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Symbolism of where are you going, where have you been
Symbolism of where are you going, where have you been
Analysis of "where are you going, where have you been?
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The Theme of Temptation in “Where Are You Going , Where Are you Been?” by Joyce Carol Oates In “Where are You Going, Where Have you Been?” Joyce Carol Oates uses an allegorical figure of evil to illustrate the theme of temptation. Oates alludes to hell through the character Arnold Friend, as the devil, and his victim Connie, who invites him in by committing the sin of vanity. The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
Author Joyce Carol Oates writes about a girl named Connie during the early 1970s who has a hard time facing reality and womanhood in the short story “Where Are You Going, Where Have You Been?” This fifteen-year-old girl is stuck in childhood in the beginning of the story and by the end of the story she is forced into adulthood due to an experience that is almost unreal. It is hard for Connie to determine if the experience was fantasy or if it was reality. Fantasy versus reality is one of the main themes in this short story and is shown through many different elements. The elements that writer Joyce Carol Oates uses are characters and symbols to create the theme of the story “Where Are You Going, Where Have You Been?”
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” focuses on two main characters, Connie and Arnold Friend. The two characters have extreme conflict throughout the short story and in the end only one wins. The literary device of characterization in the story helps to clarify the Greek and Biblical reasons for one character’s win and the other’s lose.
Oates, Joyce Carol. "Where Are You Going, Where Have You Been?" Exploring Literature: Writing and Arguing about Fiction, Poetry, Drama, and the Essay. By Frank Madden. 5th ed. New York: Pearson Longman, 2012. 436-48. Print.
In the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, many elements of fiction are used to convey subject of themes represented throughout the story, such as disguises. Throughout the story the use of characterization, detail, and allusions represents the presence evil in the modern world. Oates used these elements to capture evil that illustrates the theme that ‘Looks can be deceiving’.
Have you ever wondered why or how people can manipulate themselves as the devil to receive what they desire? In “Where Are You Going, Where Have You Been?”, a short fictional story by Joyce Carol Oates, the devil is allegedly hidden as one of the main characters, Arnold Friend. Through characterization, setting, and plot, Joyce Carol Oates successfully portrays Arnold Friend as a symbolic Satan.
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
...most people trying to put on a show for themselves or for others. Connie was a young individual who thought she knew everything, but was not given the chance to find that out on her own. Some things may have pushed her into the arms of Arnold Friend. For example, it could have been his sharp, repetitive words that Connie made herself believe. Arnold Friend fooled her in the beginning and by making himself appear to be “an old friend” but his interior read “arch fiend”. Arnold Friend is a mythological character that represents the evil that sits in everyone. In some people that evil can burst out like rays of light, like the ones that were described in the story by Connie. Like the expression, “there is a devil on one shoulder, and an angel on the other”, Arnold Friend was Connie's devil.
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
Quite often in life we wish for things bigger than ourselves. Seeming to get wrapped up in our own minds we do not pay attention to reality. As reality comes full force we are not sure how to take it, so we let it take us. In the writing “Where are you going, where have you been?” we see Oates craft archetypes and allegories into the work through detail and word choice in order to help the reader understand the shocking outdistancing of day dreams and the overshadowing sockdolager called reality. These archetypes and allegories provide a way for the reader to join Connie in the story, but also to see the danger of what Connie doesn’t see.
First, Arnold Friend’s physical traits portray him as Satan. Oates says that “There were two boys in the car and now she recognized the driver: he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her,” (Oates 316). The hair could actually be a wig hiding something that he didn’t want someone to see. Maybe he was hiding his devil horns. Also when he was standing Connie had mentioned that “He was standing in a strange way, leaning back against the car as if he were balancing himsel...
The story Where Are You Going, Where Have You Been? by Joyce Carol Oates is about a fifteen year old girl named Connie who has a strange encounter with a man named Arnold Friend. I agree with Joyce M. Wegs' interpretation of the story, that Arnold is symbolic of Satan.
Oates, Joyce Carol. Where Are You Going, Where Have You Been? Backpack Literature. Upper Saddle River, New Jersey: Pearson Education, 2010. Print.
In the short story “Where Are You Going? Where Have You Been?”, by Joyce Carol Oates, the use of the symbolism of Connie’s clothes, her fascination with her beauty, Arnold Friend’s car and Arnold Friend himself help to understand the story’s theme of evil and manipulation. The story, peppered with underlying tones of evil, finds Oates writing about 15-year-old Connie, the protagonist of the story, a pretty girl who is a little too into her own attractiveness, which eventually gets her into trouble with a man named Arnold Friend. The story is liberally doused with symbolism, from the way Connie dresses to the shoes on Arnold Friend’s feet. In “Where Are You Going? Where Have You Been?” the reader can pick up on some of the symbols very easily, while others need deeper thought. The subtle hints of symbolism throughout the story create a riveting tale that draws the reader in. Connie finally succumbs to Arnold Friend at the end of the story, it then becomes obvious that he represents the devil and the symbolism of her clothing and Arnold’s car all tie together to create a better understanding of the story.
Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” and Flannery O’Connor’s “Good Country People” portray a similar view on Satan. In Oates’ story, the focus is on a young girl of fifteen and her flirtations with sin. The Devil’s reaction to her sins is portrayed through Arnold Friend. O’Connor’s story however, points towards the nihilistic “scientific approach to Nothing” to the downfall of good people and the following of God. She represents this downfall through Manley Pointer. (CS 285) These two characters cause harm to the protagonists, and inadvertently bring them to a moment of grace. The idea of a satanic figure roaming in the realm of reality as a common person has been around for centuries. Oates and O’Connor are able to materialize this idea by hiding their characters behind a façade of false normalcy that attracts the protagonists into their schemes.