Etienne LeBlanc - Marie-Laure’s great-uncle. He and his brother, Henri (Marie-Laure’s grandfather), created and broadcasted the radio programs that Werner and Jutta grew up listening to. Henri died during World War I. After, Etienne is traumatized. Marie-Laure arrives and with her love slowly makes him brave again. Marie and Etienne begin to use his late housekeepers radio transmitter to help the French resistance movement. Madame Manec - Etienne’s housekeeper. She is elderly yet energetic. She organizes a group of old women in Saint-Malo to work for the resistance. She arranges for Allied intelligence to be delivered to her in loaves of bread and broadcast with Etienne’s radio. Etienne refuses at first, but after Madame Manec dies Etienne
The main focus of the story is on Bertrande de Rols and her place in sixteenth century society, especially as a wife. At the age of nine, Bertrande was married to Martin Guerre who was a young peasant of Basque heritage. For several years, the two have trouble consummating their marriage. In 1548, Martin runs away from his village of Artigat, France to join the Spanish army, leaving his twenty-two year old wife Bertrande and a young son. After eight years of living in quiet desperation, an imposter Arnaud du Tilh nicknamed "Pansette," shows up in the village in 1548, in the guise of Martin Guerre. It is no wonder that Bertrande would finally find fulfillment of her hopes and dreams of a better life with the new Martin. The couple's marital bliss unravels the day Arnaud argues with his uncle, Pierre Guerre, over his desire to sell off some of his ancestral land. Under Basque tradition and custom, a man is never to sell his ancestral land this causes Pierre to be suspicious of the identity of his nephew and he decides to sue Arnaud as an imposter.
Anne Frank: The Biography, by Melissa Muller, proves that Goodrich and Hackett are not justified in using dramatic license in The Diary of Anne Frank because they changed the character roles, removed the emotions of the SS officer, and removed the characters from the play from real life.
Julius Caesar is mentioned throughout the book, A Long Way Gone, many times. In A Long Way Gone, Ishmael would be reading Julius Caesar or a soldier would be reciting some of the speeches in the play. In Chapter 12 of A Long Way Gone, Ishmael is called over to talk with Lieutenant Jabati. Then, Lieutenant Jabati showed Ishmael the book he was reading, which was Julius Caesar, and asked Ishmael if he had ever heard of the book. Ishmael had read the book in school, and began to recite a speech from the book. After this happened, Lieutenant Jabati and Corporal Gadafi used emotional arguments to motivate the people in the village to stay there and support the military. Also, Lieutenant showed all the people in the village dead bodies to help
Dr. Manette is imprisoned in the French Bastille for eighteen years by the cruel French government and unknown to him those many years of pain and suffering serve as a great sacrifice in the eyes of the Revolutionists. He is recalled to life from the time he served when he meets Lu...
They both are thought to be a freak or crazy, as they do not fit the normality. As Marie-Laure is blind, and Etienne has agoraphobia and Post Traumatic Stress Disorder, or PTSD. They both lost someone that was important to them in a world war. Etienne lost his brother during World War I, and Marie-Laure lost her father during World War II. They fell broken because of the one person that understood them and that was there for them was gone and they did not know how to handle it because they when though everything together. As the story goes on you get to see Etienne’s and Marie-Laure’s relationship get strong and they began to mend the damage, and become support systems for each
Anthony Doerr’s novel All the Light We Cannot See shows the reader how children would deal with war and how it shaped who they are today. Doerr’s purpose for writing this novel is to highlight how mentally taxing the war was and that there was no permanent escape from the war. Both Marie-Laure and Werner believed they could escape the war both physically and mentally, yet their involvement in it makes it more difficult. Marie-Laure’s fear of her father going to jail shows how she becomes involved in the war. Werner struggled with trying to escape the war through his fascination with radios when it just brought him further into the war. After understanding the effect on certain individuals; the story zooms out showing how the majority
Meursault, the main character and the narrator of the story, is a 30-year-old shipping clerk who lives an ordinary day-to-day existence. We see him as a son (at his mother's funeral); as a friend; as a solitary creature pursuing simple experiences from moment to moment; and as a prisoner, first on trial, then awaiting execution. Physical sensations of sun and wind and physical activities such as swimming or running mean a great deal to him. Larger experiences in his life- the death of his mother, a chance for marriage, and a change in job- mean relatively little. We learn almost nothing about his past, though he is a curiously candid person, speaking of experiences in the present that most of us, if we felt them, might keep silent about. He has a detached attitude toward other people. This annoys most people, but some are attracted to him because of his silence and his habit of not offering judgments. The central event in his life, at least as far as it influences others, is killing an Arab. His most intense experience, however, is his attack on a chaplain while in prison.
