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    Sandra Cisneros

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    Sandra Cisneros is a poet, short story writer, and novelist whose work explores the lives of the working-class. Drawing on Mexican and Southwestern popular culture and conversations in the city streets, Cisneros wrote to convey the lives of people she identified with. Cisneros’s childhood loneliness was instrumental in shaping her later passion for writing which is portrayed in her works such as Have You Seen Marie and The House on Mango Street. The story, Have You Seen Marie, is about Sandra Cisneros

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    frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them

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    Sandra Cisneros' Writing

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    Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles

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    Sandra Cisneros´ Life and Accomplishments

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    As an American short story writer, Sandra Cisneros was influenced by her mother. She made her get library cards and check out books to read when she was young. During her childhood experiences and ethnic heritage as the daughter of a Mexican father and Chicana mother, Cisneros adresses poverty. She is best known for the award winning House On Mango Street in 1983.This book mainly focuses on the treatment of woman in a Chicano community. The House on Mango Street as well as her recent books, Woman

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    In the short story, “Eleven”, by Sandra Cisneros, the main character, Rachel, had just turned eleven. Throughout the story, Rachel explains how a person is never one specific age and will demonstrate different age characteristics throughout life. Rachel states that “some days you might say something stupid, and that’s the part of you that’s still ten.” She conveys how age is just a number and a person will never let that part of you go. The author, Sandra Cisneros, uses several literary devices throughout

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    Sandra Cisneros is a very famous writer, she is well known for her work. Cisneros is a Latin American writer who was born to Hispanic parents. Her novel Straw into Gold revolves around the struggles she as a Latin American had to go through. She talks about the stereotypes, and poverty she and her family went through “I think mama and papa did the best they could to keep us warm and never hungry” (Cisneros, 387). The story creates an atmosphere of understanding and inspiration. Which can make young

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    Sandra Cisneros Barbie-Q

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    “Barbie-Q” by Sandra Cisneros is a short story about two little girls and what they imagine when they play with their Barbies. The author shows a glimpse of what it’s like to be poor from the point of view of the little girls. We see the struggle in which people who live in third world countries experience and how different their lifestyles are. By showing us a preview of what it’s like to live in such conditions, the author is trying to show us that we need to be appreciative of what we have as

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    In Sandra Cisneros’ The House on Mango Street she captures the lives and difficulties of poor Hispanic women through the eyes of a young character named Esperanza. Though Esperanza’s age is not specified at any point in the story it is very clear that she is going through the motions of growing up. In this story Cisneros shows the many troubles these women face such as conflicts with themselves, their husbands (and men in general), and their culture. She also presents the limiting choices they make

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    Analysis of Barbie-Q by Sandra Cisneros Cisneros' Barbie-Q really stood out as a great piece of literature. Barbie-Q is a quick glimpse into the life of a poverty-stricken child and her way of life. Though my life as of yet has been rather short, my earliest childhood memories are overwhelmingly my fondest and her account really struck a chord. Sandra Cisneros' accurate reflection of a young mind and intricate writing methods expressed great emotion. Her portrayal of a child's mentality

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    Sandra Cisneros’ Eleven is a powerful piece about the struggle of a young girl named Rachel on her eleventh birthday. The story portrays the fight to overcome her age and young maturity to be understood. However, she cannot conquer the stereotypes associated with her age. There is a hideous red sweater that no one in the class wants to claim; Rachel is then pinned with being the owner of the sweater. When she attempts to announce her innocence, the teacher immediately assumes she is not telling

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    The House on Mango Street by Sandra Cisneros

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    The House on Mango Street, is written by Sandra Cisneros. Sandra Cisneros was born and grew up in Chicago. She was raised by her mother and father who were both of Mexican descent. She grew up in a relatively large family; she was the third child out of seven children. Cisneros’ childhood consisted of her growing up in one of Chicago’s Puerto Rican neighborhoods. As a child she also traveled back and forth to Mexico with her family. Understanding Cisneros’ background is important for understanding

