Can we always control what we say or how we act? This can be asked by the when reading either “The Fall of the House of Usher” or “Young Goodman Brown.” To further understand these stories, in order to see why the above is true, the keys to writing any story must be defined and discussed. The first key is character, characters are the people that the story follows. Their thoughts and actions are brought to life through development done by the author of the story Development can also be done through the interpretation of the reader based on the information that the author gives, or may not give the reader about the character. Two main types of characters are seen in a story, static and dynamic, whether it be one or the other, or both. Static characters don’t change throughout the story, while dynamic characters show a change in one way or another. This change in the particular character usually has some sort of significance to …show more content…
In the beginning of each story, the main characters Rodrick Usher and Goodman Brown both seem to be just two normal guys, but the events in each story show that that is not so. Actually, by the end of the stories, it is the exact opposite. Both Usher and Brown are completely insane or corrupt. It is safe to say that both characters are out of control. Both characters would be classified as dynamic, because there is a drastic change in both of them between the beginning and end of their respective stories. Usher and Brown went through a lot in these stories, and both of ended up in the predicament, death. When it comes to conflict in both stories, the belief systems are man and self. Also, presented as man vs. self. This type of conflict is considered internal. During the course of both stories, Brown and Usher had to fight against their own minds, and things do not end well for either of
In Hawthorne’s stories “Young Goodman Brown” and “The Great Stone Face”, Goodman Brown and Ernest both struggle with their faith throughout their stories. In “Young Goodman Brown”, Goodman Brown had made the decision to go to a ceremony, and on his journey, he was met by the devil that corrupted everything Goodman Brown knew and believed. The devil said he knew Goodman Brown’s father, grandfather, and wife, and stated that they were all corrupted. With that being said, Goodman Brown suffered from knowing what about his faith was good and evil. In “The Great Stone Face”, Ernest was hard-working and honest from childhood to adulthood. Throughout his life there were many people claiming to be the Great Stone Face, but Ernest knew they were imposters
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
“The Fall of the House of Usher” by Edgar Allan Poe was published in 1839. In it, the short story’s narrator visits a childhood friend, Roderick Usher. The narrator travels to the Usher house, where the story takes place. As in other Poe stories, the settings reflect a character. Throughout the short story, there are many instances when the Usher house and Thought, the castle in Roderick’s poem, reflect Roderick Usher and his family. In “The Fall of the House of Usher,” the setting of the Usher house along with the setting in Roderick’s poem reflect Roderick Usher in appearances, relations with family, and physical existence.
Gothic fiction is a literary form that embodies mystery and terror. The term Gothic is a subgenre of the Romantic movement of the19th century. Gothic refers to the architecture that was intended to introduce light and height to the churches through pointed arches, ribbed vaulting and stained glass windows (Voloshin 421 ). Although, gothic fiction was initiated in England it had wide spread appeal in Italy, Germany and Ireland. Two popular fictions that follow the themes and conventions of gothic fiction are Edgar Allen Poe’s “The Fall of the House of Usher” and Guy de Maupassant’s “The Horla”. Both are short stories that embody most of the conventions that can be associated with stereotypical gothic literary fiction. Both literary works use the deterioration of the human mind and the supernatural phenomenon throughout the story, a commonly used gothic convention. Although both stories are inherently different in aspects like narration, they are both successful in demonstrating the descent of the human intellect from obsessing over the unknown which only leads to self-destruction. Fear is a guiding force in both the short stories and the fixation the main characters with it only leads to their demise. With both terror and the supernatural being common conventions in most gothic fiction
During the nineteenth century, literary writers were encouraged in transcendentalism. Their main focus was on capturing the spirituality in nature. For example, authors such as Henry Thoreau and Ralph Emerson were dominating the world of poetry and prose with their tales of nature. From Thoreau's' journey through the Maine Woods to Emerson's Nature, the transcendental ere, was in the main stream. Yet, not all of the nineteenth century writers shared this same viewpoint. As a matter of fact, one writer emerging, who proved to be just as prominent, had a viewpoint in direct opposition of his contemporaries. The great Edgar Allen Poe, though born during the same period and encountered the same influences, would emerge as a different writer. "Those others", Emerson, Hawthorne, Thoreau, Whittier and Holmes, "turned toward Wordsworth while Poe, took Coleridge as his loadstar in his search for a consistent theory of art" (Perkins 1236).
