Blanca Varela receives several prestigious awards as a result of her work being considered as surrealistic and radical, a recurring hem with many poets from Peru at the time. It is this unique form of expression that earns her the exposure making her one of the leading voices of Lain America. The style in which she writers offers both a literal message to be read and comprehended easily, as well as, a figurative message which can imply a number of different things. Moreover, she paints specific pictures to help the reader truly conceptualize what she is trying to say. “Secreto de Familia” or “Family Secret” by Blanca Varela demonstrates her use of several meaningful and insightful poetic elements in order to voice an opinion or convey a message she has. There are a few things left for the imagination and for the reader to interpret. For instance, the title “Family secret” engages the reader as if the poem would present something secretive while reading it. The poem doesn’t quite tell the reader directly what the secret may be however, yet edges the reader on to find out the secret. The reader is befuddled with more questions by the end of the first stanza. The narrator of this stanza is recalling a dream that she has had about a skinned dog in the darkness of a butcher shop. A lot seems unclear because at this point the narrator herself is confused and wondering where she is. Her voice and questions seems to be unheard at first and silenced by the darkness that engulfs her. Blanca Varela is known for using an innocent perspective in her writing to convey a more surreal and emotional message by the narrator. Yet, in order to understand what is truly happening, she puts another narrator who understands the situation and perceive... ... middle of paper ... ... supposedly, does in fact either know the truth, although the mutt won’t bark of it. The light only dwells in the crust when the dog or dreamer is waking up to the light, out of the dark ambiguity of her dream that clouds her vision, is slightly gone. However when the dreamer dreams and the light turn off, she skins her “fore-legged tongue” at the butcher shop every night. The family secret can be felt or slightly seen by the dreamer after the haze of her dream, but not as well grasped because even in her dreams she is restricted from fully comprehending the secret, the same way the oppressed people in Peru feel the effect of the governmental secret, yet have no idea what it could be except for the secret power taking away their voices. Thus, she remains the skinned dog singing and whistling, rather than becoming the flower that barks, every night in her sleep.
The situation with Mandy in Ed Vega’s short story “Spanish Roulette”, portrays a young women’s innocence being stolen and the distress that was brought upon the family thereafter. The narrator focuses on Sixto Andrade, the brother of Mandy, and how he deals with the situation. Although Mandy’s character is not directly introduced, she is significant because she is the purpose of the plot and she impacts the actions of her brother.
The poem explains her hardships. Reading poetry is different from reading prose because you really have to dig deeper and study harder. A poem is not always straight forward like many other writings. You have to use context clues and understand imagery, tone, and sense. Summarizing a poem becomes difficult if you do not re-read several times. I learned that figurative language and lifestyle really tells a great story. Language especially helps you understand what is going on between the lines. Overall, family is always there at the end of the day. Sometimes situations get tough, but there is always a light at the end of the
The poet uses four line stanzas or quatrains, and this is a narrative poem because the speaker tells a story. The speaker seems a little odd in a way because she does not know what is happening; “Worried whispers” (6) is an alliteration, and it also symbolizes the speaker’s anxiety. Both her uncle and father do not tell the truth to the speaker, instead they “Sugarcoat” it. This is similar to Emily Dickinson’s poem “Tell all the truth but tell it slant” because the children might get scared if they learn the truth right away. In the line “What a good time she’ll have learning to swim,” (11) the poet again emphasizes how adults lie to children so they do not hurt them. The speaker feels as though her parents are lying to her; however, she just trusts them because she believes that what adults do cannot go wrong. Also, “A week at the beach so papi get some rest” (15) sounds as if the speaker’s father has to leave the Dominican Republic because he is some kind of danger.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
Junot Diaz’s “Otravida, Otravez” depicts a perspective of life where one’s present and future always reflects their past in some way. Diaz’s representation of symbolic figures, convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken.
The poem starts out with the daughter 's visit to her father and demand for money; an old memory is haunting the daughter. feeding off her anger. The daughter calls the father "a ghost [who] stood in [her] dreams," indicating that he is dead and she is now reliving an unpleasant childhood memory as she stands in front of his
2. The first reason for this thesis stems from the point of view used in the story. The point of view exemplified is one of third person, more specifically one who is omniscient. The story’s message could not be conveyed from the first person, due to the fact that virtually everyone in the writing at hand is not only unable, but unwilling to figure out the true nature of their surroundings.