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    House on Mango Street by Sandra Cisneros

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    The House on Mango Street by Sandra Cisneros is about a girl who struggles finding her true self. Esperanza sees the typical figures like Sally and Rafaela. There is also her neighbor Marin shows the “true” identity for women on Mango Street. She also sees her mother is and is not like that at the same time. The main struggle that Esperanza has is with beauty. This explains why most of the negative people that Esperanza meets on Mango Street, and her gender, helped her see the mold she needed to

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    The House on Mango Street Author: Sandra Cisneros was born in Chicago in 1954. She was the third child and the only daughter in a family containing seven children. She grew up and came to study at the Loyola University of Chicago and later on at the University of Iowa. Cisneros is the founder of two organizations, the Macondo Organization and the Alfredo Cisneros del Moral Foundation, whose goal is to serve writers. Sandra Cisneros has been writing for more than 45 years, publishing for over

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    ‘Four Skinny Trees,’ a chapter in Sandra Cisneros’ novel “The House on Mango Street.” Cisneros makes use of a unique type of writing known as vignettes to portray Esperanza’s, the main character, point of view. Her book contains a series of what may seem like detached poems, but by the end they are many little stories that flow together to describe Esperanza’s experiences while living in the little red house on Mango Street. In the vignette, “Our Good Day,” Cisneros really shows how a major part of

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    Themes in Woman Hollering Creek by Sandra Cisneros Woman Hollering Creek is a book of short stories published in 1991. The author, Sandra Cisneros, separated her book into three sections. The section that will be analyzed is the first section where the narrators are female children. Out of the many stories in section one, the three that will be focused on are, "Mericans," "My Friend Lucy Who Smells Like Corn," and "Barbie-Q." The children in these three stories are all lower class, Mexican-American

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    beauty of Sandra Cisneros short the story "Barbie-Q,” shows how beauty is grown because the author expresses her rooted culture, how girls see themselves and the future girls see when they are all grown up. The short story "Barbie-Q,” by Sandra Cisneros has many reflections on cultural diversity and how each culture views its own individual beauty of women and girls which is cultural beauty. Women value culture and the beauty it represents. In the short story "Barbie-Q, "p. 205 (line 1 ) , Sandra Cisneros

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    good, the bad, and are brought back to experiences they had overlooked to learn something more about themselves. Some characters touch readers so intimately that they inspire readers to be better than they already are. House on Mango Street, by Sandra Cisneros, follows a young girl named Esperanza and her experiences while living on Mango Street. She is introduced with her desperate wish to escape her poor mostly-Latino neighborhood and live in a house of her own. Esperanza compares herself to her family

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    Creek” by Sandra Cisneros, Cleofilas Enriqueta DeLeon Hernandez marries, Juan Pedro Martinez Sanchez, to quick to take account of the challenges she will be facing: abuse, alcoholism, and unfaithfulness. Cisneros’ individuality, coming from a broken home and cultural difference life, adds her experiences to depict what she faced through Cleofilas. She idolizes “telenovelas” that she watches with her neighbors grasping the false knowledge of what love between a man and woman is. Cisneros has a

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    The way childhood innocence impacts a young girl among a different culture, comes with the lack of experience in the world, especially within social classification and cultural aspects of everyday life. Sandra Cisneros is a Latina-American writer from Chicago who has been critically acclaimed for her well-written vignettes in Woman Hollering Creek. She writes about experiences within her life that interlace with the way inferiority can leverage minority. The short stories “Salvador Late or Early”

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    Sandra Cisneros was born on December 20, 1954 in Chicago. Being the only daughter of seven, Sandra spent a lot of time writing about the Latina experience in the United States. As a child, her an her family moved frequently and visited Mexico often, to visit her paternal grandmother (English). In high school Sandra wrote poetry and was the editor for the literary magazine. After high school, Sandra received a BA from Loyola University in 1976. In 1978 she was rewarded the M.F.A degree at the University

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