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"The Story of an Hour" by Kate Chopin is a short story in which the main character, Mrs. Mallard, becomes excited at the idea of a new life of freedom after being given the news of her husband's death. In "The Yellow Wallpaper" by Charlotte Perkins, the narrator is forced to stay in her room by her husband due to some illness. Both of these stories were written and set during the late 19th century. This is a time period in which women did not have many rights and their voices were not heard. In both stories, the main characters love their husbands but at the same time, they feel repressed by them. Towards the end of both of these stories, both main characters get a taste of freedom from their marriage, only for it to be taken away by their …show more content…
husbands. Both "The Story of an Hour" and "The Yellow Wallpaper" are set during the late 19th century.
This is an era in which women were considered fragile and in which husbands believed they knew what was best for their wives. "The Story of an Hour" takes place in the home of both Brently and Louise Mallard. While "The Yellow Wallpaper" takes place over several days, "The Story of an Hour" takes place within an hour. Due to Mrs. Mallard's heart condition, she is confined to the house. The limited time frame of this story could reflect how Mrs. Mallard feels trapped in her life and in her marriage. The entire story takes place within the Mallard household, with the majority of the story taking place within Mrs. Mallard's room. On the other hand, the narrator of "The Yellow Wallpaper" is confined to only her room. She wishes to leave the room and spend some time outside. John, who is both her husband and a doctor, arrogantly believes he knows what's best for his wife and completely disregards anything the narrator says. On top of this, he treats her like a little girl and this shown when he says, "What is it, little girl?" (Gilman 159), when he says walking around the room at …show more content…
night. In "The Yellow Wallpaper" the narrator's husband treats her like a child.
This backed up by the fact that the room he confines her in use to a nursery. Although the narrator does love her husband and tries to convince herself that he is trying to what's best for her, whenever she expresses herself, he completely disregards her opinion. This leads to a bit of resentment within the narrator towards her husband as she feels she can't express herself and has no control over her life. In "The Story of an Hour", Mrs. Mallard admits that while she did love her husband, she is still excited by her newfound freedom when she processes the news that he has died in an accident. She had come to view his death as the beginning of her new life unrestrained by someone else. This is shown while she is in her room and starts to think that "There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature" (Chopin 101). Like John from "The Yellow Wallpaper", Brently believed that he knew what was best for his wife and confined her to the
house. In "The Yellow Wallpaper" the narrator is confined to only a single room within a much larger house by her husband. The yellow wallpaper in her room and the woman that the narrator sees behind it symbolizes how she feels. She feels like she is trapped just like the woman she sees trapped behind the yellow wallpaper. The narrator feels trapped since her husband does not allow how her to do many things due to her illness. Most importantly he does not allow her to write in her journal. This takes away from her a way of expressing herself and the narrator chooses to disobey him by secretly writing in her journal. Towards the end of the story, she feels liberated once she "helps" free the woman behind the wallpaper and the story ends with her having gone insane. In "The Story of an Hour", Mrs. Mallard is confined to her house by her husband due to her heart condition. When she receives news that her husband has died in an accident, initially she does grieve over his death. However, she comes to realize that she is now free to live her own life. Even though she is by herself, she tries to fight the joy that she feels of her newfound freedom. She begins to imagine a new life of freedom, "Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own" (Chopin 101). However, that was all taken away when Brently arrives safely home and she receives a heart attack at the realization that the freedom she dreamed of has disappeared Being set in the late 19th century, both of these stories show what would be considered a normal marriage at the time. However, both Mrs. Mallard and the narrator for "The Yellow Wallpaper" feel repressed by their husbands. Since they both suffer from some kind of illness they are confined to their homes by their husbands since their husbands believe that they know what is best for their wives. Both of these stories have a bittersweet ending for the main characters, as Mrs. Mallard realized that her husband is still alive and the narrator of "The Yellow Wallpaper" goes insane.
