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What is the importance of character development in literature
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How often does a character have the ability to change his persona from a so called “nice guy”, to a malevolent human being? A first impression is always an important one, but what if the first impression tends to be the wrong one? Well, that’s exactly what kind of character Joyce Carol Oates describes in her short story “Where Are You Going, Where Have You Been?” Connie, the fifteen-year-old protagonist; who plays the girl next door perfectly, encounters a man who will undoubtedly changes her life forever. Arnold Friend symbolizes everything that is wrong with a sinful human nature. Arnold is the epitome of pure evil. The first time that Connie encounters Arnold was when she was standing in a parking lot listening to music. She didn’t …show more content…
The symbolism used here were the numerous clues regarding Arnold’s appearance, possibly suggesting that he is either Satan himself or a satyr (Greek mythological god). Critics hypothesize that Arnold is wearing a wig to hide his pointed ears or even his horns. Also, the reason why his feet don’t fit properly into his boots is because Arnold has hooves instead of feet. (Easterly). So, when Arnold is standing on the porch looking at Connie through the mesh screen door, she notices the sunglasses he was wearing, “The driver’s glasses were metallic and mirrored everything in miniature” (Oates 172). It is said that our eyes are the windows to our soul, so when Connie is unable to see Arnold’s eyes—essentially she’s unable to see into his soul. Connie can’t make a worthy judgement call on whether she thinks he has good intentions towards her, or he might be hiding something behind those mirrored glasses. It is a perfect disguise for Arnold to hide his true intentions behind (Easterly). The glasses in this particular instance symbolize the evil that resides deep inside Arnold, the kind of evil that can only be described as the devil …show more content…
Connie knew that as long as she stays inside she will be safe; however, she can’t turn away from the temptations that Arnold is offering. The more Connie resists, the more frustrated, impatient, and aggravated Arnold becomes. It is then that Arnold introduces a diabolical symbolism when he says “I ain’t made plans for coming in that house where I don’t belong but just for you to come out to me, the way you should. Don’t you know who I am?” (Oates 173). In that statement, Arnold symbolizes a creature that possesses supernatural powers, having the ability to dominate Connie by addressing her in a demeaning way. Arnold, at this point in the story beings to take form into a being that must make himself appear more significant than anything or anyone that’s important in Connie’s life
Throughout “Where Are You Going, Where Have You Been?” Arnold Friend is a very intimidating and mysterious character that is hard to figure out. Arnold knows everything about Connie, a teenage girl that he has never met before. He is very persistent with getting Connie to run away from her awful teenage life at home with him. Arnold’s appearance adds even more mystery to who he actually is. Arnold has a roughed up look to him, a secret code painted on his car that can be interpreted as a Bible verse, and he can not stand steady on his feet, because of all of these attributes Arnold appears that he is possibly Satan.
At the end of the movie, a stranger named Arnold Friend encountered Connie at her home while she was home alone. Arnold was a vicious, but alluring character. The way he dressed was as if he tried to imitate a young teenage boy. First, his intentions for Connie were kind of blurry. Connie, being as
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
He’s coming to get me” (8). In her vulnerability, Connie even seeks her parents despite previous efforts to distance herself, revealing her childish nature. This demonstrates a loss of innocence and a desire to return to the safety of childhood, as Connie realizes the danger of Arnold Friend. Despite her efforts, Connie is not ready for adulthood. In her pursuit of independence, Connie becomes entangled with a dangerously mature situation she is unprepared to handle. This parallels the loss of innocence many adolescents suffer as they venture into adulthood: many teens quickly lose their idealized vision of adulthood as they realize the challenges of adulthood. Connie’s confrontation with Arnold Friend is a metaphor for the loss of innocence all teens are confronted with as they seek maturity. Although the story encompasses a teenage girl's dangerous romantic rendezvous, it is more of an encounter with the expectations and reality of adulthood, through Connie's infatuation and later fear of Friend. "Where Are You Going, Where Have You Been" is a metaphor for the loss of innocence teenagers face, as their idealized perception of adulthood
“Where Are You Going, Where Have You Been? “tells a story of teenage girl Connie, whose wild child antics cause her to become the special interest of Arnold Friend. Spending time at the local hangout for older kids, and committing lustful acts in alleys, Connie disregards the odd brown haired boy in the gold jalopy staring her way. Unnoticing Arnold until the Sunday afternoon his gold jalopy pulls up her drive. “ He wasn’t tall, only an inch or so taller than she would be if she came down to him … his face was a familiar face, somehow: the jaw chin and cheeks slightly darkened, because he hadn’t shaved for a day or two, and the nose long and hawk –like” (Oates 441). Intrigued by his looks, Conni...
