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Cheav Lay Phat In her memoir The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston describes her life as a Chinese-American while under the influence of her mother, Brave Orchid’s, talk-stories. One talk-story in particular, the No Name Woman revolves around the pregnancy of her aunt from an unknown man, sparking scorn upon her by the villagers as they raid her house for vengeance; during all of this, she does not utter the father’s name or explain herself. She finally gives birth in a barn, but her internal turmoil drives her to suicide along with her child. Ashamed of the aunt and her pregnancy, Kingston’s family acts as if she was never alive, locking her name away. Women are silenced in Chinese culture, as they have to follow a strict guideline to become a perfect, domesticated wife. Because of this pressure, they are scrutinized and judged …show more content…
Kingston’s aunt could not stand and respond to her village’s judgments, soon leading to her death and her ongoing silence. This voicelessness that women face is a recurring theme throughout the story as Kingston develops her understanding about her power as an individual. By relating to her aunt’s voicelessness in the No Name Woman, Kingston reinterprets the importance of her aunt’s predicament, growing to understand that culture does not define or fully control people. As Kingston first hears her mother’s talk-story, she originally thinks that it is meant to reinforce the authority culture has over an individual. Brave Orchid finishes the story by ending with the death of her aunt. Shortly after, Brave Orchid warns Kingston, “Don’t tell anyone you had an aunt. Your father does not want to hear her name. She has never been born” (18). Kingston regards the story as a warning. She has to ignore the
For Kingston, The Woman Warrior signifies more than five chapters of talk-stories synthesized together. Within each chapter of the memoirs, Kingston engraves the method in which she undertook to discover her discrete voice. The culture clash between her mother and Kingston accumulated her struggles and insecurities, resulting in Kingston’s climax during her tirade. However, what Kingston accentuates the most is that the a breakthrough from silence requires one to reject a society’s
In Maxine Hong Kingston story, “No Name Woman,” the author told a story of her aunt who was punished for committing adultery and died in order to express her thought and spirit of revolt of the patriarchal oppression in the old Chinese society. My essay will analyze the rhetoric and the technique of using different narrators to represent the article and expound the significance of using those methods in the article.
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
The “prodigal” aunt in Maxine Hong Kingston’s essay No Name Woman, was shunned from her family and ultimately ended up taking her life and her bastard child’s, as a result of public shaming. Instead of being heralded as a heroine and champion of women’s rights, the aunt’s legacy is one of shame and embarrassment that has been passed down through generations. While this story’s roots are Chinese, the issue at hand is multi-cultural. Women suffer from gender inequality worldwide.
Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.
The nameless narrator is a young black person, who attends his college regularly. He follows certain directions to lead a normal life. Yet, his life has to diverge from what it is as he makes a huge mistake, which can not be forgiven by the Headmaster, Dr. Bledsoe. Mr. Norton, one of the trustees, is chauffeured by the narrator and in the trip they take together, the narrator shows him the places, where the real life that blacks have is obvious. Raged at this, Dr. Bledsoe’s reaction towards the naïve narrator is harsh and he is sent away from the college. The events have key points to them in terms of how the characters choose to behave under certain conditions. These conditions are mostly related to honor and shame, pride and humiliation, ambition to take over and passivity.
Different environment makes people gradually different way of thinking and values, the roles have their own experience of background influence in the formation of their personality. Maggie and Dee has an opposite trait to generate their mother’s attitude toward different way. Alice has cleverly written by black people of generation complex attitude on the ideas and cultural heritage in Everyday Use. Mother-daughter relationship also is complicated in those two articles. In No Name Woman, the mother tells the daughter a story about her aunt and do not allow tell anyone else. The mother is traditional person and she hopes the daughter go with her. Both two articles shows conflict between traditional and new, mother and daughter’s relationship.
...in her essay “No Name Woman”. The Chinese tradition of story telling is kept by Kingston in her books. Becoming Americanized allowed these women the freedom to show their rebellious side and make their own choices. Rebelling against the ideals of their culture but at the same time preserving some of the heritage they grew up with. Both woman overcame many obstacles and broke free of old cultural ways which allowed them an identity in a new culture. But most importantly they were able to find identity while preserving cultural heritage.
Maxine Hong Kingston’s, The Woman Warrior, displays many cultural stereotypes and incidents of women Kingston knows. Kingston is first introduced to estranged aunt that she has never met. She gains the perception that her aunt was married and forced to have sex with an unknown villager. She ends up being pregnant, which potentially led the village to be under attack. She committed suicide and murdered her baby. Kingston’s family disowned her, because of this went against their Chinese roots. Kingston was born in America as a Chinese, with the expectation of being a wife or a slave. Not wanting to be the stereotype of a Chinese woman, she left her family (temporarily) with the hopes of becoming a warrior. After beating and defeating
Kingston’s talk-story reveals a mixture of factual and fantasies uncovering Maxine’s experience. The reader must
Kingston’s “No Name Woman” is a story that revolves around morals, society and family expectations, and women role in society. Kingston writes the story of her aunt that committed suicide in China and she has never heard of until her mother spoke of her once. The purpose of Kingston story is to show women role in China and how women were trap in their society.
Kingston’s mother takes many different approaches to reach out to her daughter and explain how important it is to remain abstinent. First, she tells the story of the “No Name Woman”, who is Maxine’s forgotten aunt, “’ Now that you have started to menstruate, what happened to her can happen to you. Don’t humiliate us. You wouldn’t like to be forgotten as if you had never been born”’ (5), said Maxine’s mother. Kingston’s aunt was murdered for being involved in this situation. The shame of what Kingston’s aunt brought to the family led them to forget about her. This particular talk-story is a cautionary tale to deter Kingston from having premarital sex and to instill in her fear of death and humiliation if she violates the lesson her mother explained to her. Kingston is able to get pregnant but with the lecture her mother advises her with keeps her obedient. Brave Orchid tells her this story to open her eyes to the ways of Chinese culture. The entire family is affected by one’s actions. She says, “‘Don’t humiliate us’” (5) because the whole village knew about the pregnant aunt and ravaged the family’s land and home because of it. Maxine tries asking her mother in-depth questions about this situation, but her m...
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor
In Vera’s writings, it is clearly evident that women’s sexual roles are disapproved of and criticized in traditional African culture. It is crucial to understand how women were treated toward the beginning of Vera’s story line to fully interpret the theme of sex and freedom in Without a Name. Corwin Mhlahlo, author of “Advocating a Nameable Desire,” explains, “In most patriarchal societies, especially those of Africa, femal...