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Compare and contrast the tempest book and film
Theme of power dynamic in the tempest
How colonialism a key theme in the tempest
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In ‘Lord of the Flies’ and ‘The Tempest’ William Golding and William Shakespeare both present a strong theme of power throughout both of the literary texts including power represented through fear and through nature. The novel ‘Lord of the Flies’ written in 1954 tells the story of a group of school boys surviving on an island. Life on the island becomes chaotic and represents a microcosm of the bigger world. On the island Ralph represents the power of a capitalist fighting for democracy and Jack portrays that of a fascist. Ralph also represents a democratic society which is ruled by power for the sake of law and order and in contrast to this Jack represents an autocratic society governed by power just for the sake of having power. In ‘The Tempest’ written in the 1600’s the play reflects the colonisation of countries occurring at that period of time, Shakespeare writes this clearly as most people want to rule the island for example Caliban ‘ As I told thee before, I am subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island’. In act 1 scene 2 Prospero explains to Miranda of the power he once had as the prince of Milan before his brother Antonio gradually stole his power while he studied magic ‘The ivy which had hid my princely trunk’ Shakespeare uses the imagery of ivy to …show more content…
This results in chaos and the eventual loss of Ralph’s authority as chief. The build up to the loss of power in ‘The Tempest’ compared to ‘Lord of the Flies’ has a contrasting approach but is also unexpected as ‘The Tempest’ unlike ‘Lord of the Flies’ lacks the foreshadowing of Jack’s savageness. ‘But I shall! Next time! I‘ve got to get a barb on this
The Lord of the Flies is a gruesome story about young boys stranded on an island, who underwent a transformation from polite British choir boys to savage hooligans. One of the main difficulties the boys face during their adventures upon the island, is their method of government, they either follow the path of Ralph, the democratic leader whose main focus is to escape the despairing island; or Jack a power-hungry monarchical leader who won't ever take no for an answer. The two boys are constantly bickering and arguing over who deserves the leader-position. We all understand Ralph wants to be leader so that he can ensure that the boys will return back home, but in Jack's case, it is a constant mystery to us about why he wants power over the other children. But we do get much small hints from the author, William Golding, that Jack's biggest fear among the other children on the island is public humiliation. This becomes more and more evident the farther on into the book, and his fear seems to be what persuades him to reach for a powerful position.
Jack, William Golding’s antagonist in Lord of the Flies, reveals through his experience on the island that it is an individual’s assertiveness, manipulative abilities, and charisma which dictate who commandeers power and privilege over others, and that possessing these traits often negatively impacts the lives of the people leaders seek to control.
In Lord of the Flies, Golding’s portrayal of Jack’s growing power on the island aligns with Thomas Hobbes’s assertion that humans naturally tend to act violently and contentiously, but Golding’s depiction of Jack as a leader also ridicules Hobbes’s idea of an absolute monarchy.
William Golding’s timeless classic, Lord of the Flies, reflects Philip Zimbardo’s observations on the power of power through the transformation and development of the character Roger and his personality. The more power available to Roger, the more savage he becomes until it reaches a point where he can violently murder a peer and put his head on a stick for all to see and feel no remorse. Power can corrupt even the greatest of men and if a man can have power and not be corrupt, he has passed the ultimate test of character.
Government plays an indispensible role in the rights and freedoms we possess in our lives. They permit us religious liberty, freedom of speech, educational opportunities, and other freedoms that go along with our daily lives. For over thousands of years civilizations and governments have been operated differently. When a group of British schoolboys become stranded on a deserted island, each have contrasting ideas on how government and society should be run. In “Lord of the Flies,” William Golding portrays how the shift in authority, ideas, and judgment of the group members result in dissimilar forms of governmental beliefs. Ralph represents a democratic government, Jack embodies a dictatorship and a totalitarian state, and Piggy is an allegorical
Power is very dangerous, as shown in William Golding’s Lord of the Flies. The novel explores the use of power in both the hands of good and evil and for success and for failure. Also, how some characters respond to having power. An examination of William Golding’s LOTF will show how fear is powerful and how the characters use that to their advantage. Also, the power shifts between the characters and the aftermath of that.
