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Elissa Guerra
Ms. Cox
AP Lit- A4
April 5, 2014
Tennessee Williams and Beth Henley both use elements of tragedy in their plays in order to introduce the characters’ problems while also attempting to lighten the mood. Tennessee Williams introduces the conflict along with some humor, but Beth Henley’s use of comedy in a tragic moment makes the situation even more tragic. The humor she introduces in a tragic situation evokes pity from the audience because it seems as though all the sisters can do is laugh at their pain. Williams uses comedy in order to introduce the tragic situation and comedy doesn’t have to be funny in his plays; the way that he introduces tragedy in such a comedic manner allows the audience to relate to the characters. On the other hand, Henley’s way of joining comedy and tragedy in the same moment makes the audience uncomfortable because it confuses their emotions; they don’t know whether to feel pity or not. In this sense, Tennessee Williams does a better job at showing tragedy through the characters’ actions.
In Williams’ play “Cat on a Hot Tin Roof,” he uses tragicomedy to evoke the themes of mendacity and betrayal between characters and within the characters’ own minds. Tragic dialogue is used to introduce the theme of mendacity multiple times throughout the play. For example, Big Daddy is rude to his wife, Big Mama, and he calls her names, but she doesn’t believe the words that come out of his mouth even though they are his true feelings towards her (Cat on a Hot Tin Roof). Big Mama simply laughs off the insults while Big Daddy is dead serious about them. This is tragic because Big Daddy means every work he says, but Big Mama loves him too much to believe that he would say such cruel things to her. Anoth...
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...while because they know that there are still more problems to come such as Babe’s court case and the possibility of her getting sent to a mental hospital. In Williams’ plays there is longer satisfaction in the end which keeps the comedy along with the tragedy. In “Cat on a Hot Tin Roof,” Meg locks up Brick’s liquor and urges him to get her pregnant so that Big Daddy can die knowing that the land is going to his favorite son and that he has a grandkid on the way. This is a comedic ending because everyone is satisfied with what is to come and though there is tragedy, the comedy outshines it. “A Streetcar Named Desire” ends with tragedy because Stanley has to live with the guilt of causing Blanche to go insane and get sent to the mental hospital. Tragedy is best displayed in Tennessee Williams’ plays through the situations he puts his characters in and their dialogue.
Joyce, Joyce Ann. Richard Wright's Art of Tragedy. Iowa City: U of Iowa Press, 1986.
Tennessee Williams wrote in a letter that "It ('Streetcar') is a tragedy with the classic aim of producing a catharsis of pity and terror and in order to do that, Blanche must finally have the understanding and compassion of the audience. This without creating a black-dyed villain in Stanley. It is a thing (misunderstanding) not a person (Stanley) that destroys her in the end." In your opinion, to what extent has Williams succeeded in his aims. Although there are many different viewpoints on a conventional tragic heroine, Aristotle made his views clear that a hero must fall from fortune and power, due to a tragic flaw, allowing an audience to feel catharsis at the end of the play. It can be argued that Stanley causes Blanche's downfall, however,
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
Tennessee Williams is one of the best play writers in American history. Tennessee Williams's life experiences has been used as subject matter for his dramas. Tennessee Williams uses his experiences and express them through plays. His life experiences are used over and over again in the creation of his dramas.
William Shakespeare’s dramatic and poetic techniques and his use of hyperbole are used to describe the characters emotions and weaknesses. The use of dramatic irony is used to create personal conflict. This is done throughout the play to describe the characters concerns and their situations.
...iking play, Tennessee Williams poses a question to society, as to whether or not these representations are accurate.
Tennessee Williams is widely known as one of the greatest playwrights in American history. Tennessee Williams's personal life and experiences have been the direct subject matter for his dramas. He uses his experiences and universalize them through the means of the stage. His life is utilized over and over again in the creation of his dramas.
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
“All I ask of that woman is that she leave me alone. But she can’t admit to herself that she makes me sick,” (II.47). This is a quote spoken by Big Daddy concerning his wife, Big Mama. Throughout the play, women become victim to unfair and misogynistic treatment from their husbands. This is mainly evident in Big Mama, Maggie and Mae’s respective relationships. Cat on a Hot Tin Roof displays this casual misogyny in its accurate depiction of how women were treated in that era, through the roles of the female characters and their relationships, as well as the treatment of the female characters.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
Dysfunctional. Codependent. Enmeshed. Low self-esteem. Emotional problems of the modern twenty-first century or problems of the past? In his play, The Glass Menagerie, Tennessee Williams portrays a southern family in the 1940's trying to deal with life's pressures, and their own fears after they are deserted by their husband and father. Although today, we have access to hundreds of psychoanalysis books and therapists, the family problems of the distant past continue to be the family problems of the present.
Lies and Mendacity run rampant in Cat on a Hot Tin Roof. They help keep the play going and keep it interesting. The play shows us the lies that people tell themselves and other instead of the truth that is hard to accept but must be said.
The Glass Menagerie, by Tennessee Williams, is a prime example of a classic drama, infusing powerful themes with compelling characters to draw the reader in and allow them to connect. William’s character Laura plays a large part in accomplishing this, particularly in Scene VII, when she converses with Jim. This scene is especially important to the story as a whole, and helps develop Laura’s character and the theme of conformity. This theme, that to be accepted by society one must conform, is prevalent throughout the story, but centers around this portion of the play specifically. The conversation between Laura and Jim is a pivotal part of the drama that is very impactive and provides substance for the theme and character development in the rest of the drama.
Tennessee Williams’ excellent use of themes to portray characters in his world class, classic play “The Glass Menagerie” makes the play enthralling till the very end of it. Out of many themes like loneliness, illusions and distress; disintegration of the family seems to be a major plot of the play. Undoubtedly, all the themes displayed in “The Glass Menagerie” are as much important for the success of the play which keeps the audience indulged into it throughout. Nature and lifestyle of each character plays a vital role in creating events and setting the theme of the story. From an ambitious, energetic and hard-working young man, Tom to a physically challenged and unsociable girl, Laura; many qualities of a human being have been portrayed in
William Shakespeare's plays come in many forms. There are histories, tragedies, comedies and tragic comedies. Among the most popular are the comedies which are full of laughter, irony, satire and wordplay. Many times the question is asked: what makes a play a comedy instead of a tragedy. Shakespeare's comedies often use puns, metaphors and insults to provoke 'thoughtful laughter'. The action is often strained by artificiality, especially elaborate and contrived endings. Disguises and mistaken identities are often very common. Opposed to that are the tragedies, where the reader would find death, heartbreak, and more serious plots and motives. The plot is very important in Shakespeare's comedies. It is often very convoluted, twisted and confusing, and extremely hard to follow. Other characteristics of Shakespearean comedy are the themes of love and friendship, played within a courtly society. Songs often sung by a jester or a fool, parallel the events of the plot. Minor characters, which add flavor to the plot, are often inserted into the storyline. Love provides the main ingredient. If the lovers are unmarried when the play opens, they either have not met or there is some obstacle to their relationship. Examples of these obstacles are familiar to every reader of Shakespeare: the slanderous tongues which nearly wreck love in "Much Ado About Nothing", the father insistent upon his daughter marrying his choice, as in "A Midsummer Nights Dream", or the confusion of husbands in "The Comedy of Errors".