Mrs. Mallard in 'The story of an hour', is a woman that has had to live her life composed and in control as the wife of her husband, Brently Mallard. Chopin details Mrs. Mallard's reaction to the news of her husband's death with convolted emotions that were considered appropraite and yet horrifying to the reader. At the end of the story, her death came as no surprise.
When we compare contrast the two stories "The Yellow Wallpaper" vs. "The Story of an Hour”. If we first look at the similarities that they have, they are both about women who are controlled by their husbands, and who desired freedom. But both women had different reasons for their freedom. It sounds as though both husbands had control over their lives and both women had an illness. But I don’t believe the husbands knew their wives were so miserable. So as we look at the lives of women back in the 19th century time they have the stereotypical trend of being a house wife, staying at home taking care of kids, the house, and aiding the husband in his work. Being in charge of the household makes women have many responsibilities to take care of but still women are often looked down upon and men who often thinks a women’s say is unimportant. The two short stories are about two women who have husbands that successful and the women who feel suffocated by their lack of ability to live their own lives or make their own decisions. The two stories present similar plots about two wives who have grown to feel imprisoned in their own marriages.
By contrast, Louise Mallard, the protagonist in Chopin's "Story of an Hour", is a moral woman and loving wife, at least by Western standards. Her life is defined by the accepted social ideal of a husband's will as final. She is so inured to this concept that only upon hearing the news of his death does her true feeling of something "too subtle and elusive to name" (199) come forth. What she acknowledges to herself is that her marriage is not happy for her and she often resents her subservient role and "a kind intention or a cruel intention made the act seem no less a crime".
Comparatively, the relationships between the two main characters in the stories portray women’s yearning for freedom with different types of confinement. Psychological and physical confinements are terms that we can see used through out both stories. While “Story of an hour” basis its character being emotionally confined, and her great awakening being the room in which she grasps the hope of freedom. The settings show the character analyzes her new life, as her barrier and weight of being a wife is lifted, bring fourth new light. We can see in “The Yellow Wallpaper” that the author chose to base the main character John’s wife, around physical confinement in which her room symbolized imprisonment, and due to her illness mental confinement as well. Soon enough we see that her sickness takes hold making her believe she has desperately found freedom, but in reality she has found nothing merely more than herself. Something she had hated throughout the story, ending in only sadness. Telling us Psychological confinement played a big role as her sickness takes hold of her identity leaving behind the
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
Both “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” display women discovering freedom from society’s standards during the setting’s time period. In “The Story of an Hour,” Louise locks herself in her room after discovering that her husband has died and at that point in the story she finds herself more confident in herself. She exclaims, “Free! Body and soul free!” (Chopin 83). After she believed her husband died she finally had reason to take initiative in life and did not have to live a life were nothing was expected of her. She found freedom in locked quarters. Just as John’s wife did in “The Yellow Wallpaper.” As the wife’s sickness progressed, her anxiety over the yellow wallpaper increased. The patterns developed within the walls showed the image of a woman creeping along, and as the shadows of the bars from the window cast across the woman. This can symbolize how she is like the shadow, imprisoned in her room and mansion. As time moved forward, the wife fully identifies with the image in the wall, and by the end of the story she locks herself in her room and frees the woman behind the bars by pealing off most of the wallpaper.
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” are viewed from a woman’s perspective in the nineteenth century. They show the issues on how they are confined to the house. That they are to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper,” both women explore their issues on wanting to be free from the control of their husband’s.
Narrator and Point of View in The Yellow Wallpaper and The Story of an Hour
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
Depression is an illness oftentimes misunderstood by the individual and their family. One symptom of depression is isolation and in Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper” and Doris Lessing’s short story, “To Room Nineteen,” the protagonists feel trapped and unfulfilled in their ordinary lives causing them to become depressed. The battle both these characters undergo reveal many compelling similarities, despite the origin and breaking points of their disturbing thoughts and actions. In “The Yellow Wallpaper” and “To Room Nineteen,” the two protagonists experience isolation from the world and people around them.