Not so long ago, my sister and I went to a haunt attraction an amusement park was holding. We walked through a house where people would jump out of nowhere to scare you. From time to time, we’d walk through items that had either moved or rattled. These simple changes made both my sister and I very uncomfortable and left us terror-stricken all night. No one would feel comfortable to look at an object, blink, then see that the object wasn’t at it’s rightful place. That’s not normal, especially when you're by yourself. That would mean someone or something else is with you. You know what else would scare us? When people around us transform. It’s like meeting someone new and thinking hey, she’s cool… but once you get to know her, you realize you
In “The Fall of the House of Usher” by Edgar Allan Poe, the death of Madeline and Roderick Usher represents the ending of something, and in this specific case, the ending of a generation. Throughout the story, it is made very clear that Madeline and Roderick are the last living people of the Usher generation. Roderick Usher explicitly states on page four, “‘Her decease,’ he said, with a bitterness which I can never forget, ‘would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers.’” Therefore, when they both die at the end, it is clear that it is the end of a generation. The ending of their generation creates a depressing and serious feeling through this story due to the fact that the Usher’s will be no more.
In the short story, “The Fall of the House of Usher” by Edgar Allen Poe, diction is extensively used to create an air of suspense. Poe’s use of diction along with symbolism contributes to establishing a mood of despair. By using symbolic comparison between the Ushers and their house, the story’s suspense builds and the characteristics of the Ushers are portrayed. Poe’s cunning tactics are evident in the way he achieves a story of both suspense and horror.
The human condition, a concept prevalent in several pieces of literature, encompasses the emotional, moral, questioning, and observant nature of humans. This concept is often used by authors to emphasize the characteristics that set humans apart from other living creature. Edgar Allan Poe’s dark fantasy piece “The Fall of the House of Usher” perfectly depicts the human condition as it conveys how fear and over-thinking can control one’s actions and life.
...ther serves to excite and stimulate our senses as we travel into the deranged mind of a killer ? offering us a unique perspective through the first person point of view. Similarly, the ending of ?Young Goodman Brown? offers a moral, but leaves the main character in a state of discord and callousness towards his wife, and his religion. The story is didactic, because the main character is punished for his transgressions. Symbolism, evident especially in Hawthorne?s allegory, and the repetition of Poe?s suspenseful tale serve to further the goals of each writer. Ultimately, Hawthorne?s Goodman Brown becomes isolated from humanity, an issue of the head and the heart, and Poe?s narrator withdraws inside himself, an issue purely of the mind. Recognizing this discord from the self and humanity is essential to understanding the behavior of these troublesome characters.
Edgar Allen Poe, a famous novelist from the 18th century, is known for being a treasure trove for allusions, illusions, clues, and all sorts of literary fun. Born in 1809, this Bostonian never had it easy. Marriage to a 13 year old cousin, family problems, and deaths surrounded him. Over time, such tremendous struggle began to reflect in his writing, creating the dark and moody tone we now see today. One such piece, The Fall of the House of Usher, tells the tale of a man who goes to visit a dying friend on his last days. Roderick Usher is the name of this dying man, although he doesn’t seem dead in the beginning. However, the deathly state should be of no importance to the reader; death is the very essence of Poe’s writing. Rather, the reader’s attention should be deviated toward the unusual twin of the story,
...Brown, like all humans, sees that everyone can be corrupt and immoral, that it is possible for people to make mistakes. This is extremely disappointing to brown and ruins him. Brown felt that he made the right decision and did not follow the devil, but everyone else around him did. Even his own wife follows the devil. She is supposed to represent holiness and faith, and she is just as corrupt as everyone else. This portrays how even the church, which is supposed to be holy, can be corrupt. The story symbolizes that everyone in society is flawed and no one is perfect. However this idea drives Goodman brown to become insane. He dwells on this fact and loses his ability to see the good in people as well as the bad. Brown couldn't realize that even if people are evil at times, they can still be good people. This is what caused brown to change so drastically.
If there is one thing that is widely agreed upon in regards to Edgar Allan Poe’s “The Fall of the House of Usher” it is surely the fact that the short story is one of the greatest ever written. The very words that Poe selects and the manner in which he pieced them was nothing short of phenomenal. This however, is pretty much all that people are able to agree upon. Indeed, to almost everyone who reads it sees the story as great, but for different reasons. In a way the tale can be compared to a psychiatrist’s inkblots. While everyone may be looking at the same picture, they all see different things. What mainly gives “The Fall of the House of Usher” this quality is the double meanings and symbols Poe seems to use throughout.
In Edgar Allan Poe’s short story, “The Fall of the House of Usher,” exhibits an accurate representation of the Gothic genre. Edgar Allan Poe’s work presents itself as mystifying because of the way he is able to confuse and muddy up the concepts to his readers. Poe incorporates the disappearance and reappearance action of the characters throughout the short story as well as an eerie feeling to represent the Gothic genre. Poe also uses the literary device, Gothic double. However, critics of Poe’s work have considered that some of his short stories are a parody of the Gothic genre. They are both equally represented throughout the short story. Furthermore, “The Fall of the House of Usher” is a the best of both worlds.