros 73). All Esperanza wants to do is leave her little red house with boarded up windows, and move into the house of her dreams. Not only is leaving her house a desire of hers, but also growing up and finding some place better, no matter where it is. Esperanza’s desires of getting older are stronger, but she’s also becoming more independent. She’s beginning her transition into young womanhood. Her fall of innocence occurs in the chapter called ‘Red Clowns’. In this chapter, she experiences something she’s never thought of going through before. This experience teaches Esperanza that she shouldn’t believe everything she hears, and the world is nothing like it is said to be in the books and magazines. I would say Esperanza, so you emphasize what she learned. She also learns that the world is not a perfect place either, but is full of many bitter things and …show more content…
The only way for it to become a reality is if he uses the money from the insurance check from his father’s death. He’s desperate to change his life and help his own family have a better life, “This morning I was lookin’ in the mirror and thinking about it… I”m thirty-five years old; I been married eleven year and I got a boy who sleeps in the living room” (Hansberry 5). He was not happy with the life he had, he felt that he needed more to feel complete. Even though Walter had a job as a chauffeur for a rich white man, he still wasn’t satisfied enough. When Mama decides to use the ten-thousand dollars towards Beneatha’s medical school and a new house, Walter becomes extremely upset and refuses to show up to work. Eventually Mama trusts Walter with the money, which was a huge mistake. His selfishness caused his family to suffer. The news of the money disappearing deeply upsets the family and they become completely disappointed in him. Later when Mr. Lindner tries to persuade them by signing a paper to not move into the new white neighborhood, Walter does something unexpected that surprises his family, “And we have all thought about your offer.. and we have decided to move into our house because my father my father he earned it for us brick by brick” (Hansberry 45). At that moment, the Younger’s
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
The House on Mango Street characterizes a community of girls and women restricted in their movements within the barrio. The roles of these girls and women are translated through the eyes of a child. When women in the barrio are confined, they can become a victim of abuse due to male domination. Women are confined to interior spaces in addition to their domestic roles as daughters, wives, and mothers. They live inside the barrio, but desire to escape and live outside the barrio. In addition, women can escape their restricted lifestyle by receiving an education. Esperanza, the child narrator is the only one who escapes this ethnic lifestyle (Mullen 6).
In this essay I will be comparing two playwrights, A Raisin in the Sun and A Doll’s House, to one another. I will also compare the two to modern time and talk about whether or not over time our society has changed any. Each of these plays has a very interesting story line based in two very different time eras. Even though there is an 80 year time gap the two share similar problems and morals, things you could even find now in the year of 2016. In the following paragraphs I will go over the power of time and what we as a society have done to make a change.
The House On Mango Street by Sandra Cisneros is a fictional novel set in 1950’s Chicago. Centering around Esperanza’s Mexican American family and their neighbors on Mango Street, the story illustrates Esperanza’s growth and gain of experience. Throughout the story, Esperanza obtains insight on many diverse aspects of life, one being how different she is from the men and even the other women in her culture and society. She recognizes that many of the women in her life are opressed, and identifies that she craves to be different and more independent. Through the use of figurative language, Cisneros asserts that when women allow themselves to be dominated by men, they may be prevented from pursuing their aspirations.
Characteristics are what define us as human beings. When comparing and contrasting one person to another, characteristics is used to do so. Characteristics such as physical appearance or emotional perceptions help define how a person is perceived, and how we do, or do not compare in such ways. Authors use descriptions of physical characteristics to help us paint a picture in our mind of characters’ appearance from their books while, characteristics of a character’s mentality help develop a personality for us to relate to. It is important for authors to develop personality so readers can relate or understand the differences from themselves and the characters of their stories. The house on mango street is a book written by Sandra Cisneros which, is about main character Esperanza coming to age. Esperanza speaks frequently about having a house she can be proud to call her own. The house in this story represents both physical and intangible wants and needs of the main character. I cannot compare myself physically due to the difference in sex but, Esperanza and I do have similarities
The dreams of Walter, Beneatha, and Mama in Lorraine Hansberry’s "A Raisin in the Sun", may take longer than expected, change form, or fade. Even if dreams seem to never get closer, one should never give up. Without something to work towards, society would just dry up, like a grape in the sun.
