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Native american culture and traditions
The history of native american art
The history of native american art
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Northwest Coast Tribal Masks
This paper describes the Sea Bear Transformation Mask, created by Don Svanvik in 2000, and how it reflects Northwest Coast Indian art and culture, specific to the Kwakiutl tribe. A transformation mask is a large mask with hinged shutters that, when open, reveal another mask. Audrey and Alan Bleviss gave this mask to the Montclair Art Museum in 2005. The medium consists of red cedar, cedar bark, copper, pigment, and string. In the Montclair Art Museum, the mask is displayed in its open form.
The inside of the mask shows a man sitting with his legs bent in front of him while his arms are open and stretched to his sides. His facial features consist of sharp cheekbones, a wide triangular nose, a goat-t, a thin mustache, and thick dark eyebrows. The subject's facial hair is made up of black pigment. His eyes are peering up and his thick red lips are in a whistling position with a little tube in its mouth with three strings attached to it- one on both sides and one on the bottom. The strings on his left and right attach from his mouth to his arms. The bottom string attaches to the middle of his legs, just below the knees. It looks as though there is a harness or support cushion of some sort around the figure's neck but this is not clear. Perhaps it functions as a filler so there is not a lot of empty space (www.freespiritgallery.ca).
The subject does not accurately depict the human anatomy. In fact, while studying this figure, one may notice that geometric shapes make up many of the limbs. For example, the artist uses ovals to represent the palm of the hands, the shoulders and the knees. The man's chest is in the form of squares with rounded edges and with perfect little white circles as nipples. This...
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...the masks in the form of a cape-like garment in order to cover the dancer who wore it. (Waldman, 41-43)
In order to study and understand American Indian art, one must also be familiar with their customs and beliefs. Many of the artworks have fabulous stories behind them that were crucial in forming the Native American culture. For these people, culture and art go hand in hand and is therefore impossible to know one without the other. The same is true for almost any other kind of artwork. In order to really appreciate a work of art one must have background knowledge of the society who formed and shaped it.
Bibliography
Cumming,Margaret.http://www.andrew.cmu.edu/course/60-105/finals/Cumming_M/'cumming_
m.html.
Waldman,Carl.Atlas of The North American Indian.Checkmark Books, Inc., NY, 2000. 41-43
www.freespiritgallery.ca.2007
www.montclairartmuseum.org
The mosh is an awesome place in Downtown Jacksonville; where everyone can learn some interesting facts about our city, how the body works , what animals are in the ocean and etc. I visited the Timucua Indian exhibit; I learned a lot of intriguing information that I didn’t know before. I learned how the Timucua Indians first came about, how the Indians lived and survived during this time period. This exhibit also showed me how the Indians looked and the way they did things. Being able to learn about the Timucua Indians is so fascinating to me.
The Kwakiutl Indian tribe existed before the discovery of North America by the European culture and inhabited the coast of the Pacific Northwest of the United States and British Columbia in Canada. The tribe is rich in tradition and culture and has remained steadfast in their beliefs, history, teachings and artisan skills which have been passed down generation to generation. The artisans in the Kwakiutl tribe mastered the art of creating special ceremonial masks that are not only beautiful and aesthetically interesting to the eye, but also mechanically intriguing in which the masks serve a specific purpose to a theme during different ceremonies that are conducted by tribal specialists during certain times throughout the year.
The Statue of a kouros depicts a Greek man in the nude. Although he looks like a man, the large scale, and the miss proportioned features makes it unnaturalistic. The toes are too long, the genetalia is unrealistically small, and the joint lines are exaggerated.
This piece called Transformation Mask (Sea Bear), as in the title it is a transformation mask from the Northwest Coast Cherokee/Kwakwaka'wakw tribe created by Don Svanvik in 2000. Masks such as this were used to reflect art and culture of specific tribes as well as used for cultural performances. This mask is currently hanging on the wall in The Montclair Art Museum (MaM). This mask was a gift donated by Alan and Audrey Bleviss.
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
‘The representation of the human form likewise served to stress essential data about the subject. The shoulders are nearly in frontal view to show the width of the body and not obscure the far arm, while the chest was represented in profile to show its contour…....
