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Much ado about nothing analysis english act 4 scene 1
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Claudio's Love in William Shakespeare's Much Ado About Nothing
"O, what men dare do! What men may do! What men daily do, not knowing what they do!" Funny how these words come from someone like Claudio and when you try to ponder on the words and look closely on the character of Claudio, you will realize that these lines aptly describe the actions and qualities possessed by Claudio himself. Throughout the story, many instances would show how Claudio reacts hastily to situations that arise without knowing or understanding well enough what is really going on. Most of the time, he acts instantly without really knowing where his actions would lead him or if a situation is really worth his time and attention. He has this tendency to just jump to conclusions and believe everything he hears without even trying to see for himself if what he just found out is true or not. He then starts to do stupid things without him knowing the real situation, which adds trouble to what is a complicated situation already. In addition to this, Claudio can be very short-tempered and impatient when dealing with his life and love dilemmas. At first, you could see him exerting effort to win a woman's heart and the next thing you will know he is giving up and cursing that woman just because of some lousy rumors. If we try to look more closely on the circumstances where Claudio was entangled in, we can get a clearer picture of how he has been a perfect example of "men who dared to do things without really knowing what they were doing."
First, we recall the first time Claudio acknowledges his attraction to sweet Hero. Here, we see him as a man who has fallen deeply in love with Hero. Bene*censored* even thinks of him as a foolish man who is head-over-heels in love with this maiden. From being a valiant soldier, Claudio was instantly transformed into a helpless romantic (Bene*censored* describes it as an oyster) who was willing to do everything just to win the heart of his beloved Hero. He even asks the help of Don Pedro who offers to help him by disguising himself as Claudio and wooing Hero for him. He agrees with the plan and everything "was supposed" to go on smoothly not until misunderstandings caused by false rumors started to arise and complicate things. Moreover, the deception made by Don John even aggravated the situation and revealed the flaw in Claudio.
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful.
In today's society, true love can be described as someone buying a sparkly present for the significant other, celebrating their special anniversary with a beautiful getaway from their hectic life, or even risking anything in the world for that one person. These are all real examples of true love but these are also the things that Claudio didn’t do to show his affection and love towards Hero. Instead, he chose to humiliate her on their wedding day, he didn’t trust her to stay faithful until marriage, and even “killed” her. In the play, Much Ado About Nothing by William Shakespeare, the main characters, Hero, and Claudio, are not truly in love and their actions display that.
Firstly, one of the two major tragic flaws of Claudio is his Passion of love for Hero. Claudio in Much Ado About Nothing says, “Sweet Hero, now thy image doth appear In the rare semblance that lov’d it first” (Shakespeare pg. 89). This quote shows how Claudio loves Hero once again when he hears Hero’s innocence. This quote also shows how Claudio’s passion of love for Hero is not as deep as it should have because he loved her again after overreacting and judging things too
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
Shakespeare’s introduction of the other couple in question is in stark contrast to the way in which Beatrice and Benedick were introduced. Claudio and Hero are amorously receptive to one and other from the very start. Upon laying eyes on Hero, Claudio remarks of her to Benedict “is she not a modest young lady?” (1.1.125). Clearly, by having Claudio express his fondness of Hero to Benedick, the playwright directly compares the older and more cynical to the more young and naive, allowing the reader to see the contrasting personas of the two men. This is reinforced by Benedick, who after finishing listening to Claudio’s rhetoric on the charms of the young Hero (“in m...
However, despite Claudio's questionable motives for marriage, his genuine affection for Hero is made known through his eloquent speeches and jealous behavior. After his betrothal to Hero, Beatrice taunts him for his lack of speech, to which he replies: Claudio. Silence is the perfectest herald of joy. I were but little happy if I could say how much. Lady, as you are mine, I am yours.
Claudio can be clearly seen as a genuine person, as he becomes humble. and saddened as truth is revealed, showing his sensitive side, this. also suggests he hides behind an arrogant exterior. Claudio can be seen as nave, sensitive, humble, power hungry and a big male figure.
As mentioned, the act of Claudio forfeiting Hero’s hand in marriage and denouncing her at their wedding ceremony due to her unloyalty, not only proves that a woman’s virtue is critical to his “love” for her but also reveals a deeper meaning to the play as a whole at various degrees. Men are only satisfied when they completely dominate a woman. This means not only obtaining her heart, but her virginity and virtue as well. In this time period, their wives were seen as their property and a man would rather throw his whole fiance away than tread on previously marked territory. If Claudio genuinely loved Hero in the first place, he would have confronted her about the situation in private before he unjustly demolished her publicly based on a loose
The main difference between these two couples involves how they learn the art of love. At the beginning of the play, Claudio is the first one out of all the lovers to express his affections for someone else; however, he seems to have the weakest grasp on the concept of love compared to everyone else. Claudio hints of his growing feelings for Hero when he asks Benedick what he thinks of her (I.i.161). Benedick, who has a disdain for marriage, is not very helpful to Claudio. However, he does manage to draw out of Claudio the reason for his inquiry: “In mine eye, she is the sweetest lady that ever I look’d on” (I.i.188).
The beginning of the play shows Claudio, on numerous occasions, as gullible and paranoid that everyone is against him. When Don John tells Claudio that Don Pedro has wooed Hero for himself he responds by saying, ““But hear these ill news with the ears of Claudio. Tis’ certain so. The Prince woos for himself” (Shakespeare 24.) This quote shows that Claudio often puts his trust in the wrong people. He takes the word of an enemy, who he has already defeated in battle, over someone who fought along side him and is supposedly his best friend. It also shows how naïve Claudio can be and how easily he will take what others say as the truth without using his better judgment. In this quote, Claudio proves how fast he can turn against someone, even one of his best friends, when he hears they have wronged him. When Don John accuses Hero of being unfaithful to Claudio he says, “If I see anything tonight w...
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
themes is Love. There can be many facets of love found in the play. It
Claudio cannot come out and just say that he has feelings for Hero, he has to seek approval from his male counterparts first. While talking to both Benedick and Don Pedro, Claudio describes his feelings as passion first (I.i.219-220), and then he says, “That I love her, I feel” (I.i.228), indicating that he knows he feels something for Hero, but he is unsure of exactly what his feelings mean.... ... middle of paper ... ...
What doesn’t match the pattern perfectly is how Shakespeare tweaks the “boy loses girl” aspect. Claudio never actually loses Hero himself, he actually gives up on the love instead. He himself denounces Hero, and turns Hero into the victim. This is due to a disturbing scene staged by Don John, who explicitly said “it must not be denied but I / am a plain-dealing villain” (1.3.29-30). In a typical romantic comedy, the boy usually loses his girl from something minor, like a disagreement in thoughts or differing attitudes. The severity in which Claudio “loses” Hero is much more drastic, as he believes she is disloyal and