Oates shows archetypes throughout the story. The symbolic archetype shown is “the friendly beast” or “the tempt”. The friendly beast, of course, would be Arnold Friend; Arnold never hurts or does anything to Connie, he just tempts her by saying, “we’ll drive away, have a nice ride.” The temptation for Connie is that she wants to grow up, get away from her family and live her own life. Although, Connie is very ignorant; Connie believes her looks will get her very far in life, but what she doesn’t realize is that ignorance does not equal bliss. In The Sitting Bee Dermot McManus talks about how Connie struggles with independence and how she wants to do things on her own. McManus says “that Connie still relies on others to take her home and other things, and how
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
The depiction of Arnold Friend runs parallel to the common conception of the Devil. Many aspects of his outward appearance, as well as his behavior, contribute to this by portraying him in a sinister manner. His nose is "long and hawklike" and he has a "slippery smile." His "greasy" boots don't fit him right, "as if his feet [don't] go all the way down." The stereotypical Beelzebub is often seen with hooves. When he draws 'his sign' – the sinister letter X – in the air, it "stays there, almost still visible," as if he supernaturally burnt it into the air. The numbers appearing on Arnold's car, 33, 19, and 17, exclude the number 18. The 18th letter of the alphabet is "r", and removing that letter from his name presents "an old fiend". Arnold knows about Connie's family, where they are at that moment, and what radio station she is listening to. This can be explained logically by the fact that that he is a stalker. As an allusion, the Devil is omniscient. Arnold also promises not to enter Connie's house unless she picks up the phone. This exemplifies the classic adage, "The Devil won't come into your home until you invite him in." Finally, the fact that Arnold is preying on someone nearly twenty years his junior (physically inferior and easily overpowered) and the methods he uses to finally convince her to come with him (threatening her family and her home) portray him as a genuinely despicable character, worthy of the epithet "Devil," if not its lit...
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
First, Arnold Friend’s physical traits portray him as Satan. Oates says that “There were two boys in the car and now she recognized the driver: he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her,” (Oates 316). The hair could actually be a wig hiding something that he didn’t want someone to see. Maybe he was hiding his devil horns. Also when he was standing Connie had mentioned that “He was standing in a strange way, leaning back against the car as if he were balancing himsel...
Connie first encounters Arnold in a parking lot while she is out with her friends, but she does not yet know who he is. She notices him standing near his car, a gold colored convertible jalopy, staring at her. When she walks by he says he is going to "get" her, but Connie does not think anything of it and just turns away.
In the short story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oats, the writer includes a very interesting character. One of the main characters, Arnold Friend, is a dynamic character due to the sudden changes of this physical appearance and personality. At first he seems charming and a little on the sweet side, but then his dark side starts to show as the story progresses. He first appears when Connie abandons her friend to go with a boy named Eddie. Arnold is seen in his gold convertible Jalopy, which is the first sign that he wants to be alluring. His first words in the story are "Gonna get you, baby" this foreshadows his intentions when it comes to Connie
the lack of knowing her true self lets Arnold Friend overpower her in the end. The words and letters on Arnold’s car symbolize warnings that Connie should have picked up on. Because Arnold symbolizes the devil, the evil inside of him gives him advantages to manipulate Connie into leaving her house, despite everything inside of Connie screaming at her not to go. The symbolisms in these objects or people are all deeply rooted to the theme of this short story, “Where Are You Going? Where Have You Been?”.