More handpicked essays just for you.
William shakespeare influence to modern literature
William shakespeare influence to modern literature
Theory of dramaturgy
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Discoveries can be confronting when individuals leave their familiar worlds. However, venturing into the unknown can result in growth and transformation. The consequences of a discovery can lead an individual into discovering themselves and have a change of perspective of the world and society. Through Michael Gow’s play, Away, and Shaun Tan’s picture book, The Red Tree, both composers shape the meaning of discovery through characters’ isolation, as the manifestation of self-discovery is powerfully communicated through the utilisation of dramatic and visual techniques. An individual’s discovery inevitably involves their attitudes and beliefs being challenged and transformed. Michael Gow represents the ramifications of a discovery through …show more content…
The bex is Gwen’s way of manipulating her family into doing what she wants, as it shows the audience Gwen’s controlling nature and her ability to avoid the consequences of her impact on others. Gow illustrates to the audience Gwen’s emotional disconnection from her family through her harsh tone, “There! Are they there… I can’t. Can anyone see a set of keys?” The use of hyperbole elevates the tense and anxious tone and her need to find the keys, which is symbolic of control. Gwen’s initial world view is based on a strict social hierarchy, where one’s worth is determined by material things. The intertextuality of “Gone with the Wind”, through Scarlett O’Hara’s speech, “I’ll never be hungry again!” as this shows the audience the contextual background of Gwen’s life and it gives a reason as to why Gwen has a controlling nature. Gow utilises the symbolism/pathetic fallacy and intertextual reference to a Shakespearean storm demonstrates Gwen is out of control. Nature is used to represent Gwen’s anagnorisis when the calm beach setting becomes the scene for her cathartic healing, by the stage direction of “[the women come back. They have been crying and are …show more content…
As Coral is struggling with her grief over her deceased son from the Vietnam war, Gow represents Coral’s longing for her son through the foreshadowing of, “That boy! In that blue light the shadows on his face and neck were like bruises. He looked so sick yet so wonderful.” This demonstrates her vision of Tom substituting her son through her soliloquy. Coral’s relationship between her husband, Roy, is very strained. Gow employs this through the patronising tone of Roy towards Coral, as he “thought he [I] told you to wait in the car” as it shows the responder’s that Roy is in control of their relationship. Coral’s strained relationship is further connoted throughout the play, Gow uses a simile to what Roy thinks of Coral, that she is “going to behave like a ghost” further enhances the disconnection of Coral with Roy and the world. Through the allegorical mise en abyme, “The Stranger on the Shore”, Tom has shown Coral the realisation of her faked American accent, “I’m walking, I’m walking” to her normal self, as she is finally “walking” away from her son’s death, which brings Gow’s character Coral to her transformation of a new self and more profound knowledge. In the scene where Coral is holding the shells, it symbolises the vulnerability of Roy. Gow has illustrated this when he “leans towards them and buries his face in the
When Lizzie’s stressed father denies her request to play outside, her metaphorical death is revealed. It is not a real death where her heart stops beating, yet, but her respect for men is the victim and the vulture is ready to feed off of it. The Guilty Party’s recurring theme of innocence then betrayal are depicted after Lizzie’s “death”, which contribute to the idea that all decisions have an affect on future decisions.
The story “The Old Man Isn’t There Anymore” by Kellie Schmitt is about a lady who lives in China that tries to make friends with the people in her apartment. She does this by sending sympathy flowers to the family of the old man that passed away. She then later attends the funeral of the old man. In the end Schmitt creates a funny twist. Schmitt created an intriguing story about a person’s experience in China.
Being a bad influence is a lot like being a daisy in a sunflower field. In order to get what they want, they both spread everywhere. Spreading the bad idea and seed throughout. Throughout time peers and ourselves have influenced us to want money or just to seem cool.
Discoveries are driving forces to our views of the world. The process requires us to think over and reconsider our ideas of the world and may be unexpected, or intentionally provoked. Ang Lee’s film, “Life of Pi”, and Isobelle Carmody’s short story, “The Pumpkin-Eater”, provides insight to the audience of renewed perspective of the world through the discoveries seen through the protagonists, self-discoveries that challenge the world they know through tragedies of loss, and reconsidering what they believe about the world. Through narration, foreshadowing and the use of metaphors and symbolism, we learn the of the nature within discovery, and change that may take place.
Many professional athletes make six or more digits in a year and then go broke. The director of the movie Broke, Billy Corben, the question of how for the curious watchers. Corben interviews multiple athletes who have gone bankrupt and what they did to get there. The overall claim Corben make is most professional athletes make more money than they can handle. Corben makes a strong argument with evidence of how athletes get overwhelmed and tempted to spend.
Peters almost dismissal through the closing of his eyes of Anna’s love for story making allows for a distancing and ultimately a deep seeded feeling of isolation and disunity.
Discoveries can be emotionally meaningful and confronting, and can lead individuals to new values and changes. This is evident in the play ‘Away’ by Michael Gow which explores the self-discovery and transformations of differing characters. Through the constant problems and events of an iconic Australian trip to the coast, the character Tom realises the severity of his sickness and that there will be certain aspects of life he will never experience. Ed Sheeran’s ‘Castle on the Hill’ further emphasises the idea of experiencing new aspects of life and the importance of these. Both texts, ‘Away’ and ‘Castle on the Hill’, reflect on the transformations of an individual after the discovery of the significance of life, ultimately leading to new values.