Launcelot and Guinevere- Guinevere is hostage by Sir Melliagraunce. Then Agravain and Mordred spy on Guinevere and Launcelot and they overhear their plans.
Meursault is a young man living in Algiers. He receives a report of his mother Madame Meursault's funeral. He attends his mothers funeral, but he does not show any outward signs of appropriate grief. He returns to his home and immediately begins an affair with Marie Cardona, a former co-worker. After the weekend ends, he concludes that his mother's death has changed nothing. The banal rhythm of a Sunday afternoon remains exactly the same as it was before. He strikes up an acquaintance with Raymond Sintes, a local gigolo and pimp. Meursault unintentionally becomes involved in a dispute between Raymond and Raymond's mistress and her brother, the Arab. The dispute ends with Meursault's murder of the Arab. Meursault, who narrates The Stranger, does not offer an explanation for the murder. It is by all appearances completely without motivation. Nevertheless, society demands a rational explanation.
The plot is told in chronological order. It begins with Meursault discovering his mother has passed away. After the funeral, he returns to his every day life. He goes to movies, spends time with his girlfriend, goes to the beach and makes friends with his neighbor.
Adèle Ratignolle uses art to beautify her home. Madame Ratignolle represents the ideal mother-woman (Bloom 119). Her chief concerns and interests are for her husband and children. She was society’s model of a woman’s role. Madame Ratignolle’s purpose for playing the pia...
Throughout the text, Meursault uses Marie simply as a means to an end to satisfy his own ambitions, without very much regard to her own inner feelings and aspirations. “That evening Marie came by to see me and asked me if I wanted to marry her. I said it didn’t make any difference to me and that we could if she wanted to. Then she wanted to know if I loved her. I answered the same way I had t...
Marie-Laure Leblanc, a blind girl whom had to flee from Paris with her father, quickly learned how to adapt to a new town and eventually led to experience the war alone as a young blind girl. Marie-Laure’s story ends up corresponding to Werner Pfennig, a young orphan boy from Germany, whom has a huge fascination for radios. During the war Werner is in charge of pinpointing and destroying opposing German radio broadcasts. Towards the end of the novel the two characters ended up meeting one another
Vichy France is a period of French history that has only fairly recently begun to be examined for what it truly is: a period in which many of the French turned against their own state and collaborated with the German forces to betray their own country. Until the eighties, the Vichy Regime was regarded as “an aberration in the evolution of the French Republic” (Munholland, 1994) , repressed by the French in an attempt to regain their national pride. ‘Lacombe Lucien’ (1974), directed by Louis Malle is a film which aims to capture the ambiguity of the era through the documentation of fictional collaborateur, Lucien.
Le Querrec injures the school's elderly caretaker Maxence, Mathieu keeps the culprit's identity from the headmaster, while encouraging him to nurse the caretaker during his recovery. On discovering the boys singing rude songs about him, Mathieu forms a plan: he will teach them to sing, and form a choir as a form of discipline. He groups the boys into their voice types, but one student, Morhange, refuses to sing. Mathieu catches Morhange singing to himself, discovers he has a wonderful singing voice, and awards him solo parts on the condition that he behaves.