Likewise, In the yellow wallpaper, the narrator talks about her authoritative husband. Gilman starts the story by introducing the two main characters of the story John and Jane, the narrator. The narrator is mentally unstable. He forces her to visit the doctor, who wants to say no but couldn’t resist. He doesn’t believe she is sick and he talks about the treatment she says “I sometimes fancy that in my condition if I had less opposition and more society and stimulus (Gilman).” She disagrees with the treatment yet she doesn’t have any choice other than listening to her husband and her opinions doesn’t really matter. Furthermore, her husband acts as a caring husband, but she knows he’s taking advantage of his role, he’s dominant and forces
Situational irony is used in "The Story of an Hour" through Mrs. Mallard's reaction to her husband's death and the description of the settings around her at this time. Upon hearing the news of her husband's death, Mrs. Mallard "wept at once, with sudden, wild abandonment" (Chopin 213). It appeared to everyone that as a result of her husband's death, Mrs. Mallard was incredibly sad. She insisted upon being alone and retreated to her room. The sort of reaction she had seems like one typical to someone who had just lost a loved one. She experienced grief and shock. However, once she is alone in her room, the reader discovers another side of her emotions. Once she calms down, she whispers "Free, free, free" (Chopin 214), and the reader realizes that she is not having a typical reaction. Instead of being saddened by the loss of her husband, Mrs. Mallard is relieved. "She saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome" (Chopin 214). Mrs. Mallard, instead of wondering who will support her in years to come, realizes that she will have no one binding her a...
Many Feminist writers during the Progressive Era often wrote about gender equality. During the Progressive Era, many women found freedom through artistic creativity to escape their bounded lives through writing. Each writer expressed their opinions in hope to strike a spark in women’s rights. The authors Charlotte Perkins and Kate Chopin in their stories, “The Yellow Wallpaper” and “The Story of an Hour,” use recurring themes of complete isolation to illustrate the domestic space typically inhabited by women during the Progressive Era, providing detail and evidence of this isolation through the use of setting and symbolism.
Mallard are trying to break away from the society beliefs of the time period. In The Yellow Wallpaper as Jane progressively gets worse the reader begins to see her lose her mind. Jane begins to see shapes in the wallpaper then as she gets worse she sees a woman trapped inside the wallpaper. This women can represent of the oppressed women of the time period and Jane. Jane then describes how the shadows of the bars over the window cast over the woman in the yellow wallpaper. This also represents Jane and her imprisonment in the bedroom. It can also symbolize all the woman trapped by their husbands and their dominating figure of the time period. In the end of The Yellow Wallpaper Jane loses her mind and begins to tear the wallpaper off. Since the shadow can symbolize her she believes she has set herself free. Jane even states in the story, “you can’t put me back”. This direct quote from The Yellow Wallpaper informs the reader that Jane believed she was trapped in the wallpaper and by removing it she has set herself free. Unfortunately, her husbands treatment paved the way for Jane to lose her mind and has the story end tragically. Similarly, in the Story of an Hour after Mrs. Mallard finds out about her husband 's death she locks herself in her room and realizes she is free. She can start her own life and write her own story without her husband inhibiting what she wants to do. She imagines what she is going to
We know this because Chopin tells us that Brently Mallard, Mrs. Mallard husband works on the railroad. Throughout this short story there are examples showing how Mrs. Mallard's actions and ideas are focused on her selfhood and freedom. The author also describes the realization of freedom as if it were a evident thing, "there was something coming to her and she was waiting for it" (Chopin para. 9). There are also thoughts and ideas that show Mrs. Mallard realizing that love is by no means a substitute for independence. "The Story of an Hour" also deals with societal conflicts through their impact on the protagonist. Mrs. Mallard is seen to be unaware of the conflict and resulting oppression, until events occur that force her to see it. She is ultimately defeated by the social