Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Antigone short essay - answer key
Essay of antigone
Antigone short essay - answer key
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The purpose of this short essay is to justify Antigone’s position during the story and to conduct an analysis from the other readings to defend my interpretation. I will take in consideration the similarities and differences of all three other readings Civil Disobedience, Machiavelli and Socrates. The Antigone story is Greek story about a family plagued by supposedly inherit curse by their father, a one that killed his father and married his mother and created 4 kids ( 2 daughters and two sons). One of the sons inherited the throne and the other one raised and Army against his brother and in the battle they both die. Leaving the two daughters alive and the last ones of the family. Ismene and Antigone were the last survivals of the family …show more content…
If we must accept defeat, let it be from a man; we must not let people say that a woman beat us" (187). While, in light of the moral standards within Greek society, his rationale may have been justified, Creon's actions largely derived from a personal vendetta against Antigone as opposed to a genuine endeavor to establish civil law. To clarify, civil law expresses similar qualities to justice in the regard that civil law generally captures a moral agreement among the civilians; however, civil law, as an interpretation or product of fallible human judgment, remains subject to bias and corruption. Conversely, while the definition of justice varies on an individual basis, justice as a whole remains constant and impartial to prejudice. Therefore, while Creon’s condemnation of Antigone may capture the common reaction towards a woman's defiance, to a large extent his actions do not necessarily correlate with justice as his decrees are tainted by his paternalistic obsession for dominance. While Creon characterized a weak leader as one who yields to fear, limiting him from ruling with his best judgment, Creon capitulates to the societal pressure of establishing paternalistic authority in fear of rejection from his people. Instead of following Haemon's advice, he constantly belittles his son as a "woman's slave"(191), ignoring the fact that "a man who thinks that he alone is right,[that] he is himself, unique, such men, when opened up, are seen to be quite empty" (189). Ironically, once Creon's fears come into fruition at the play's conclusion, the words of the chorus reverberate the previous warnings from Haemon and Teiresias, portraying how Creon's obsession with power ultimately blinds his judgment. Even after accusing Teiresias of malicious intent, Creon finally agrees to follow the advice given to him: bury Polyneices and rescue Antigone. However, even in his final moments of submission,
Haemon’s words, actions, and ideas contrast with Creon’s character of differing greatly and leading him to the death of his son at fault. “They say all women here, she least deserves the worst deaths for her most glorious act. When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds.”(Lines 788-791) Haemon starts to reveal that he believes that Antigone, his fiance, deserves to not be killed over an act that she has not committed whether or not Creon think is was right. However, Antigone was following the law of the Gods, while Creon was abiding by the law of man. “A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then we can all see their emptiness inside.”(Lines 803-806) However, when Haemon started to attempt to inform his father, Creon, whose refusal was so high to even consider not killing Antigone that he was only thinking of himself and that one death would lead to another. “Then she’ll die and in her death kill someone else.”(Lines 859) Creon then, only thought of his son as a woman slave. “You woman’s slave, don’t try and win over me.”(Lines 845-855) At first, Haemon looked up to his father, but now after his unsuitable behavior he has chosen not to follow his stubborn
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Summing up, Antigone decides to express her discontent with what she considers to be the unethical new regime of King Creon by burying her brother's body. By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis. In the end, Antigone resolves to sacrifice her own life in the service of a greater justice. It is this kind of formidable resolve that changes the course of history, and that is something that we can respect equally in the 5th century B.C. and the 21st century A.D.
It is generally held that the tragic essence of Antigone lies in the state’s brutal suppression of individual emotions and humanity. However, it is not only individual emotions and humanity, but also family honor and responsibilities that Antigone tries to defend and fulfill. So it is not completely true that what Antigone stands for is timeless and universal justice. The tragic conflict of the play consists in the extremist attitude Creon and Antigone hold towards the state law and the family honor. The fundamentalist ideas of the state ...
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's prejudiced judgments as well (and ambiguity of justice)
The play was admired by many in the fifth century BC. When there was word of a performance of the play Antigone, every actor hoped to have a part in the production. The theme of this play is referred to by many as “a conflict between secular and divine law” (Harsh 103). This is challenged by philosophers of Greek studies. Greeks did not believe that Creon was a tyrant therefore disposing the idea of conflict. These might be concepts present through the play but these are only formed by the defense of Antigone’s point of view (Harsh 104).
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
Creon's noble quality is his caring for Antigone and Ismene when their father was persecuted. Creon is a very authoritative person and demands control of others. When talking to the Chorus, Creon does not ask them to agree with the decree but demands that they follow it. Creon expects loyalty from others. It is apparent that Creon is very dominating and wants to be in control. "The man the city sets up in authority must be obeyed in small things and in just but also in their opposites"(717-719). Through this quote the reader realizes that Creon wants obedience in everything he decides even if he is at fault. "There is nothing worse than disobedience to authority" (723-724). Further supporting Creon's belief that everyone shall remain faithful to him even if he rules unfairly. This is proved true when Creon says, "Should the city tell me how I am to rule them?" (790).
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
This distrust of others leads Creon to make decisions by himself, such as his decision to make the edict that Polynices was to remain unburied. Because of this, Thebes becomes more of a tyranny, rather than a democracy, as Creon does not trust his subjects to make the right decision. However, if Creon had learned to compromise with the citizens, things would not have turned out so horrifically. As well as this, Creon’s bias against women leads him to act harshly towards Antigone. Creon tells his son Haemon to “never lose your sense of judgement over a woman” and that it is “better to fall from power… at the hands of a man一never be rated inferior to a woman” (Antigone Lines 723-724, 759-761). This bias against women causes Creon to be ruthless towards Antigone, and he threatens to give her a brutal death. His bias drives him to want to exact revenge towards for his own personal
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.