“Maybe there is a beast… maybe it's only us” (Golding 80). Referencing the savagery of human nature, this statement is one with great accuracy. While reading Lord of the Flies, written by William Golding, many themes and problems presented themselves. The book really highlighted the use of power, and the types of people using it. People in society, whether they want power or not, can use their authority without the best intentions, corrupting themselves and others into inhumanity. For example, Jack uses his urge for authority, and eventually his control, to create an extremely savage tribe of boys, by pushing his own wants and laws onto them. This type of power can demoralize many people, including the ultimate
When viewing the atrocities of today's world on television, the starving children, the wars, the injustices, one cannot help but think that evil is rampant in this day and age. However, people in society must be aware that evil is not an external force embodied in a society but resides within each person. Man has both good qualities and faults. He must come to control these faults in order to be a good person. In the novel Lord of the Flies, William Golding deals with this same evil which exists in all of his characters. With his mastery of such literary tools as structure, syntax, diction and imagery, The author creates a cheerless, sardonic tone to convey his own views of the nature of man and man’s role within society.
In Act I of the play, Prospero finally tells Miranda the woeful story of how she and he arrived on the island. From the beginning, Prospero plays his subjects and his sympathetic audience as pawns in his game of manipulation. He explains that twelve years ago he was the Duke of Milan, but being enthralled with his studies, he left most of the governmental responsibilities to his brother Antonio. Antonio, hungry to be "Absolute Milan" himself (1:2, p.6), proceeded to betray him with the help of King Alonso of Naples. When Miranda asks why they were not killed, Prospero sighs, "Dear, they durst not,/ so dear the love my people bore me" (1:2, p.7). From the beginning, Prospero portrays himself as a distinguished scholar and beloved leader unjustly victimized by his power-hungry brother. Who would suspect such a humble man of being psychologically manipulative? Prospero succeeds in deceiving many with this credible guise.
Power is a person’s capacity to influence and control. In Shakespeare’s time and in the modern world, power is something that is sought by many people. When used for good, power can inspire change, help society and unify a nation. However, in William Shakespeare’s play King Lear, it is a force strong enough to turn family against each other, and drive people mad. Goneril and Regan are corrupted by the power their father gives them. Edmund is corrupted by the power of his new position, Earl, and King Lear is blinded by his belief that he is the all-powerful King. The greed for power, plays an extensive role in the play because it corrupts most of the villainous characters and ultimately leads them to their demise.
The abuses of power displayed in The Lord of the Flies and “I Only Came to Use the Phone” show how power when given or assumed can change the person who has been elevated above others as well as changing the person who is being abused. When people in authority abuse this power, they can affect people’s lives and well being.
Power is a universal concept. With regards to humanity, the desire for power the need for control and authority for personal gain is present throughout history. This theme is especially prevalent in Shakespeare’s The Tempest, through the character of Prospero, who takes advantage of his magical abilities in an immoral manner, for the purpose of fulfilling his self-serving goals. Correspondingly, Shakespeare demonstrates the effects and ethical consequences of absolute power through Prospero’s abuse of his magic for personal benefit.
Prospero's magical powers allow him to single-handedly take control of a situation of slowly developing chaos, caused by his eviction from Milan, and turn the plot of The Tempest. Prospero has powers over his surroundings, far greater than those of an ordinary mortal, and he uses them for good in the course of the play. This essay will discuss whether Prospero combines his magic with power over the self, and whether Shakespeare actually presents him as an ideal ruler.
William Shakespeare’s The Tempest draws parallels between magic and power. Prospero uses his magic to induce suffering. He also uses magic to exert his will upon the actions of others. Upon giving up his magic, however, Prospero achieves redemption. Thus, Shakespeare uses Prospero’s magic to reveal the corruptive influence of power.
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.