The book, Breathing, In Dust, by Tim Z. Hernandez, begins with Tlaloc and Jesus doing something that is detailed thoroughly having to do with cocaine. Furthermore, in the story Tlaloc, Alejandro, and Jesus were being shot by the cops due to the fact, they resisted and did not respond to the officers doing. After escaping the hectic scenery, Jesus and Loc were on a goose hunt from the cops. They eventually lost the cops by hiding in the fields being camouflaged and not being able to be detected. Thus drinking alcohol on the way back home. Moreover, a tragic situation has occurred that deals with Cesar Chavez’s death. As a show of gratitude for Chavez’s greatness, Tlaloc, Zeta, and Jesus went on a trip to Cesar’s memorial. During the trip, Loc …show more content…
Underneath, he then sees a Ziploc bag filled with notes but wasn’t able to read it because he might miss the train. Every time they do this kind of shenanigan, where they play who’s got the guts staying right near the train as it passes by them. But, as the train was leading up to them, Loc then remembered about Norma’s poem thinking about it and wondering when will it be read. The author then brings the reader to a scene where Norma and her mother are reminiscing about old photos or her great great grandmother Rosa Constante de Felix or “La Morena.” As a little girl, Norma always see her dad and mom showing affection to one another in public not caring about other people’s judgment because they 're madly in love with one another. As for Norma, who is still in high school with her boyfriend Lupe it was all good. But, a note on the the next day showed that Lupe had left Catela but also left her. As she was going back through the photographs, the pictures then made sense to her and that she has inherited La Morena’s lonesome characteristics. Back in the day, when Arturin and Jacky were left behind while their mother goes off to Mexico to deal with business, Arturin was responsible for taking care of his
Each new morn.New widows howl, new orphans cry, new sorrows strike heaven on the face (qtd in Lawson, Sandra. 2013)
Nearly everyone has a dream in life that they desperately want to accomplish. Without these dreams people wouldn’t strive to accomplish what makes them happy. Sometimes happiness might be hard to reach because of obstacles faced in life. The obstacles which one faces and how they can overcome them are remarked in Anne Lauren’s Carter short story “Leaving the Iron Lung”. In order for the author to show that one must overcome faced obstacles to pursue their dreams, she uses the protagonist transformation, contrasting characters and settings.
The opening scene in the article introduces three characters, Lil’ Gato, Tequila, and Yogi, who are in Yogi’s room doing some “love, free drugs” more specifically, cocaine. This open scene helps contribute to the story by introducing the conversation between the three individuals about the problems
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using the Spanish language. "I recognize you as someone close, like no one outside. You belong with us, in the family, Ricardo.? When the nuns came to the Rodriquez?s house one Saturday morning, the nuns informed the parents that it would be best if they spoke English. Torn with a new since of confusion, his home is turned upside down. His sacred family language, now banished from the home, transforms his web into isolation from his parents. "There was a new silence in the home.? Rodriguez is resentful that it is quiet at the dinner table, or that he can't communicate with his parents about his day as clearly as before. He is heartbroken when he overhears his mother and father speaking Spanish together but suddenly stop when they see Rodriguez. Thi...
Esperanza and her family move into a poor neighborhood in Chicago. “Bricks are crumbling in places, and the front door is swollen you have to push hard to get in. There us no front yeard, only four little elms the city planted by the curb. Our back is a small garage for the car we don’t own yet (Cisneros, 4).” The reader learns that Esperanza and her family are also from Mexico. “Look at that house, I said, it looks like Mexico. Rachel and Lucy look at me like I’m crazy, but before they can let out a laugh, Nenny says: Yes, that’s all Mexico right. That’s what I was thinking exactly (Cisneros, 18).” As an immigrant family, Esperanza’s family is struggling to make ends meet in Chicago. “I could’ve been someone someday, you know? My mother says sighs. She has lived in the city her whole life. She can speak two lanugages. She can sing an opera. She knows how to fix a T.V. But she doesn’t know which subway train to take to get downtown. I hold her hand very tight while we wait for the train to arrive (Cisneros, 90).” This is also a reference of space and time that is associated with the time period of
At the beginning of the short story Maggie's family is introduced, from her scrappy little brother Jimmie, to her short lived brother Tommie, her alcoholic mentally-abusive mother Mary, and her brutish father. Jimmie's friend Pete is introduced and becomes a mirror image of Jimmie later on in the book. They both are portrayed as Don Juans, the seducers of young women who treat women as objects rather than people. Maggie's father is as short-lived as her brother Tommie. However, he becomes a negative social factor in Maggie's life. Maggie’s mother was an essential symbol of hypocrisy and pessimism throughout the book, from her drinking to her last comment in the book “I'll Forgive Her” (Crane).
