Cathy is destructive, manipulative, and insensitive towards anyone and only sees the evil aspects of others. While speaking to Cathy, Cal explains, “I don’t think I’m half as mean as you under that nice skin. I think you’re a devil” (Steinbeck 117). Cathy is a girl who desires to have control over anyone and has no remorse for the things she does to have that control. She is, in her very essence, a “devil”, one who does evil things to people who don’t deserve it. She also believes that everyone is evil and cannot see the good in others because she believes there is none to begin with. Cathy eases into people creating a loving appearance with her soft features so that they will be blinded by her real intentions. When Cathy looked extremely
Australia’s first indigenous track and field athlete to compete in the Olympics, Cathy Freeman most defiantly fits into many of Wilderness’s core values. Cathy grew up in a time where racism against indigenous citizens was a common normality. Her grandma was part of the stolen generations and through her career, Cathy has been a victim of racial harassment and abuse. How she acted during these periods of time in her life truly defined her as, nothing other than a responsible citizen. She was able to put the racism and discrimination behind her and compete at an Olympic level for the country she loved. In addition, she was an advocate of Aboriginal rights and like many aborigines at the time, she strongly supported the idea of the Australian government apologising for the abuses
The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
Cathy always felt like she was competing with her mother for attention for her father and her brother. “The Electra Complex is a psychoanalytic term used to describe a girl 's sense of competition with her mother for the affections of her father” (Cherry). Cathy has always felt competition with her mother for her father’s attention. However, she knew that her mother could give her father things she could not, like sex and the body image of a woman. So, when Christopher dies, this competition with her mother is transferred to Christopher, Cathy’s brother, who is exactly like Christopher. The Electra complex gives no solution to this competitive family relationship, but Cathy wins Chris’s love over her mother because Corrine turns into a heartless, selfish
“The Devil’s Wife” by Carol Ann Duffy is a tragic and powerful poem. Written in the form of a dramatic monologue, Duffy adopts the persona of Myra Hindley, the notorious Moors Murderer. “The Devil’s Wife” consists of five individually titled sections, each describing an individual part of Hindley’s experiences from meeting Brady to feeling sorry for herself while sitting in her prison cell. Themes relating to avoiding responsibility, self-pity and her fear of society’s reaction to her crimes are explored as Duffy creates an effective persona
From her early childhood, Cathy commits crimes unimaginable to any stable individual. She cannot distinguish right from wrong and finds pleasure in cruelty. Steinbeck uses Cathy to display what an innately evil woman truly looks like. He introduces her by explaining how one may be “born without kindness” or “the potential of conscious,” just as one might be born without an arm (95). Cathy Ames happens to be brought into the world with the traits and qualities which drive her to sin all her life. From birth, she differs from others, and uses her differences to shake up the world around her. She comes into the world lacking the capabilities to ever be considered a “normal” woman. Her upbringings did not bring her to this because her parents support her and always want the best for her. Cathy, given everything she wants, possesses no reason to act deceptively; she cannot change. She often resembles an animal, hurting Sam Hamilton the “way a terrier” attacks a sack (253). Cathy even admits she “would rather be a dog” than a human (321). Over time, as her craving for power and domination increases, she becomes more monstrous and almost inhuman.
The presentation of Cathy and Heathcliff as physically divided is not only literally seen through the differing households but also through Cathy's own actions and attire.
Carol is one of the main characters from this show called, ‘The Walking Dead’. She is one of the few survivors from this post-apocalyptic future where zombies are roaming around looking for their next victim. They all stick together for protection, but one of them leads Carol to make a hard decision. Lizzie is a girl who Carol had become a mother too and has suffered a serious psychiatric break, which made her believe that the zombies were misunderstood creatures that were entitled to be treated with respect, even if they weren’t exactly humans. This led Lizzie to turn another girl into a zombie and when Carol failed at trying to help her, she inevitably had to kill her for the protection of the rest.
