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The Influence of the Media on Women’s Beauty Standards
How does mass media influence people perception of beauty
The media's portrayal of beauty
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For centuries, the different cultures have represented in images the out-standing beauties of their epoch. Nevertheless, the “western world " has planned parameters that are followed by entire societies marking the aesthetic trends of every moment. Symbol of this fact is the imaginary that has been constructed about the feminine body. In this way, we see admirable bodies parading nonstop that reaffirm how the beauty continues being a concept tied to the happiness and the pleasure. In this way, in Colombia, the concept of beauty has been marked by two important facts: the reigns and the drug traffic ideals.
Érika Martínez Cuervo, in Cromos magazine, tells that in Colombia the reigns began in 1904 in Buga's city and in the 20s and 30s of the 20th century, it's developed in the carnivals of cities and Colombian villages. The central event of the Carnival was the election of the student’s queen, who was chosen by a bouquet of distinguished ladies of the society.
At the beginning of the 20th century Colombia took as a fashion the events realized in Europe and The United States of this type and with this, it began with the tradition of the Concurso Nacional de la Belleza in 1934, whose aim was (and it still is) to choose the woman who, with her physical attributes, embodied the aesthetic canon and the
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The idea of “the governor domesticates" not only was stimulated by the advertising, but by the diverse public events, as the " Concurso Nacional de la Belleza ", where, there were formed the suitable forms of behavior of a deserving lady of praise and exemplary. Eventually, models for the women of the common one. The most beautiful, in consequence, had to be that one that was personifying an irreproachable
Today in modern society, we are driven by social forces. The media plays such a pivotal role in what we buy, eat, wear, etc. that we are conditioning ourselves to fit the mold for the “perfect” or “ideal” body type. This social construct has been a pressing issue for many years regarding the negative effects it has had on the female physique, but not as much has been said on behalf of men. What negative effects do the media have on male body image? When confronted with appearance based advertisements, men are more likely to experience both physical insecurities and emotional issues related to body image. This paper will address these facets of the media’s negative
Colonial Latin American society in the Seventeenth Century was undergoing a tremendous amount of changes. Society was transforming from a conquering phase into a colonizing phase. New institutions were forming and new people and ideas flooded into the new lands freshly claimed for the Spanish Empire. Two remarkable women, radically different from each other, who lived during this period of change are a lenses through which many of the new institutions and changes can be viewed. Sor Juana and Catalina de Erauso are exceptional women who in no way represent the norm but through their extraordinary tales and by discovering what makes them so extraordinary we can deduce what was the norm and how society functioned during this era of Colonial Latin America.
In an attempt to deliver on the value of the body, this paper settles on the text Felicitas
Furthermore, resonation can be found in Preziosi exploration of the establishment of female identification through aesthetics. Within Preziosi chapter on aesthetics he addresses main issues including “Kant’s Critique of Judgment, judgment about beauty, and perception of perfection.” Aesthetics was addressed in the perception of how the female body is formed and encased while a male looks at the female body. In this case the male would be Degas gazing at his ballerina while either sketching his model or doing a sculpture of the ballerina. Preziosi states that “there should be two kinds of theory or sciences of knowledge corresponding to each logic and aesthetics.” This concept of two kinds of theory made more apparent as every sculptor Degas made is presented as a different theory, yet the two theories are different, Degas’s artwork deals with both logic and aesthetics. Logic can be applied to Degas’s____, works of art. Where as aesthetics deals with____. Later on in Preziosi chapter on aesthetics, he brings up the issue of “the idea that sensory knowledge could have its own perfection-and, further, that an aesthetic judgment about beauty or beautiful objects.” When viewing Degas’s sculptor the
What is beauty? Seemingly a continually evolving and infinitely elusive ideal - mankind has been obsessed with the concept of beauty throughout the ages. Portraiture, as an essential channel of visual communication, has traditionally been the medium through which definitions of beauty are graphically expressed. Particularly in the Renaissance where portraiture often served celebratory or commemorative purposes, it was crucial that portraits were accepted as aesthetically pleasing reflections of the social ideals of the time. Hence by comparing and contrasting a range of different portraits of depicting men and women of the Renaissance such as Titian’s La Bella, Bronzino’s Eleonora de Medici, Sofonisba Anguissola’s Self Portrait, Vasari’s Alessandro de Medici, Bronzino’s Cosimo de Medici as Orpheus and Pedro Berruguete’s Portrait of Federico da Mentelfeltro, viewers can gain an understanding of the conceptual differences in definitions of masculine and feminine beauty during this period.
In conclusion, it is significant to recognize the revolution of the female silhouette throughout history along with women’s roles in today’s society and also, the physical restrictions imposed on them. The silhouette of women’s fashion has changed as the idea of the perfect female figure has reformed. Nevertheless, in the early twentieth century the concept of women leading more active and lively life meant that fashion also needed to become more cooperative to physical action and less limiting.
Pablo Neruda’s “My ugly love” and William Shakespeare’s “Sonnet 130” are commonly well-known to describe beauty in a way hardly anyone would write: through the truth. It’s a popular fact that many modern-day poets compose poems that make love seem perfect and use phrases that often costume the truth by masking true beauty with words. Yet, Shakespeare and Neruda, both sincere people, chose to write about what love really is, it matters more what’s on the inside than what is found on the outside. The theme of true beauty and love are found through Shakespeare and Neruda’s uses of reflection of imagery, uses of organized structure, and uses of sensory devices to describe the meaning of beauty and love.