Reading is similar to looking into a mirror: audiences recognize themselves in the experiences and characters on the pages. They see the good, the bad, and are brought back to experiences they had overlooked to learn something more about themselves. Some characters touch readers so intimately that they inspire readers to be better than they already are. House on Mango Street, by Sandra Cisneros, follows a young girl named Esperanza and her experiences while living on Mango Street. She is introduced with her desperate wish to escape her poor mostly-Latino neighborhood and live in a house of her own. Esperanza compares herself to her family, innocently knowing what she wants from a young ages. She is observant and holds insights into the lives of others, learning lessons from each person she encounters. While
...working, caring young woman, through hardship and misfortune. This transformation shows that anyone can adjust, and that it is never too late to change your ways and become a different person. Anybody can become nicer if they try, and everyone should, just like Esperanza. By the end of the novel, she realizes how much she has changed for the better, as is shown on the last page of the book (253). “Esperanza smiled and reached over and gently pulled the yarn, unraveling the uneven stitching. Then she looked into Isabel’s trusting eyes and said, ‘Do not be afraid to start over.’” This line, the final line of the entire book, demonstrates that Esperanza realizes that she is different from the person she used to be, and has learned that it was a good transformation. She recognizes that it is a good thing to start anew, and that change should not be feared, but embraced.
The House on Mango Street, a fictional book written by Sandra Cisneros is a book filled with many hidden messages. The book revolves around a young girl named Esperanza who feels out of place with the life she has. She sees that the things around her don’t really add up. The story is told from Esperanza’s perspective and the events she goes through to find herself. Through the strategy of fragmenting sentences, Cisneros establishes that the sense of not belonging, creates a person’s individuality that makes them who they are.
When Esperanza was starting to mature, she started to like guys and cared about what she wore. Esperanza was suppose to go to a dance, but she refuses to dance because she thought her heels were ugly. Another scene that shows the theme “loss of innocence” was when Esperanza got her first job. During her job, she met a man and they started to talk about the man’s birthday and he asked for a birthday kiss. When Esperanza went to go kiss him in the face, he grabbed her face and kissed her on the mouth and doesn't let go (Cisneros 55). As the result of this, Esperanza matures emotionally because she cares about how she looks and physically because she is growing
In The House on Mango Street, Cisneroz agitates the theme of diversity through her use of characters and setting. Cisneroz paints a multitude of events that follow a young girl named Esperanza growing up in the diverse section of Chicago. She is dealing with searching for a release from the low expectations that the Latino communities often put women whether young or old are put against. Cisneroz often draws from her life growing up that she was able to base Esperanza's life experiences on and portray an accurate view on Latino societies today. Cisneroz used the chapter “Boys and Girls” and “Beautiful and cruel” to portray Esperanzas growth from a young curious girl to a wise woman. She came into her own personal awareness and her actions that she has to now be held accountable for.
Walter lives with his mother, sister, wife and child Travis. After the receival of a life insurance check from the deceased Walter Lee Senior, Mama makes a decision to give it to Walter to make him feel like the man of the house. She places endless trust into her son; she gives him the money that is needed for his sisters school, and the house payments. She has high hopes Walter would not let her down by the use of it for something that goes against her values. Unfortunately, as he receives the money one can see how hastily he works to use it for a meer liquor store as he confesses his wrongdoings: “Mama… I never went to the bank at all… It’s all gone.” (Hansberry 129). Prior to this moment, Mama had asked Walter to
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
Mama talks to Walter about her fears of the family falling apart. This is the reason she bought the house and she wants him to understand. Walter doesn't understand and gets angry. "What you need me to say you done right for? You the head of this family. You run our lives like you want to. It was your money and you did what you wanted with it. So what you need for me to say it was all right for? So you butchered up a dream of mine - you - who always talking 'bout your children's dreams..." Walter is so obsessive over money that he yells at his mom for not giving him all of it. He doesn't know that what his mom is doing is for the family. He thinks that having money will make the family happy, when in reality the family doesn't need anymore than what they have to be happy.
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.