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Jefferson Calle
English 215
Professor Tooma
Critical Analysis Paper #1
Washington Irving produced many tales throughout the course of his life. Two of his best known short stories are found in The Sketch Book of Geoffrey Crayon Gent, which was originally published in 1819. “Rip Van Winkle” and “The Legend of Sleepy Hallow” share a fair amount of similarities as well as differences. The protagonists found within each of these stories both are influenced by the supernatural, and these cause them to disappear. In addition, their absence has a similar effect on the towns they are a part of. They share many things in common, but the two stories do have differences when compared side by side. Both stories take place in Dutch villages,
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This town is also described as being old and secluded. “Local tales and superstitions thrive best in these sheltered long-settled retreats …” (Irving 309). Sleepy Hallow is describes as being enchanted and bewitched. Irving directly states to the reader that myths tend to exist in areas that have been long established. Therefore, both stories have central characters that believe they have been affected by the supernatural. However, the members of these two settlements feel differently towards the paranormal stories that are well known throughout the …show more content…
The narrator provides a very explicit explanation of what Crane looks like. He is described as very tall with exceptionally long limbs. “… hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely held together.” (Irving 293) Based on this description, we can tell that Ichabod sticks out like a sore thumb. As a matter of fact, he is even compared to a scare crow. Whereas Rip Van Winkle loves to drink, Ichabod has an insatiable appetite. “The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder …” (Irving
Throughout Irving’s story, he used characterization, irony, the dreams, and other literacy devices to bring The Legend of Sleepy Hollow to life for Irving’s audience.
A philosopher named Paul Brunton said, “We should control our appetite, otherwise we will lose ourselves in the confusion of the world.” Washington Irving’s short story, “The legends of sleepy hollow” spins a tale about Ichabod Crane's experiences as a city teacher, while living in a magical place known as Sleepy Hollow. Appetite defines Ichabod Crane in the three following ways: food, wealth, and superstitions.
Irving, Washington. “Rip Van Winkle.” The Norton Anthology of American Literature. Ed. Nina Bayn. New York: Norton & Company, 1999.
Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
The original story by Washington Irving starts out in a small town of Sleepy Hollow. Irving paints an image of bountiful crops, beautiful scenery, and prosperous landowners. Ichabod Crane was a local pedagogue, who taught at the local schoolhouse. He was known for his strict ways and yet he was very popular amongst the families of his students- especially the ones who had ?pretty sisters.? Ichabod enjoyed spending fall evenings with the old widows as they sat by a fire and told stories of ghosts and demons and other supernatural beings. One story that was always told was one of the legendary Headless Horsemen. The tale tells of a soldier who had his head shot off with a cannon ball. His ghost now roamed Sleepy Hollow on his horse, looking for his lost head. In place of his head, sits a jack-o-lantern, which had a fiery glow.
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
in creating his vision of the town of Sleepy Hollow and the headless horseman, Katrina,
Washington Irving and Edgar Allan Poe were both writers who exemplified the writing style of the Romantic era. Both writers used their great talents to take the reader into the story. For example, Irving, in “Rip Van Winkle”, starts the story by saying, “Whoever has made a courage up the Hudson must remember the Kaatskill Mountains.” He also involves the reader in the story by taking us into the everyday lives of the Van Winkles and goes into some detail describing Rip’s “business”. Poe also demonstrates his ability to pull the reader into the story. In “The Fall of the House Usher” he uses extensive descriptions of the settings to give the reader the feeling of being there while the story is developing around them. The writers are also similar in the use of tone in their works. Irving’s use of tone in his stories is typically lighthearted, yet dramatic. This is demonstrated in “Rip Van Winkle” when Rip comes back from the “Kaatskills” and is talking to all the people in the town. There, he finds his son and daughter and asks, “Where’s your mother?” By asking this question, Irving implies both curiosity and even fear if Dame Van Winkle is still around. This humorous approach to the subject of Rip’s wife, makes light of ...
In “Rip Van Winkle” by Washington Irving he writes about a simple man, Rip Van Winkle, who does just enough to get by in life. He lives in a village by the catskill mountains, and is loved by everyone in the village. He is an easy going man, who spends most of his days at the village inn talking with his neighbors, fishing all day, and wandering the mountains with his dog to refuge from his wife the thorn on his side. On one of his trips to the mountains Rip Van Winkle stumbles upon a group of men who offer him a drink, and that drink changes everything for Van Winkle. He later wakes up, twenty years later, and returns to his village were he notices nothing is the same from when he left. He learns that King George III is no longer in charge,
Washington Irving’s short story, “The Legend of Sleepy Hollow,” was adapted into a movie titled “Sleepy Hollow” directed by Tim Burton nearly two centuries after the original publication. When the story was adapted as a film, several extensive changes were made. A short story easily read in one sitting was turned into a nearly two-hour thriller, mystery, and horror movie by incorporating new details and modifying the original version of the story. The short story relates the failed courtship of Katrina Van Tassel by Ichabod Crane. His courtship is cut short by the classic romance antagonist-the bigger, stronger, and better looking Broom Bones. Ichabod wishes to marry Katrina because of her beauty but also because of the wealthy inheritance she will receive when her father, Baltus Van Tassel and stepmother, Lady Van Tassel die. However, the film tells the story of Ichabod Crane as an investigator who is sent to Sleepy Hollow to investigate the recent decapitations that are occurring. These modifications alter the original story entirely, thus failing to capture the Irving’s true interpretation of “The Legend of Sleepy Hollow.” The film and the original story have similarities and differences in the plot, characters, and setting.
The traveler goodman Brown encounters with the serpentine staff is one supernatural element Hawthorne includes in Brown’s quest. "He had cast up his eyes in astonishment, and looking down again, beheld neither goody Cloyse not the serpentine staff, but his fellow-traveler alone." (Hawthorne 390). Hawthorne’s use of the traveler with the serpentine staff suggests goodman Brown’s own subconscious debate of evil within man and his innocence. All the “witchy” encounters the traveler leads goodman Brown to on his quest seem to only lead him further from finding himself than he was at the start. Washington Irving also uses a supernatural element with the infamous headless horseman in “The Legend of Sleepy
Irving, Washington. "The Legend of Sleepy Hollow." Ed. Illustrated Arthur Rackham. United States: David McKay, 1928.
In Washington Irving’s work “Rip Van Winkle,” Irving demonstrates all characteristics of an American Mythology rather humorously. These characteristics affect the story attracting the attention of readers and impacting the reader’s experience of the story by relishing America’s unique attributes and values. In “Rip Van Winkle,” Irving incorporates attributes of American Mythology by setting the story in exciting pastimes, filling the story with strange and exaggerated characters, and featuring magical mysterious events.
Washington Irving's, "Rip Van Winkle" presented a tale of a "dreamer." Rip Van Winkle was a family man
Reflections are meant to look back upon something, and in this case it is to look back on what was learned during this course. After reflecting on this course as a whole and what was learned, there has been a significant value gained of how to look deeper into the writing and look at more than just words on a page. It is this deeper knowledge of what the authors wrote that became a teaching point for myself in this course. Three of my favorite, as well as three of my least favorite readings were selected for this reflection. I found a common theme in the struggles written by each author, was best represented in the writings of John Smith, Washington Irving, and Frederick Douglass as my favorites, and Edward Taylor, Ralph Waldo Emerson,