Although at times it is easy to get carried away with the adventure of a story, noticing the elements a writer has put into his work is very important. In reading “Young Goodman Brown” and “The Legend of Sleepy Hollow” you can see both similarities as well as differences of how both Nathaniel Hawthorne and Washington Irving chose to illuminate their romantic writing styles. The writers both use a mystical woodsy setting with supernatural twists to draw in readers. Underlying you will find the differing romantic themes each writer used, as well as how each writer chose to end their work.
Each author sets a gothic tone first and foremost by the techniques used to describe setting and characters. Irving and Hawthorne set their stories in ghostly mysterious forests. Each author uses phenomenal to truly connect the reader with the stories. Hawthorne’s use of similes to tie in what the forest was like gives a sense of letting the readers feel like they are there with young goodman Brown, “ . . . surrounded by four blazing pines, their tops aflame, their stems
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The traveler goodman Brown encounters with the serpentine staff is one supernatural element Hawthorne includes in Brown’s quest. "He had cast up his eyes in astonishment, and looking down again, beheld neither goody Cloyse not the serpentine staff, but his fellow-traveler alone." (Hawthorne 390). Hawthorne’s use of the traveler with the serpentine staff suggests goodman Brown’s own subconscious debate of evil within man and his innocence. All the “witchy” encounters the traveler leads goodman Brown to on his quest seem to only lead him further from finding himself than he was at the start. Washington Irving also uses a supernatural element with the infamous headless horseman in “The Legend of Sleepy
Hawthorne’s Romantic writing ability allures his readers into deep thought of the transforming characters creating himself as a phenomenon. His ability to transform Puritan society in a dark world “attracts readers not only for their storytelling qualities, but also for the moral and theological ambiguities Hawthorne presents so well” (Korb 303). In “Young Goodman Brown” Nathaniel Hawthorne uses Romantic characteristics such as artificiality of the city, escape from reality, and the value of imagination.
The Romantic era writers, Washington Irving and Edgar Allan Poe, had many similarities but even more differences, in both writing theme and style. This is very evident in their works, “Rip Van Winkle”, by Irving, and “The Fall of the House of Usher”, by Poe.
When a writer starts his work, most often than not, they think of ways they can catch their reader’s attention, but more importantly, how to awake emotions within them. They want to stand out from the rest and to do so, they must swim against the social trend that marks a specific society. That will make them significant; the way they write, how they make a reader feel, the specific way they write, and the devotion they have for their work. Washington Irving, Nathaniel Hawthorne, and Edgard Allan Poe influenced significantly the American literary canon with their styles, themes, and forms, making them three important writers in America.
How W.W. Jacobs, H.G. Wells and Charles Dickens Create Suspense in their Gothic Horror Stories
With respect to the Gothic conventions present in The Raven, The Black Cat, and The Tell-Tale Heart, Edgar Allan Poe’s texts are considered examples of Gothic literature. Through the use of literary techniques and devices, Poe has effectively conveyed thematic concerns of Gothicism. Poe’s texts explore the inept fear of the unknown, the decay of an individual’s character and the psychotic relationship between insanity and the expression and instigation of emotions. The Gothic conventions within his work complement each other and operate in conjunction to express themes related to Gothicism, as ambient setting is achieved with the aid of the Gothic conventions of supernatural motifs and reference to darkness. By creating a pastiche of forms and conventions, Edgar Allan Poe’s works are considered sublime paradigms of Gothic fiction.
Key Elements of Gothic Literature Jasmine Giles People enjoy reading gothic literature due to its heart rate exciting nature. Without having to engage with any real danger, it is common for the reader to feel anxiety and impaitence when reading gothic fiction. In order for the reader to feel these emotions, the author uses certain elements, such as a gloomy setting and old-fashioned dialoge. In the stories “The Black Cat” and “The Tell Tale Heart”, by elgar allen poe, and “The Landlady”, by Roland Dahl, there are many similarites that remanticize the idea of horror and mystery. Some elements, however, bring out the disbolical horror of gothic literature: the setting, characterization, and the motif of suspense.
Physical surroundings (such as a home in the countryside) in works of literary merit such as “Good Country People”, “Everyday Use”, and “Young Goodman Brown” shape psychological and moral traits of the characters, similarly and differently throughout the stories.
