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Comparison Between Two Female Chqaracters Of Shakespeare
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There are many similarities and differences between Emelia and Desdemona. The status of the men they have married and their faithful and duteous love to their spouses throughout the story. Contrasting their views on marriage and the men that are in their lives. The major similarity is how well the one man that seemed to have snakelike mind and silver tongue played them both. Emelia and Desdemona are similar and indifferent in their blind love for their husbands, the type of man they have married, and in the end, a defiance to do what they felt was right even while being manipulated by Iago through the story. Both Desdemona and Emilia are very faithful wives of men that are in the Venetian military. These men are both held in high esteem by the Venetian society. Othello is a general of the …show more content…
Desdemona has a soft and refined use of her speech. Even at the foot of death her speech is still eloquent, "No, by my life and soul!" (1229). Emilia is a rougher around the edges, due to a middle class upbringing. Her speech is rough yet somewhat refined. Her speech is very direct and challenges the foreboding of death, “I care not for thy sword;” (1233). When Emilia is upset, her words turn harsh and very direct, "He called her a whore;” (1219). There is no humiliation for Emilia while speaking the word “whore”. When the word “whore” is spoken in front of her, Desdemona’s refined and proper upbringing makes her shutter.
Desdemona continues to love and cherish her husband throughout the play, while Emilia slowly loses her supportiveness after finding out Iago’s plot. Even while in the arms of death Desdemona continues to take the full brunt of Othello’s jealousy driven attack, “Nobody; I myself; Farewell” (1232). Desdemona maintains her true love for Othello even after the slaying, epitomizing sentimental affection between the
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
Love and story of Othello and Desdemona is full of dramatic irony which was caused by differences between reality and appearance, result and expectation, intention and meaning. Their love was beautiful and ugly at the same time. It was beautiful because they seemed to be truly in love with each other. On the other side it was crippled by distrust and jealousy. As it was stated before, Othello was a different person with a totally different outlook on life and reality. Unfortunately Iago was pretty skillful in manipulating Othello and using situations to his advantage. He managed to distort Othello’s reality and made him think Desdemona was not true
When we first begin Othello, we see the start of what we believe to be a beautiful marriage between Othello and Desdemona. However, at the end, we are faced with the tragic murder of Desdemona by her dear Othello, bringing this marriage to a gruesome end. We’re left with a sense of horror, sorrow, and bewilderment. How could this have happened? Why did Othello, how did Othello, go from a doting husband to a furious killer? The obvious answer is that Iago deceived him into thinking that Desdemona had been unfaithful to him. However, multiple factors contributed to this tragedy. One could say that Emelia is the pivotal point in the tragedy of Othello. It was due, in part, to her actions and motivations, as well as the jealousy that she caused in Iago, that Desdemona died.
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
Emilia. Othello, Desdemona and Iago are the main characters. Othello focuses on the relationship between Othello and Desdemona. Iago, Emilia and Roderigo play a big role in the relationship. It is a tale of love and deceit.
These behaviours allude towards tension due to their dissimilarity to the accustomed conduct of Othello and Desdemona. Desdemona’s growing fear of Othello is evident. in the precautions she takes to avoid his anger. Desdemona places the importance of Othello’s commands above her need to confide in Emilia.... ...
Desdemona is more in love with Othello than he is with her. She shows her love in the scene that involved him attempting to kill her then when he attempts to smother her. Even though she knows she is going to be killed by Othello she was serene with the thought about it, she knew he was deceived and she acknowledged and accepted it.
She never truly changes, even after all of the hardships that she faces throughout. Her final words illustrate how powerful and loyal she was. She says to Emilia, “Nobody; I myself. Farewell. Commend me to my kind lord. O farewell” (V, ii, 125-6). Before saying this, Othello strangled and tried to kill Desdemona. He thought that she was dead, but just as Emilia came in, Desdemona said her last few words. Emilia asked her what happened and who had done this to her. And in response, Desdemona said that quote above. Although Othello was the one who killed her, she did not want to expose her husband. She remained loyal to him even after all of the terrible things that he did to her. Desdemona never said anything negative about Othello throughout the play, and did not use animal imagery once. Although not every character was evil, the ones who used animal imagery were truly separated from those who never used
Even on her death bed, Desdemona’s character of an inanimate object belonging to Othello is carried on. It is lead on by Emilia’s question of “who hath done this deed” (5.2.137) referring to Desdemona’s death and her reply, “Nobody. I myself. Farewell. Commend me to my kind lord. Oh, farewell!”(5.2.138-139), overall putting the responsibility of her death upon herself. Leaving the readers impression of Desdemona as one filled with sympathy and rage against her unwillingness to fight her independence as well as against the men of this time period for not realizing the importance of such a woman.
In Othello, the evil villain Iago, tricks Othello into thinking his wife is having an affair with someone else. Iago hates Othello with a passion simply because he over looked him in a promotion and chose someone else instead. Othello becomes so enthralled in his jealousy that he ends up killing his wife, Desdemona. Desdemona was pure and she always remained firm in her loyalty and devotion to Othello. Even when she knew she was about to die she remained strong, “I never did offend you in my life; never loved Cassio but with such general warranty of heaven as I might love” (Othello). Iago’s wife, Emilie, died as well by the hands of her husband. She told Othello the truth about what her husband did and that Desdemona was innocent. Because of this, her husband killed her. Shakespeare uses these two women to represent the wrongs of society. “Shakespeare uses Othello to identify the repression of women as a social evil”
Both marriages portray the role of woman. Both Emilia and Desdemona are under the control of their husbands. They were almost forbidden to speak up. Shakespeare is trying to show that that notion of "love", is not all that it is intended to be. Up until the end of her life, Desdemona defended her husband [act 4 scene 2] "I hope my noble lord esteems me honest.""O, heaven forgive us!". It seems as in all of Shakespeare plays, love always end in a tragedy. This proves to be true in Othello.
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
The Relationship Between Othello and Desdemona We first learn of there being a relationship between Othello and Desdemona when Iago and Roderigo are telling Roderigo (Desdemona's). Father, that ''an old black ram is tupping your white ewe''. This is referring to Othello and Desdemona having sexual intercourse, and. Shortly after hearing this, we became informed that Desdemona is "Tying" her duty, Beauty, Wit, and Fortunes In an extravagant and wheeling. stranger''.
Desdemona and Emilia are two of the main characters in William Shakespeare’s Othello. While one of them is the overly virtuous wife of the play’s protagonist and tragic hero, the other one is wife to one of the most clever and maquiavelic everlasting villains.
While they have arduous intentions, none of them ever defend themselves. Desdemona is a passive victim who lets Othello abuse her, Emilia allows herself to be abused by Iago, and Bianca lets Cassio take advantage of her. Desdemona demonstrates weakness in her love for Othello and by taking his abuse. At the beginning of the play, Desdemona feels she must accompany Othello to Cyprus in war.