She's the Man and John Tucker Must Die is both comedic films that are most popular with teenagers and young adults. She's the Man is a hilarious film about a girls experience impersonating her brother at his new school just so she can make the soccer team. John Tucker Must Die is a movie that depicts four strangers who become friends and plot against their school's bad boy. When choosing a movie for a teenage gathering She's the Man has cuter actors, humor that is more appropriate, more relatable situations, better production quality, and a better ending than John Tucker Must Die. When it comes to attractive actors, She's the Man is a better movie choice than John Tucker Must Die. Both movies have famous actors playing lead roles however, She's the Man's actors are more widely known. Channing Tatum is the male lead in She's the Man. Channing Tatum won the sexiest man alive title given by People magazine in 2012. Although John Tucker Must Die's actors include Brittany Snow, a beautiful blonde-haired person with a nice figure, and Jesse Metcalfe, a pretty boy with even prettier muscles, neither has won an award for being attractive. Moreover, John Tucker Must Die has some attractive actors but they are not as attractive as Channing Tatum. …show more content…
She's the Man tells jokes that a teenager might hear in their everyday life. For example, the movie uses light-hearted mocking among friends. An example of this in the movie is a group of friends mocking a male for having a "girly" ringtone on his phone. These types of light-hearted jokes are family-friendly, unlike some humor in John Tucker Must Die may be inappropriate for some ages. For example, a group of girl friends jokes about a friend being "easy" and accepting that as normal behavior for a child. Sexual innuendoes and suggestive language, clothing, and gestures may not be appropriate for younger
¨Grease is the word¨, and ¨what team? Wildcats¨ are well known phrases that emerged decades apart, yet come from almost the same movie. With a twenty eight year age gap between the movies Grease and High School Musical, there was bound to be some differences in the way the characters handled their problems. The leading characters being protagonists, Sandra Dee with Danny Zouko and Gabriella Montez with Troy Bolton all being influenced by how their time period saw women. Grease takes place in the 1950’s; a period often viewed as one of conformity. Sandra and Danny portrait traditional gender roles; she desperately craved his approval (evidence). Gabriella, on the other hand, being brought up in the early 2000’s was independent and did not seek
Sister Flowers and A View From the Bridge are two short stories with strong correspondence and likeness. In the story, Sister Flowers by Maya Angelou our narrator Marguerite, a young African American female gives the reader introspect of her life and how a scholarly educated and aristocratic woman named Mrs.Bertha Flowers has made an impact on the narrator's life. While in the story A View From the Bridge by Cherokee Paul Mcdonald a man talks about his encounter with a boy he met on a bridge. Both short stories from the choice of character comparisons with both Marguerite and the boy on the bridge , The author's theme,syntax and symbols to overall effectiveness of both narratives proves that these two stories are more the same as a sense to their overall message they are trying to communicate to the reader.
The Odyssey is one of the oldest stories ever written and it's amazing how it has stuck around for so many years. It's very cool to see such an old tale be interpreted into
The bildungsroman ‘The Catcher in the Rye’ by J.D Salinger and the play ‘A Streetcar Named Desire’ by Tennessee Williams are both post-World War Two narratives which incorporate protagonists that challenge contemporary American attitudes. Blanche DuBois and Holden Caufield are quintessential examples of characters who subvert societal expectations, impositions and hegemony of America in the late 1940s and early 50s, the author and playwright have the plot revolve around these characters and their itinerant lifestyles as they literally and socially move from one milieu to another. Both Salinger and Williams use a plethora of literary devices such as symbolism, juxtaposition and imagery whether it is visual, auditory or olfactory to highlight
The Beautiful Struggle and The Wire deeply expressed the Black experience. Both factors gave the perspective on how Black individuals view society based on what they go through. The book, The Beautiful Struggle, covers Ta-Nehisi Coates’s childhood and adolescence of growing up in Baltimore, Maryland. In the show, The Wire, it is based on a group of four boys who are also being raised in Baltimore, Maryland. The Beautiful Struggle and The Wire are comparable because the book and the show both consist of young Black boys who are trying to find a place in life where they belong, while being surrounded by street challenges such as, violence, gangs, and drugs. Also, the character Dukie in The Wire and the character Ta-Nehisi Coates in The Beautiful
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
Comparing apples to oranges is not always futile. This statement is clearly proven to be true when comparing David Sedaris 's essay, "Me Talk Pretty One Day," and Dave Barry 's, "Lost In the Kitchen." Both of these essays are humorous examinations of human experiences. While Barry 's, an essay about men 's innate disadvantages in the kitchen (compared to women), relies on unjustified stereotypes, obviously false assertions, lame hyperbole, and overwrought imagery to convey his purpose, Sedaris utilizes a plethora of varying rhetorical devices and strategies to convey his purpose throughout his essay about taking a french class in France under the tutelage of a tyrannical and cruel teacher. He uses devices such as; vivid diction, credibility
Comedy often allows for a subversion of the status quo that is not tolerated in more serious genres. Beginning in the 1930s, the subgenre of screwball comedy presented female characters who were active and desiring, without evoking negative characterizations as "unfeminine" or "trampish." Screwball comedies represent a specific form of romantic comedy that features a complicated situation--or more often a series of complications--centered around a strong-willed, unpredictable female. The comedy is generally physical as well as verbal. Screwball and other forms of romantic comedy do not just reverse the masculine/active, feminine/passive paradigm--which as E. Ann Kaplan notes accomplishes little in terms of change--but instead strengthens the female and weakens the male just enough to put them on more equal footing.