Elena Poniatowska escrita durante una epoca de cambio en Mexico. Antes de sus obras las mujeres mexicanas eran sometidos, docil, y pasivo. En la tiempo de sus obras las mujeres estaba tratando salir de los estereotipos de antes. Esta problema social tomo un afecto en Elena. Aunque ella no viene de un movimiento literatura directamente, ella escrita con el concepto de compremetido. En su narrative El Recado ella crea un mujer estereotipical que no puede controlar sus emociones. La titula es eso porque ella viene a ver su amante, pero el no esta, asi ella escribe las cosas que sentia. La perspectiva es de un personaje y ella nunca interacta con otros personajes. En facto la unica descripcion de un personaje otro de la protagonista es de su amante Martin. Habla de otros personajes, pero solamente de sus acciones. Porque ellas es la unica perspectiva que tenemos es sencillo a sentar compasion para una protagonista de quien nombre no aun sabemos. Ella da la descripcion de toda que vea, y mas importante todo que se sienta. Tambien tropos y figuras retoricas dan un tono significante al poema. Estos sentimientos de la portagonista y el tono emocional de la narrativa transporta una tema de una mujer estereotipical y debil quien quiere ser reconocido.
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
In “The Fortune Teller,” the author, Joaquim Maria Machado de Assis, uses symbolism to prove to one that an affair is not worth a person’s life. He uses the letter to symbolize hate between Villela and Camillo regarding the affair. This very ambiguous letter has terrified Camillo and put an end to his life. The letter enhances the theme of the short story by showing the anger and hate that Villela now had for Camillo. This hate is a focal point in the short story that leads to ending the affair along with Camillo and Rita’s life. Ultimately, the affair caused a large amount of tension between the three. However, the author was successful in grabbing the reader’s attention with the letter as the turning point of the short story.
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
Life is not a singular momentous journey; it is a multitude of experiences and events that shape not only one’s life, but one’s character. In Vida, Patricia Engel manages to construct a multilayered novel that produces a synergistic effect—the whole is much greater than the sum of its parts. By constructing Vida in non-chronological order, Engel manages to convey a realistic account of finding one’s self by reminiscing upon distinct life-changing moments and the subsequent realization of the individual self. Although the chapters seemingly have nothing in common, in the sum of their parts they form a complete portrayal of Sabina. In fact, as Engel asserts, it is not the momentous occasions in life that are the most profound to one’s personal development—the most consequential moments are “uneventful, the way most life-changing moments are. You don’t see them happening” (44). Ultimately, by employing a non-chronological narrative—along with other literary elements—Engel skillfully conveys the personal history of Sabina, while fragmenting time and place. Thus, each chapter is a representation of the person who Sabina was at that time—her feelings, her language, her tone—and that is constantly changing as a girl is growing into a women, and attempting to figure out who she is as an individual.
...a silence deep and white” (Line,4) they are talking about how the white snow is beautiful and, how it looks like to me this is a love of nature to some maybe not.Last one is Intuition over fact in this quote “Father,who makes the snow?” (Line,22) says his daughter, “And told of the good All father” (Line,23) and lastly “Who cares for us here below” (Line,24) he is talking about and all father which i believe he is talking about god,and this is a great characteristic for this poem.
The presentation of events in narratology differs greatly with the purpose of the text. Certain events would seem less authentic if they were to be presented in a third-person narrative, other events just can’t be described objectively within a first-person narrative. Sometimes the events call for a non-involved description but on the other hand are too personal not to include thoughts and views of the character. In this case a different perspective is needed to view the events, not to describe them. For analytical purposes one can assume that the different aspects on narration are chosen for reason by the`implied author´, a substitute agent which is "the governing consciousness of the work as a whole." (Shlomith Rimmon-Kenan, Narrative Fiction Contemporary Poetics, London / New York, 1983). This agent therefore presents the events through the mediation of a certain perspective, the focalizer, and verbalizes them through a different agent, the narrator. The analysis of both narrator and focalizer can give further insights into the purpose of a story and can help to overcome hermeneutical differences in the interpretation.
In The Name of Salome’, is a story that is set in the Dominican Republic where Salome’ was known as the “Emily Dickinson of the Dominican Republic”. This novel is told the story of two distinct women, showing how they dedicated their lives to the political issues. There are three influential themes in this novel. They are empowerment, activism, and the bond between a mother and a daughter. They are expressing how even though her mother was absent in her life, her daughter, Camila would live a life filled with living with the same fiery spirit as her mother but feeling the absence of her touch. In this paper, I will go in depth on how even though Salome’ died when Camilla was a toddler; they still were able to bond. It may not have been in the way that it should have been but it happened. While explaining how her poetry helped in Camilla figuring out what to do after her retirement, she lived through her mother by returning to Cuba and finishing what her mother started before she died. Also addressing the issue of gender throughout the book, expressing how women were portrayed during this time and how it affected Salome’s life.