However, through rhetorical devices, Douglass demonstrates how slavery also had a degrading influence on slaveholders and thus shows its corrupting nature. Specifically, he contrasts the shift in Sophia Auld’s character through antithesis and metaphor after being exposed to slavery. Before Mrs. Auld’s corruption, Douglass described his master by claiming, “Her face was made of heavenly smiles, and her voice of tranquil music” (32). Through metaphor, Douglass makes her sound like an angel with “heavenly smiles.” Angels are commonly associated with pureness and therefore by making this metaphor Douglass associates Mrs. Auld as originally being pure. However, he then juxtaposes this idea when he claims she has received the “fatal poison of irresponsible power”(32) also known to him as being a slave master. He explains her new characteristics by stating, “That cheerful eye, under the influence of slavery, soon became red with rage; that voice, made of all sweet accord, changed to one of harsh and horrid discord; and that angelic face gave place to that of a demon”(32-33). Through metaphor and antithesis, Douglass shows how she shifts from being an angel to a demon. The metaphor associates Mrs. Auld with satan and the antithesis makes her list of changing features appear extensive. Through these rhetorical devices, Douglass is able to emphasize the abruptness of her change in character due to her experience around slavery. By explaining this personal experience in his narrative, Douglass shows to his audience the unexpected negatives of slavery and how it not only dehumanizes slaves, but masters as well. This most likely would have given Northern abolitionists stronger reasons to push for Douglass’s goal of
In Fall On Your Knees, Ann-Marie MacDonald presents a vivid and life-like character in Frances Piper. Frances Piper is one of the four Piper girls, and she is indifferent from the rest of them. From her early childhood, Frances is a bold and naughty girl, always getting herself into trouble. She has a great mischievous streak which troubles her father, James Piper, immensely. James Piper also has a demon like personality at various times throughout the novel, some of which he amasses from his father in his early childhood. In this same way, the reader can visualize Frances getting accustomed to her father’s personality and see her become a demon herself, trying to get back at her father. In a way, Frances can be seen as the Devil’s advocate. However, how can a young and sweet girl carry such a negative impact to her family, especially when she is the heart of this novel? Although Frances can be visualized as the Devil’s advocate by her actions, various characters, and the loss of her innocence through her father, Frances is a sweet, young, and seldom scared girl who is trying to live a life that her grandmother, mother, and sisters haven’t lived – a life filled with new adventures, life risking actions, and most importantly, fun.
In Nathanial Hawthorne’s The Scarlet Letter, the deceptive Roger Chillingworth could most certainly be considered a morally ambiguous character. Throughout the novel, Roger Chillingworth everlastingly remains misleading as to whether he lies on the side of good or evil. Even at the end of The Scarlet Letter, the knowledge of Roger Chillingworth is extremely nebulous. The mysterious Roger Chillingworth, although ultimately emanating to be evil, attests to be a challenge when determining his morality. Roger Chillingworth attempts to beguile us by enacting the role of a physician, and ensconces his relationship with Hester Prynne. He lives with Arthur Dimmesdale, vindicating that he is serving Arthur Dimmesdale a helpful medicine, while he is actually depleting the very life from his bones. Roger Chillingworth, therefore, achieves his moral ambiguity through deception, cleverness, and an unknown history.
Throughout the story the grandmother is manipulative and egotistical. From the way she presents herself, to the way she sees others. It isn’t until her dwindling moments of life with the misfit that the grandmother sees that her elite bloodline or fancy dress will not be enough to save her life. One identification of the grandmother’s redemption is found in her last words to the misfit, “Why you’re one of my babies. You’re one of my own children!” The grandmother is not suddenly remembering an illegitimate child she gave up many year ago, but rather realizing that there is no difference between her and the escaped convict. The grandmother receives redemption in this moment because the grandmother had lived her entire life thinking she was above the rest of humanity, especially those of other race, ethnicity and background. Katherine Keil in her critical analysis essay “O’ Connor’s ‘A Good Man is Hard to Find’” states “The grandmother, likewise, is brought salvation by a “wretched” creature—The Misfit. At the moment of her
This unnamed character feels superior and far more knowledgeable to that of the rest of her family while truth behold, she is just as manipulative, sneaky and selfish as the rest of them. She treats her son like a foolish idiot, is critical and judgmental of his wife. She is constantly nagging on the children and revels a greater moral attitude towards them. The plot begins with a family car trip in which they ironically run into a criminal they were trying to travel away from all because the Grandmother insisted on a detour to see an old house. Throughout the story, theology is depicted in a tricky way. God is mostly nonexistent but assumed to be believed in by the Grandma because she is a “perfect lady.” It is not until the final scene when the Misfit threatens her life, that she finally experiences a moment of grace by recognizing him as one of her own children. O’Connor demonstrates a strong belief in the salvation of religion by describing the Grandma sitting perfectly and looking up into the cloudless sky after her death. Through the Grandma’s character, it is learned that O’Connor believed everyone deserves to be saved no matter how sinful his or her actions may
For instance, in Africa, Marlow states that he has familiarized himself “…with a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly.” (pg. 81). Symbolically, the colonists are described as the devil mentioned above because they treat the natives with brutality even though their stated intentions are pure. Also, the colonists are foolish and tactless for they are unaware that their actions expose the evilness behind their actions. Similarly, in Coppola’s work, the United Sates affirms that they fight in the name of freedom and democracy, yet they commit senseless and violent killings.
In the beginning of the story, The Boarding House, it describes Mrs. Mooney’s relationship with her husband. After Mrs. Mooney’s father died, her husband, Mr. Mooney became a drunk, bad businessman, and “began to go to the devil” (Joyce 61). The two fought constantly, even in front of customers. It