Drugs is one of the themes in this story that shows the impact of both the user and their loved ones. There is no doubt that heroin destroys lives and families, but it offers a momentary escape from the characters ' oppressive environment and serves as a coping mechanism to help deal with the human suffering that is all around him. Suffering is seen as a contributing factor of his drug addiction and the suffering is linked to the narrator’s daughter loss of Grace. The story opens with the narrator feeling ice in his veins when he read about Sonny’s arrest for possession of heroin. The two brothers are able to patch things up and knowing that his younger brother has an addiction.
They both admire her mother’s beauty. Her grandmother begins to reveal certain aspects from her mother’s past and the nagging feelings gets stronger. La Inca explains to her that she is very similar to her mother. She tells her about why she had to send her mother to New York; she also had fallen in love with the wrong man. At the end of this story, we see Lola go through this internal change. I think the author did this to show that maybe Lola couldn’t understand her mother because there were many things about her she didn’t know and that their story was so very similar. We don’t get to see anymore of the conversation; therefore, we don’t see if this revelation serves a purpose, but I would like to believe it
Meursault’s Maman, when introduced to the reader, has already passed away; however, her past relationships that disclose themselves when Meursault attends the funeral directly contrast her son’s emotional receptivity, or lack thereof. During Maman’s funeral, a woman “in the second row...emitted a little choking sob” (8). The keeper subsequently relieves Meursault of his frustration by explaining to him that “she was devoted to [his] mother” and that they were close friends (8). Along with friendship, Maman also embraces romance during her last few days with her relationship with Thomas Perez at the home, where “[he] and [maman] [are] almost inseparable” and “people [would] tease Perez about having a fiance” (10). Maman’s attempt to form de...
Pobutsky, Aldona B. "Maria Llena Eres De Gracia: Fairy Tale, Drug Culture, and The American
In the film Suzon, a college girl home from winter break, is reunited with her family. She is reunited with her mother Gaby, her little sister Catherine, and her wheel chaired bound grandmother Mamy. Everyone is talking, and singing until Augustine, the aunt of Suzon and her sister; comes down and complains about the family and the two female mai...
The poem “Behind Grandma’s House” by Gary Soto is a poem about rebellion, through the eyes of a boy who desperately needs attention, who has a lack of respect, and who ironically receives a lesson from his grandmother as a consequence from his behaviors. During the reading of this poem, the reader can feel somewhat caught off guard by its abrupt and disturbing ending. However, after analyzing the author’s own idea of who he was as a child, and the behaviors that may have been expected from him, it gives the reader a better understanding behind the inspiration the author used for his work, more specifically “Behind Grandma’s House.” Many articles have been wrote about Gary Soto’s life and work. However, there is an article titled “About Gary Soto: A profile” by Don Lee, which gives the reader a better understanding of Soto’s background. It also helps in understanding the character that is being represented in the poem.
The Theme shows itself most prominently in the second to the last paragraph. In this section El Capitán continues dancing on and on even though Eloísa is not longer present in his arms. Even in her absence the music continues to play and El Capitán continues to dance alone until La Mexicana joins him. The technique of imagery used to describe in detail the physical characteristics also expresses and fortifies the theme of unrequited love.
Williams, Terry. 1989. The Cocaine Kids: The Inside Story of a Teenage Drug Ring. New York: Da Capo Press.
As the couple waits between two destinations, Barcelona and Madrid, they are trapped in limbo "between two lines of rail in the sun"(142). The station, placed between the two lines of rails, suggest the two directions the couple may go - toward Madrid and the abortion or away from Madrid and to a family scenario. The landscape describes the conflict, both barren and fruitful. Alongside of one rail line long, white hills stretch across the horizon, the country before them "brown and dry" (143). In stark contrast to the desolate landscape of the hills, the other flank is lush and green, with "fields of grain and trees [running] along the banks of the Ebro" (145). This scenic dichotomy comes to embody the girl's sentiments regarding the abortion: the hills are barren, representing her life if she submits to her partners expressed desires and goes through with the abortion; while th...