The title itself directs readers towards a sense of assimilation by wearing a mask. Wearing a mask indicates hiding an original identity in order to please the mainstream one. This is exactly the case in “We Wear the Mask”. In this case, blacks had to hide their humiliation and suffering from their white counterparts by wearing a mask that lies. When Dunbar wrote, “With torn and bleeding hearts we smile” (646), it is evident that African Americans were forced to hide their pain by showing a fake smile. They suffered emotionally on the inside but could not express it. In addition to showing a fake smile, African Americans did not care about their heritage. The third stanza reads, “But let the world dream otherwise, / We wear the mask!” (14-15). The lines do not celebrate cultural heritage because the slaves had to show pleasure while they are being tortured. Letting the world dream otherwise shows the slaves’ carelessness when it comes to expressing their identity.They are concealing their true self by hiding their pain. Hiding their pain also means hiding their cultural
The Title “We Wear the Mask” is a perfect expression of how slaves felt during the slave era. They were forced to make themselves look satisfied and happy in order to hide the injustice from the outside world. African Americans did this for many years until slavery ended, but even though slavery has ended many still say that African Americans still wear a
The purpose of masks in African cultures is widely misinterpreted. To understand the meaning behind the purpose of the mask you first must understand the spirit of nowo. Nowo is a guiding spirit of a Temne women's organization called Bondo which regulates female affairs and prepares young girls for initiation into the adault status and into the community. During this time they need protection, guidance, and sponsorship of spirits to make the transition. The Temme nowo masquerade uses black masks which also have a ring around the base which symbolizes transformation and the emergence to represent nowo. Along with the black mask and the ring around the base is a white scarf turd to the nowo' selaborate hairline which indicated empathy for the
The human form transcends throughout time persistently present in art. Dating all the way back to Paleolithic human beings our renderings of idealized forms have served many purposes. Though the Neolithic and Paleolithic purpose of these renderings is widely speculative the range of reason for these depictions ranges from idolization and worship to assertion of aristocratic and economic status even to simply serving as statements of self-expression. Amongst ruins and artifacts, sculptures of ancient cultures demonstrate the ways in which humans perceptions of what is aesthetically desirable have progressed. Two idealized sculptures the Woman from Willendorf and the Khafre statue with approximately 21,500 years separating their individual gestations this demonstrate the stylistic progression of idealized imagery through time.
“Perhaps there is no other group in the world that has quite so diverse and rich culture as that of the Native Americans. With their gilded history that is rich in strife, struggle, and triumph, the Native American culture is indeed very colorful” (Bantwal). Native American culture is very diverse and it has a very colorful history. It is extremely diverse and in fact the term Native American is a broad term that is used to cover all Native tribes in America. Throughout history there has been conflict not only among the different tribes but also there was plenty of fighting against the white men. Much of the fighting between the Native Americans and the white men was due to misunderstandings, mistrust, and miscommunication. Many thousands of years ago “the nomadic ancestors of modern Native Americans who hiked over a “land bridge” from Asia to what is now Alaska” (History.com). Once they reached Alaska they slowly spread out across the continent of North America. They spread out and separated into different tribes who all have many of the same core ideas but the main thing that separates them is their location in the country. There are Indians from the plains, the pacific coast, the southwest, and the northeast and different locations also. One main idea that is pretty much the same for each tribe is the closeness and respect they show for the land they live on. The history of the Native Americans as a whole is pockmarked by conflict. The conflicts between the tribes were very common and happened because of land disputes or just because of the close proximity of the tribes. But when the white men entered the picture this is where miscommunication and mistrust came into play. The white men wanted the land that...
https://www. Comparison Essay 2 Native American art, and the differences between regions. Native American art is mostly divided into three different parts. The three different parts consist of Mesoamerica, the Central Andes region, and North america.
The masculine and idealized form of the human body is an ever-present characteristic of Michelangelo’s sculpture. Many people over the years have speculated why this may be, but there has never been a definitive answer, and probably never will be. Through all of his sculpture there is a distinct classical influence, with both his subject matter and his inclination to artistically create something beautiful. In most cases, for Michelangelo, this means the idealized human figure, seeping with contraposto. This revival of classical influences is common for a Renaissance artisan, but the new, exaggerated form of the human body is new and unique to Michelangelo’s artistic style.
Their arts range from wood, pottery, baskets, sand painting and other forms. Native American art depicts a culture that believes and values spiritual world and also with different gender roles. For instance, art was used to express worship of god (Indians.org). American Indians believe that everything that has life has a place in the world and also there is no creature that is above the other (Krumrine and Scott). Each piece of art in the world of Native Americans had a meaning and purpose. They created many pieces of work that was often repeated and also eventually used to bridge tribal language barriers that were there at time. Art was language by itself as it became a form of communication
This breaks all of our tradition in sculpture. On the one hand the simplification and distortion of body and limb seem extremely daring departures from the tradition which few do; on the other hand, this is reminiscent of the earliest sculpture ever produced, which is far from a perfect balance. Thus he has created a new form; that of pure laziness.