...ereotypes and patriarchal norms (Annie baking, Helen being a rich step-mom, the wedding itself), it also undermines patriarchy at the same time. At one point or another throughout the film all of the female characters go against the common conception and portrayal of women being proper and passive. They can be raunchy, drink, use vulgar language, and show they aren’t that different from men.
Acclaimed Nigerian author, Chinua Achebe’s 1958 novel, Things Fall Apart, is a story about Okonkwo, a man from the fictional village of Umuofia. Okonkwo’s attempt to form an idealized self-identity and the stress he experiences in living up to its image wears his life, and eventually destroys the very identity he so desperately sought. Okonkwo’s end is analogous to the end of his tribe and its culture—Achebe refers to the Igbo peoples’ culture as the Ibo culture in his book. Furthermore, Okonkwo’s end shows the pain experienced by the change in power balances as the rulers became the ruled, with the white man colonizing Africa. The Heart of Darkness hardly needs an introduction; Joseph Conrad, its writer, wrote the novella based on his experiences as a captain on the Congo. The protagonist is Charles Marlow, whose impression of the colonized Congo basins along with its tribal inhabitants and the raiding white men amidst the deep, dark, disease-infested forests of Congo form the basis of the story. Things Fall Apart and Heart of Darkness are both based around situations that instigate the awe-inspiring, and yet horrifying confluence of races and cultures. However, while the former tells the story from the colonized peoples’ perspective, the latter tells it from the colonizers’ perspective. This paper attempts to highlight the differences and similarities in these novels by exploring the underlying themes and unusual circumstances portrayed in them.
I and this girl go with the man. Mind, it is a joke no longer." (page
Russell Crowe won the 2000 Best Actor Oscar for Gladiator, and in this movie, he doesn’t give anything less of a great performance. Crowe successfully buries his personality beneath Nash's, allowing the character to come alive and for the audience to see inside his mind. And, when it comes to the sequences showing Nash battling his demons, Crowe's performance is convincing. At the same time, Jennifer Connelly is wonderful as Alicia. She does well depicting a woman torn by love for and fear of the same man.
In society today, there are thousands of genres in the world that can be used in a plethora of ways. Probably the most common and most popular genres in this current generation are horror and comedy. These genres are found at the opposite end of the spectrum but it is not rare to see them side by side in movie theaters or even some libraries. Horror and comedy are known for their fictitious storylines along with some semblance of a lesson to be learned. Although in most cases lessons that are taught in horror films or novels are more likely to stick then in a comedy situation.
Death is a concept that every human being must accept eventually. Some fight against death while others embrace it. There are even instances in which one may be living but already feel dead. Death is a common topic used in the writing world. Being that it is so universal it gives the reader a real life connection to the characters in a story. Beliefs of death are different amongst human beings. Some people see death as an ending where others see it more as a beginning. The story “A Rose for Emily” by William Faulkner and the poem “Do Not Go Gentle into That Good Night” by Dylan Thomas both express similar and different feelings towards death. “A Rose for Emily” is a story about an elder woman who was not living when she died. Certain life events cause this woman to refuse and ignore change. Death is an ultimate form of change so it was only natural for Miss Emily to ignore it.