The character in Gilman's story is sick, while the character in Hawthorne's’ is a sinner. One took place in early America back in the 1700’s while the other was more modern in the early 1900’s. Then one showed how miserable life could be for being a sinner and the other showed the protagonist making a difference in their life, This shows that even if the genre is the same that there can be different meaning and endings behind it and not to judge a book by its
The improbable plots and unlikely characterization showed how much they used creativity. According to a Romanticism article, “The Romantics tended to define and to present the imagination as our ultimate ‘shaping’ or creative power, the approximate human equivalent of the creative powers of nature or even deity” (“Romanticism”). They believe that imagination is an essential and amazing ability that humans possess. Romantic authors often included examples of imagination and creativity within their works. In the short story “The Legend of Sleepy Hollow,” the supernatural plot and improbable characters illustrate the imagination of Romanticism writers (Irving). Washington Irving must have used a significant amount of creativity to come up with a story that involves a headless ghost riding a horse. He thought outside of his reality and environment in order to create an impossible and fascinating character. The Romantics favored imagination and creativity because they realized how invaluable it truly
Edgar Allan Poe has a unique writing style that uses several different elements of literary structure. He uses intrigue vocabulary, repetition, and imagery to better capture the reader’s attention and place them in the story. Edgar Allan Poe’s style is dark, and his is mysterious style of writing appeals to emotion and drama. What might be Poe’s greatest fictitious stories are gothic tend to have the same recurring theme of either death, lost love, or both. His choice of word draws the reader in to engage them to understand the author’s message more clearly. Authors who have a vague short lexicon tend to not engage the reader as much.
The term ‘Gothic’ is highly amorphous and open to diverse interpretations; it is suggestive of an uncanny atmosphere of wilderness gloom and horror based on the supernatural. The weird and eerie atmosphere of the Gothic fiction was derived from the Gothic architecture: castles, cathedrals, forts and monasteries with labyrinths of dark corridors, cellars and tunnels which evoked the feelings of horror, wildness, suspense and gloom.
Of the Romantic Movement, two of the most well-known Gothic literature writers were Nathaniel Hawthorne and Herman Melville. Gothic writers mainly wrote about themes that showed that they did not believe that people were ‘good’ by nature and the stories they wrote focused on the evils and flaws of mankind. These two authors presented their respective stories “Bartleby the Scrivener” and “The Minister’s Black Veil” as novels that explore the lives and behaviors of other human characters. Although the stories have different perspectives and settings, they both reveal more about how the other human characters are and what dark or unusual traits and motives they have.
Washington Irving presents two of the chosen short stories, “The Legend of Sleepy Hollow” and “Rip Van Winkle”, by saying they are works of a Diedrich Knickerbocker. The reason he published the stories under that name came from the fact that his brothers were all in the study of law. Irving tried that career out for a while, but the he quickly grew bored. He told his brothers that he wanted to find a different career. When he started writing, he grew embarrassed and decided to change his name in printing.
While Irving may poke fun at the idea of a simplistic moral, a clear maxim that one can easily digest, he nevertheless infuses his work with a message. If any “moral” could be taken from “The Legend of Sleepy Hollow,” it is that there are some places where reason cannot guide us. The possibility of a place where reason and rationality are no longer useful is a direct and sharp critique of the ideals of the Enlightenment. Through his “tools of the trade” as a storyteller, Irving effectively denounces the limits of Enlightenment thinking, and opens the door for the possibilities of Romanticism and the Gothic.
Hawthorne is a dark romantic because of his early life, dismal adulthood. He grew up without a father, when he was four his father died, leaving his mother and two sisters (Pearson 1). Pearson said the woods helped young Hawthorne heal, when he was young he was considered to be “delicate”, and Hawthorne became a reckless child injuring himself leaving him laid up for almost a year (1). While he was healing he developed a strong love for reading (1). When he was old enough he added a W to his name to escape his ancestor’s background because his great-great-grandfather was a judge at the Salem Witch Trials, and he was the only man to not apologize for sentencing innocent people to their deaths (Allen 454). “I take shame upon myself for their sakes and pray that any curse incurred by them…may now and henceforth removed” (454). Hawthorne was also fascinated by common man because he saw himself different from them, and he avoided failures daily (Bloom 33). Hawthorne didn’t waste his time “chatting” with people especially people who he thought of as fools (33). Hawthorne’s methods were to love and pity mankind more than he mocked them, he never created a character which didn’t possess a soul; another method was to write with a noble respect for his own...