By Jane Austen. Ed. Donald Gray. New York: Norton and Co., 1993. pp. 295-303.
WW Norton & Co. : New York, 2001 2. "Review of Jane Eyre, by Charlotte Bronte." Critic (Oct. 1847): 277-8. 3. "Review of Jane Eyre, by Charlotte Bronte."
Scott, Sir Walter. Quarterly Review. October 1815. pp.192-200. Rpt. in Bloom’s Classic Critical Views: Jane Austen.
New York: Barnes and Noble Books, 2004. Print Copeland, Edward. The Cambridge Companion to Jane Austen. Cambridge and New York: Cambridge University Press, 1997. Print Thackeray, William M. Vanity Fair.
Something altogether deadening, like opium fumes, was taking hold of her” (Flaubert 234). Emma feels numb and wonders how she can get rid of the man she married, the overbearing man that loves her, yet cannot seem to satisfy her. Charles is oblivious to the fact that Emma is having doubts about the relationship which causes Emma to become even more unhappy with him. Charles is certain in what he wants and cares for Emma dearly, as a husband should, but this only makes life harder for Emma. Emma is selfish while Charles is not.
Unduly depressed by a sense of her own superfluity she thought he probably scorned her”(207). Through the rejection Henchard and Elizabeth-Jane suffered from Lucetta and Farfrae, the father and daughter are communally bound in their care for the happiness of the two lovers but they also feel hurt and rejected by the marriage. More important than Henchard and Elizabeth-Jane’s rejection by their friends, is their rejection of each other. When Elizabeth-Jane and Farfrae are courting, Henchard foresees his stepdaughter easily leaving him under the influence of Farfrae. Henchard admits that “Farfrae would never recognize him more than superciliously; his poverty ensured that, no less than his past conduct.
She is thus painfully unable to support her children and leaves Caddy with no moral compass to help navigate through the development of a young woman. Mr. Compson, an equally pitiful parent, is obsessed with honor. When his children are unable to live up to his reputation and embody the aristocratic image he wishes for his family to represent, he secludes himself from the rest of the world and drinks himself into a stupor and even... ... middle of paper ... ...y 46.3 (1993): 373+. Gale Biography In Context. Web.
Austen, Jane. Emma. Norton Critical 3rd edition, ed. Donald Gray New York and London: Norton, 2001. Austen, Jane.
New York: W. W. Norton & Company, 1998. Austen, Jane. Emma. 1816. New York: W.W. Norton & Company, 2000.
The exclamatory syntax of “what a good joke it will be!” indicates Lydia’s apathetic views on her family’s reputation. Her joking manner emphasizes her immaturity which prevents her from facing the consequences of her elopement. By allowing her family to fret about her lost dignity, Lydia demonstrates her lack of responsibility as a daughter and her disregard for feelings other than her own. Compared to her adolescent sister, Elizabeth regrets her prejudices towards the formidable Mr. Darcy. Once Mr. Darcy confesses his misjudgements of Jane and the truth in firing Mr. Wickham, Elizabeth “[grows] absolutely ashamed of herselfㅡOf neither Darcy nor Wickham could she think, without feeling that she had been blind, partial, prejudiced, absurd” (382).