In society, beauty is defined by long hair, lighter skin, and plastic. Society has created campaigns that focus on the natural beauty of women of different shades, sizes, and heights, however, every woman they have used in their campaign were able – bodied women. All campaigns that work towards natural beauty of women leave out women with disabilities. In Francine Odette’s Body beautiful/body perfect: challenging the status quo: where do women with disabilities fit in? She discusses the reasons why women with disabilities are neglected of the right of being called beautiful. She connects these issues starting off with how the bodily images of society impact women with disabilities, who end up medicalizing their bodies, and how society views
Body modification is defined as any deliberate alteration to ones’ physical appearance. Most people think that only tattoos and piercings fall into this classification, but this is barely grazing the surface of the extents that body modification can lead to. Anything from a simple ear lobe piercing to breast implants, or tattoos and scarifications are all considered as some form of modification. In western cultures, modifications are made for aesthetics and self-expression, but every culture is different. Native American tribes find spiritual clarity or vision in body suspension, where the body is literally hung on hooks, and in Imperial China's practice of binding the feet of women to represent wealth and beauty. In this paper we will not only look into different piercings, but the history behind them and tattoos as well, also the different modifications that various cultures practice, and why. I will explore tribes such as the Mursi tribe in Ethiopia and the Apatani tribe of Arunachal Pradesh, India. By the end you will have learned about various cultures and traditions, and have a whole new perspective of the art of body modification.
trafficking, modeling, participating in pageants to the media using women as objects in their ads. Sexual objectification is both a cultural and social, in which women and young girls are valued based on their appearance, and most importantly their ability to have a body that is accepted by society. The potential consequences of such phenomenon is that women and girls will accept such sexualization and objectification and begin to objectify themselves, which means that over time, women will begin to accept society’s rule that their appearance does matter and their treatment on the hands of society will be based according to their looks, which can have an effect on their social and economic lives. The objectification theory is describes psychological
According to 10 Weird and Wacky Beauty Facts by Andrea Lavinthal, in ancient Greece, the most sought-after hair color was blond. Not many Greeks were naturally blond, so light hair was probably perceived as beautiful because it was so exotic. Women would lighten their hair using plant extracts or arsenic. They also washed their locks with a mixture of ashes, olive oil, and water. She also explained how “it was a shame that extension weren’t available during the Heian period when a Japanese woman’s beauty was judges by the length of her hair, since the ideal was considered almost two feet longer than her waist. We’re assuming that ponytails were a popular hairstyle back then.” There are many other crazy facts about beauty facts like Vaseline makes your eyelashes grow and can take off makeup, or if your finger nails are discolored from using dark polish, use a slice of lemon on them and they will regain their color (The beauty magazine, Roselyn Miller, pg. 67). Going into the field of Cosmetology helps you express yourself and it brings out your inner creativity. That is one of the many reason I love this line of work, because when I do hair it lets me express myself while creating a hairstyle of my own. The first time I started doing hair was when I was about 10 or 11, I was a natural! I want to be able to know my clients and exactly what will look right on my clients and read people, so I would know what they do like just by talking to them. I need to learn to separate family from business. I do know some things about this field I before this assignment that cosmetology is not just about doing hair, it’s also about learning about the Skin; Doing make up, eye lashes, etc. You also learn about nails; doing a...
In chapter six of the book, the pictorial imagery demonstrates a variety of art forms connoting its realism and diversity of the power of connecting to wealth in contradiction to the deprived in the western culture. The images used in this chapter relate to one another and state in the analogy the connection of realism that is depicted in social statues, landscapes, and portraiture, also present in the state of medium that was used to create this work of art. In fact, some of the works presented depict mythological paintings that resemble the transcending metaphysical matter of nature. Take for instance, the general aspect of the artwork presented in this chapter. They depict different social levels through the use of objects, emotions and various conditions.
Gabriele,J.P. Of Mothers and Freedom: Adela’s Struggles for Selfhood in La casa de Bernarda Alba. Symposium, Vol 47. No 3. 188-199. 1998
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
There has been a long and on going discourse on the battle of the sexes, and Simone De Beauvoir’s The Second Sex reconfigures the social relation that defines man and women, and how far women has evolved from the second position given to them. In order for us to define what a woman is, we first need to clarify what a man is, for this is said to be the point of derivation (De Beauvoir). And this notion presents to us the concept of duality, which states that women will always be treated as the second sex, the dominated and lacking one. Woman as the sexed being that differs from men, in which they are simply placed in the others category. As men treat their bodies as a concrete connection to the world that they inhabit; women are simply treated as bodies to be objectified and used for pleasure, pleasure that arise from the beauty that the bodies behold. This draws us to form the statement that beauty is a powerful means of objectification that every woman aims to attain in order to consequently attain acceptance and approval from the patriarchal society. The society that set up the vague standard of beauty based on satisfaction of sexual drives. Here, women constantly seek to be the center of attention and inevitably the medium of erection.