Shaun Tan’s semi-autobiographical book ‘The Red Tree’ effectively fuses the composer’s context of self-discovery with undertones of disorientation in acknowledging vocation. This is particularly accentuated in the ‘Without sense or reason’ spread. The persona, a beacon of Tan’s journey, encounters a cluster of obstacles, the abstract placement of text, formulas and foreign languages delineating Tan’s inability
“Fire away. Take your best shot, show me what you got. Honey I’m not afraid (Chris, Lines 4-5)…” Strength, love, heartache, all words that many people can identify with, but what about mental illness, depression, and suicide. These words are those that humans avoid, pretend they are not there, but in reality those three words effect many more people that was ever thought possible. Over 18.2% of United States citizens suffer from a mental illness (Depression), 6.7% of United States citizens suffer from depression (Depression), and each year in the United States there are on average 42,773 deaths by suicide (American). Now, many people can relate to the words love and heartbreak, but many more can identify with the three words that the world
In the essays "You Can Go Home Again" by Mary TallMountain and "Waiting at the Edge: Words Towards a Life" by Maurice Kenny, both writers are in search of something. Throughout their lives, they 've been mocked and felt out of place due to their Native American heritage. Both authors wanted to disown their heritage; however, it is through this attempted renunciation, that both authors wanted to fit in amongst their peers. In order to do so, TallMountain and Kenny had to search for their selves. Both, TallMountain and Kenny, search for their identity through family, school, and nature.
In his essay, “I Feel So Totally, Digitally Close to You,” Clive Thompson argues that the original conceit of the Internet was that it allowed people the ability to forged new identities for themselves on the World Wide Web, however, with the introduction of social media, this ability has become a hard, if not impossible, task to achieve. With constant updates of a person’s everyday life being presented to the world, it is difficult to manipulate a new identity overnight. Although I do agree with Thompson’s view that social media has made it almost difficult for a person to reinvent his or her identity, yet, however, it is not entirely impossible to do so. Outside the infrastructures of social media websites like Facebook, the reinventing of
...the novel Mrs. Ross and Robert are both left blind representing a physical embodiment of their discontent with the world. The tragic misfortunes they have witnessed throughout the novel culminated into an overwhelming darkness they have welcomed. Timothy Findley teaches the reader through Mrs. Ross, that the repercussions of the death of just one person, like Monty Miles, can traumatize a person forever. Mrs. Ross further emphasizes the holistic effect of war, especially on the families watching the doors for their sons return. Hence, Mrs. Ross’s relationship with her son throughout the course of the book, teaches us what it means to truly appreciate life. We sometimes look at war with a scope that does not allow us to comprehend what the loss of life truly means. However, in this novel we learn that life is truly sacred, especially in the eyes of a loving mother.
I believe Art doesn’t always present only one thing and it could potentially mean several other ideas that could only advertise political inference. In Winegar’s article, the broad theme is linked to oppression of women through the context of political art. The Middle Eastern society is often a male-dominated society and often women’s voices do not matter. One of the participants in Winegar’s article name Shirin Neshat expresses the inequality through her photograph named “Speechless”. The photograph shows “where a barrel of a gun stands in as a women’s earring” (p.669). Winegar (2008) state, “her art as showing and challenging women’s oppression in the middle east and the inequality between men and women” (p.670). The interpretation of western
As the story comes to a close, we see how Coraline begins to learn from mistakes and changes as a character. In the scene on pages 140-141 in which Coraline is finally reunited with her family, Coraline is finally learning from her mistakes; she finally realizes how her actions affect others. Also, on page 160, Coraline is shown taking initiative in watching her neighbor’s shows. “‘You must come up and watch them…’” and “‘I would like that very much,’ said Coraline.” During this, the original ideas of appreciation and care are coming back in the story, but in a different way. At first, Coraline wasn’t very appreciative of her life, however after facing consequences for selfishness, she is taking what she has and showing compassion and appreciation for it. Through this we can see that the original theme has sprouted into multiple directions such as: self-reflection and regret. This now shows a new and final theme idea that after being selfish, people should take a moment and reflect on their behavior and if they take action in fixing that behavior, there will always be a positive outcome in the
He has grown up in the backwash of a dying city and has developed into an individual sensitive to the fact that his town’s vivacity has receded, leaving the faintest echoes of romance, a residue of empty piety, and symbolic memories of an active concern for God and mankind that no longer exists. Although the young boy cannot fully comprehend it intellectually, he feels that his surroundings have become malformed and ostentatious. He is at first as blind as his surroundings, but Joyce prepares us for his eventual perceptive awakening by mitigating his carelessness with an unconscious rejection of the spiritual stagnation of his community. Upon hitting Araby, the boy realizes that he has placed all his love and hope in a world that does not exist outside of his imagination. He feels angry and betrayed and comes to realize his self-deception, describing himself as “a creature driven and derided by vanity”, a vanity all his own (Joyce). This, inherently, represents the archetypal Joycean epiphany, a small but definitive moment after which life is never quite the same. This epiphany, in which the boy lives a dream in spite of the disagreeable and the material, is brought to its inevitable conclusion, with the single sensation of life disintegrating. At the moment of his realization, the narrator finds that he is able to better understand his particular circumstance, but, unfortunately, this