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History of african art 275 exam 1
Essay about African Art
History of african art 275 exam 1
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The Menil features a unique collection of African art, the headdresses are especially intriguing. Pair of Headdresses created, in the 20th century, by the Bamana people features a sculpture that displays a double stacked animal that can be compared to the single animal of the Antelope Headdress that was also created in the 20th century, but made by the Kurumba people who were located in central Burkina Fako. While the two sculptures differ in subject matter and pigment used, they are similar in respect to how the sculptures were created, such as their use of materials and technique. Therefore, the two sculptures are more alike than different in regards to their composition. Frank Willett’s chapter “Looking at African Sculpture” helps to provide a deeper understanding by providing guidelines when appreciating African art. The Bamana peoples headdress features a small, dark brown, horned four …show more content…
The sculpture stands about 3 feet high and could be deemed life size for the head and neck of an antelope, however; the head has geometric patterns painted with red, white, yellow, and black pigments. Therefore, the sculpture is more naturalistic in size, but not in color, this use of color could indicate a sense of whimsical liveliness found in nature. The piece is best viewed up close diagonally so the full geometric detail of the work can be viewed. The work does not interact with the space around it, but rather stays contained and compact. One could infer that the purpose of this sculpture was to dress up an individual as an antelope for a ritual perhaps, however; “one can only guess at the artist's motivation” in making this piece, due to lack of information provided (146). Therefore, the Antelope headdress’ function is unknown by simply analyzing the form, but the Willet article helps one gain a deeper understanding, by assisting how to approach that content
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
The subject does not accurately depict the human anatomy. In fact, while studying this figure, one may notice that geometric shapes make up many of the limbs. For example, the artist uses ovals to represent the palm of the hands, the shoulders and the knees. The man's chest is in the form of squares with rounded edges and with perfect little white circles as nipples. This...
The display of Benin art in museum and galleries reflect the attitudes and perceptions of Europeans towards non-western artefacts, especially African. Thus as European attitudes change towards non-western art since the discovery of Benin art in 1897, Benin art has been revaluated and re-categorised.
Umberger, Emily. “Veláquez and Naturalism II: Interpreting “Las Meninas.”” Anthropology and Aesthetics 28 (1995): 94-117. The President and Fellows of Harvard College acting through the Peabody Museum of Archeology and Ethnology. Web. 23 Nov. 2013.
The statue of King Menkaure and his Queen exhibits with clarity the Egyptian devotion of art to a cannon of proportions. Its strictly frontal view point, the rigid poses of the figures, and a faithful accordance to rules and established customs can be interpreted as manifesting the nature of the Pharaoh’s authority over his subjects while at the same time exemplifying the highly regulated, hierarchical structure of ancient Egyptian society. The measured grid of verticals and counterbalancing horizontals, the stiff artificial postures and the overall idealized anatomical shapes of the bodies combined with naturalism is indicative of Egyptian taste for art and a representation of the character of Egyptian culture.
My friends, after traveling through the Asian continent and Japan, I continued on to the Americas. The art in the Americas has three regions, North America, Central America, and South America. Each region has a very distinct aspect to their forms of art. All cultures have some kind of art. Being curious about art, I have collected samples from five different areas. The following works of art are very different from European art, but there are still some similarities. The similarities of the human spirit are evident in the following images.
In Seated Bench Figure, Olmec stylization and culture are epitomized. This statue reveals a fantastic anthropomorphic creature using iconography reflective of a religious meaning. The cultural allegory presented because of the anthropomorphic were-jaguar illustrates Olmec beliefs-in particular, the Rain Baby. The codification of Olmec society through art showcased the richness of Olmec aesthetic tradition, allowing viewers to experience Olmec beliefs, social constructs, and crafts.
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
The Boli figure (fig. 1) stands on four separate legs that all connect to the ground forming a stable connection to the earth for the Boli to rest without fear of falling over. The set legs of the Boli also show stillness within the piece. As an individuals gaze progresses upwards through the animalistic features found on a Boli it can be seen that the Boli has a hump at the top of the “back”. This hump can vary in size throughout different Bolis and can even slightly vary in placement amongst them as well. The Boli can be extremely vague in appearance lacking definition and precise features. This lack of definition can be explained from the Boli being a form of an alter. Dark brown mud can be seen on the outermost layer of the Boli displaying somewhat of a matte finish as the light reflects off the piece. Cracks of the Boli’s surface capture shadows creating more definitive line sporadically throughout the piece almost as if each crack is a lightning bolt...
As I turned away from The Doll Man I immediately was taken in by this self -portrait. Although, the lighting was not very well. It was placed between the tow entrances into the Gioconda and Joseph King Gallery. The painting measured approximately at 4 ft. by 10 ft. The painting is representational and depicts animals and human. The bright red colors and dark features in the background made it stand out. Stopped time, implied space, and texture were also important elements of this painting. As the girl is sitting on the chair with a gaze in her eyes, the gorilla standing behind the chair with a look of concern and uncertainty in its eyes. It doesn’t want to step up in front of the chair and show it’s self completely. There is something to hide. It represents what is actually felt, the truth. Whatever it is, it is not to be revealed. The wolf standing by the girl’s feet has a particular look and is a loner; doesn’t want anyone to get too close. The wolf is there to ensure the hidden, the gorilla, doesn’t show it’s self.
The Colossal Statue of King Tuthankhamun and the Lamassu are amazing works of art. Of the eight works assigned, these two particularly caught my eye. The two pieces, though very different, have many similarities. In this paper, I will discuss these similarities and differences of style in terms of their overall shape, proportions, and individual parts.
The gestural and heavy working of the paint and the contrasting colors make the painting appear active yet are arduous to follow. The defining element of Woman and Bicycle is the presence of the black lines that do most of the work in terms of identifying the figure. Through the wild nature of the brushwork, color, and composition of the painting, it can be implied that the artist is making an implication towards the wild nature of even the most proper of women.
Kasfir, S. L. (2007) African Art and the Colonial Encounter: Inventing a Global Commodity, Bloomington: Indiana University Press.
I have chosen to describe the artwork Song of the Picks by Gerard Sekoto. I will look at what defines a work as modern and discuss Sekoto's background to fully understand his work and to prove whether it is modern. Several people influenced, supported and encouraged Sekoto and I will briefly discuss them. I will give a brief history of European modernity and its influence on Africa in order to understand African modernity.
While looking at this sculpture it is transformed every time you move your own head, walk around it, and bend closer. It just has a way of changing shape. While looking at it, it first appeared to me as a man or some kind of creature. Looking at the name, one would realize what the sculpture is. The sculpture was a woman. It has a lot of rough and sharp points, but the surface was very smooth. It is kind of disturbing on how Picasso seems to see beneath the skin. He reveals the tendons in Fernande's neck. The fractured texture of Fernande's face, her hair a system of gorges and upland ridges, is a metaphor for the way we experience another person. (Hughs) Like Rembrandt's most intimate portraits, it is about the mystery of being close to another human being. (Cooper) Picasso makes you recognize this by inviting your eye down into those channels and crevices, until you feel you are inside Fernande's head. You can never exhaust the richness of this head. (Hughs)