Heart of Darkness, by Joseph Conrad, and Things Fall Apart, by Chinua Achebe, both employ different perspectives of the African culture. In this African culture, the influence of colonialism, and the use of fear generated and paved the way the novel flowed. Heart of Darkness presents a negative view of Africa through a white man’s perspective where they somewhat fear the natives and their traditions, while Things Fall Apart presents the point of view of an African native facing the first hand effects of colonialism and fearing the changes that come with it. This is shown when Conrad presents a negative view of Africa by describing the natives as “unhuman” and “animals”. He labels the natives as vicious and portrays them as “savages”. “He was an improved specimen; he could fire up a vertical boiler. He was there below me, and, upon my word, to look at him was as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind-legs.” (Conrad) In this passage Marlow is …show more content…
He was scared of the white men changing the Igbo culture and bringing in new religions and customs to the villages. Okonkwo was against the white man essentially coming into the Igbo village, destroying the Igbo culture and its traditions and reinstating their own. The effects of colonialism take a huge toll on Okonkwo and he is devastated because of the change that the colonist brought to the Ibo village. Okonkwo does the most cowardly thing a man can do in the Igbo tribe, which is killing himself. Okonkwo feared the change that was happening and wanted no part of it so he ended his life. While he was trying to not to become the failure and coward that his father was, he did one of the most cowardly things a man can possibly do. Since it is a disgrace for someone to commit suicide in his tribe Okonkwo would not receive a proper burial and instead would be thrown into the Evil
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
of his final action: suicide. Due to this fact, Okonkwo can never be a true tragic he-
Written in different times, and through different perspectives, Heart of Darkness and Things Fall Apart present entirely opposing views of the Victorian Era colonization. Marlow and Kurtz display the racism of white Europeans through both ignorance and cruelty. Okonkwo exemplifies the anger and sorrow that Africans felt at having their homes and customs destroyed. Both authors had personal bias and specific motives when writing their works; though the novels can be independently educational, it is only through the study of both these and other perspectives that clear conclusions can be drawn.
Okonkwo is often described as being similar to characters in Greek tragedies. Okonkwo knew that the end of his clan was coming, and that they would do nothing to prevent it from happening. He took his life out of desperation. He had struggled his whole life to become a respected member of his community, and suddenly his world is turned upside down and changed forever because of an accident. Okonkwo sees that he is fighting a losing battle, so he quits. Suicide was one of the biggest offenses that could be committed against the earth, and Okonkwo?s own clansmen could not bury him. Okonkwo?s death symbolizes the end of patriarchy in Umuofia. The last page of the book is from the point of view of the white Commissioner, who notes that he wants to include a paragraph on Okonkwo?s life in his book entitled The Pacification of the Primitive Tribes of Lower Niger. Okonkwo?s struggles, triumphs and defeats are all reduced to a paragraph, much like his culture and society will be reduced.
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
Acclaimed Nigerian author, Chinua Achebe’s 1958 novel, Things Fall Apart, is a story about Okonkwo, a man from the fictional village of Umuofia. Okonkwo’s attempt to form an idealized self-identity and the stress he experiences in living up to its image wears his life, and eventually destroys the very identity he so desperately sought. Okonkwo’s end is analogous to the end of his tribe and its culture—Achebe refers to the Igbo peoples’ culture as the Ibo culture in his book. Furthermore, Okonkwo’s end shows the pain experienced by the change in power balances as the rulers became the ruled, with the white man colonizing Africa. The Heart of Darkness hardly needs an introduction; Joseph Conrad, its writer, wrote the novella based on his experiences as a captain on the Congo. The protagonist is Charles Marlow, whose impression of the colonized Congo basins along with its tribal inhabitants and the raiding white men amidst the deep, dark, disease-infested forests of Congo form the basis of the story. Things Fall Apart and Heart of Darkness are both based around situations that instigate the awe-inspiring, and yet horrifying confluence of races and cultures. However, while the former tells the story from the colonized peoples’ perspective, the latter tells it from the colonizers’ perspective. This paper attempts to highlight the differences and similarities in these novels by exploring the underlying themes and unusual circumstances portrayed in them.
In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a novel, Things Fall Apart: an antithesis to Heart of Darkness and similar works by other European writers. In Things Fall Apart, Achebe tells the story of an Ibo man, Okonkwo, and the tragedies which he has to endure. Africans are represented as individuals capable of speech, not just one massive conglomerate of natives. Their customs are not regarded as eccentric or bizarre, but as the norm-functioning no differently than the variety of Western customs do. And the land itself is described as a mix of towns and farms, not a mysterious land which breeds insanity. In almost every respect, Things Fall Apart contradicts the stereotypes set up in Heart of Darkness.
"He owes no allegiance to anything except those animal powers, those various lusts, those unpermitted aspirations lurking in the darkness of his inner station. Marlow also responds to these dark callings, and he almost becomes their captive. He confuses the beat of the drum (the call to man's primitive side) with his own heartbeat, and is pleased.
Heart of Darkness by Joseph Conrad and Things Fall Apart by Chinua Achebe are two novellas written to make a statement about the struggles of early societies. Both stories stir up moments of hope, anger, disappointment, despair, and enlightenment in an attempt to inform the reader of the injustices and societal differences during the 1800’s. Heart of Darkness tells the story from a European Colonist perspective while Things Fall Apart illustrates the outlook of the African tribe member being colonized. Throughout this piece I will investigate these unique texts in hopes of revealing the symbolism behind the trying stories. I will compare and contrast the narratives and decipher the outlooks so that the reader can learn to appreciate and understand the collective battles told by men that lived through them.
Okonkwo was ashamed of him and did everything possible to never end up like his father. When the narrator stated, “With a father like Unoka, Okonkwo did not have the start in life which many young men had. But he threw himself into it like one possessed. And indeed he was possessed by the fear of his father’s contemptible life and shameful death” (pg. 18). The.
An Image of Africa Heart of Darkness by Joseph Conrad has been depicted as “among the half-dozen greatest short novels in the English language.” Chinua Achebe believes otherwise. In Chinua Achebe’s An Image of Africa: Racism is Conrad’s Heart of Darkness he simply states that, “Joseph Conrad was a thoroughgoing racist” [pg.5]. Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe.
Okonkwo uses fear to keep his other children in the Igbo culture. He fears that if his family converts then there won’t be anyone to remember him when he dies. At the end of the story, Okonkwo reaches his breaking point; “They came to the tree from which Okonkwo’s body was dangling and they stopped dead” (Achebe 127). With everything changing around him, he reaches his breaking point and hangs himself, even though it goes against the Igbo tradition.
His society was complacent to change, content to surrender its traditions to a different culture. In killing the messenger at the end of the novel, Okonkwo was looking to save the culture that had fallen apart long before that moment. And like his culture before him, he fell apart when no one else resisted. Whether or not he had hanged himself, under British rule, he would still have been dead. Works Cited Achebe, Chinua.
Depiction of Africa in Heart of Darkness Chinua Achebe believes that Joseph Conrad's Heart Of Darkness is racist based on Conrad's descriptions of Africa and it's people. Achebe, author of Things Fall Apart, stresses Conrad's depiction of Africa as the antithesis of Europe and civilization, and the animal imagery present throughout the novella. Heart of Darkness, written in 1899 during the period of British Imperialism, concerns a British trading company and their expedition into the Congo for ivory. The African natives are treated brutally by the Europeans, and despite Conrad's casual condescension towards the Africans, one cannot help feeling resentment at the unnecessary cruelty they must endure.