Compare And Contrast The Early Attempts To Justify Photography As An Art Form

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2. Art and Photography:
Compare and contrast the early attempts to justify photography as an art form (e.g. Le Gray, Reijlander, Robinson, Emerson, Cameron and other pictorialists). What forces were against the perception of photography as a fine art and how did photographers work to overcome this?
Compare and Contrast: The Artists of Photography Photography has instilled its roots as a form of art in mid 19th century. Photographers and art were on a challenging race, resulted into building the photography as the new art phenomenon in that period. Due to both simple techniques and marvelous skills in that era, photographers from all over the world were competing on inspiring the world with this new art form. Each photo artist had a special …show more content…

Davison promoted a theory of impressionistic photography, where he used a pin hall camera instead of a lens, and that resulted in producing a wide angle photo and soft focused effect. Pictorialists are somehow similar in a way, but they contradict in different way. They believed photography has its unique character as an art form. Dramatic pictorialists like William Henry Fox Talbot (1800 – 1877), the British calotype inventor, created figures that are emerging from a series of brush strokes, which was strange and radical to the medium. It was called gum bichromate printing, using Arabic gum and pigment rather than silver for creating the density, and brush strokes were added when processing. In another part of the world, pictorialist esthetics was admired and practiced by a significant figure in the history of photography was the American artist named Albert Stieglitz (1864 - 1946), who was an amateur artist, and a photographer who started a gallery in New York city. Stieglits also wrote a journal called Camera Work featuring the works of other pictorialists in his era. All these movements made a great impact to engrave photography as a new form in the history of fine arts. Similarly, the method of using brush strokes effect was used by the American-born photographer Frank Eugene (1865 – 1936) but in a different style of photos. He was specialized in producing nude theatrical portraits, mostly female nudes. On the other hand, there were photographers doing some stage reenacted scenes such as Fred Holland Day (1864 - 1933) who's work was considered provocative and controversial and too disturbing to public to accept. In contrast with Eugene, Holland day used to include male nude sensual photographs to his

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