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Women in English literature
Women in English literature
The portrayal of women in literature
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All women have power in Arthurian Literature and all those portrayed are always a threat to patriarchy. They all have the ability to do or to use magic [possible exception is Isode, she seems to simply be a victim of it]. Maidens use magic almost constantly [Lunete and Lyonet], beloveds have access to it [Isode is victim to the potion, whilst Laudine has a magic ring and is plagued by ownership of a particularly vicious Jungian fountain]. Enchantresses are slightly more complicated. Although there are some women who can be purely designated `witch' [Morgan le Fay, Nenieve/ Vivian/ Nimue] the pervasion of magical signifiers throughout the text in reference to women means that the term `witch' cannot simply be attached to those who use magic. Neither can it be reserved for those who use magic directly against patriarchy: Nenieve/ Nimue may lock Merlin away in a cave but after that she uses her magic to protect Arthur and his knights, often at the cost of other women. Only Morgan constantly uses magic in a destructive [to patriarchy] way. All the accepted boundaries are blurred in this case so there need to be new categories in this sense. There are already the categories of `heroine', `female hero' and `female counter-hero'; but these refer to their influence in the world without direct reference to their magic: it is seen simply as a way for them to exert control and subversion rather than as their defining feature.
I think you can argue that all women are essentially magical, they live in a spiritual world whilst men live in the literal one. There is only one man in the text who exerts [non-Christian] magic. Merlin, however, is removed from the text by Nimue quite early on. Therefore magic in the text always spring from a f...
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...eroes without worrying about conflicting loyalties. Both Lunete in Yvain and Dame Lyonet in Malory's Tale of Sir Gareth have female attachments, Lunete to Laudine and Lyonet to her sister, but these not only do not obstruct them from but encourage them to help the heroes in their stories.
Maidens have the ability to travel wherever they please. They travel freely between the confines of the court and the wilds of the Other. The frequent appearance of maidens in the wild not only allows them to help Knights in their tasks but also shows the potential threat of their sexuality. It is only through helping knights that this threat is removed. In the same way maidens also appear in connection with water. Jungian theory holds that water is an example of female sexuality. It is the threat posed by their sexuality that kills both Percival's sister and Elaine D'Ascolat
A heroine's journey usually involves a female protagonist, however, the relationship with this story structure goes much deeper in this book.
. She claims that the proceeding force connected with lady as-witch in this combination creative ability handles the problem on the power that surpasses embellishment and design the particular discernment connected with witches and witchcraft throughout. Looking at these kind of queries could encourage selection that the mention of their imagination and prejudices attached to the particular "lady as-witch" idea that the current strain on females building in popularity can easily trigger anger these days. She slyly evaluates having less adequate traditional beliefs with regards to the part women performed inside creating our community, at a variety of instances.
In Chrétien de Troyes' Ywain, women represent the moral virtue and arch of all mid-evil civilization. Women of this time had to be an object of love, which meant they had to have beauty, goodness, and be truthful. They had to be a representative of all chivalrous ideals. They also act as civilizing influences throughout the story. Women are put in the story to give men a reason for acting brave and noble. Men become knights in order to demonstrate to women that they are strong and capable of defending themselves against danger. This, they hope, will win the women's heart.
In both Sundiata and The Romance of Tristan and Iseult women do have power within the society. This power is shown through their knowledge, experience, and craftiness. This power that they possess in both the Epic and Romance story are crucial to the success and failure of both stories.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
...’s Lanval and Laustic, were subservient to men in three different ways: by being considered temptresses, by needing men’s protection, and by obeying men’s orders. The lady of Laustic conforms to all these types, and the Queen in Lanval as well, with the exception that as the Queen she has some power. Lanval’s lover breaks some of these trends, but we later learn that she is a lady of Avalon, the mythical land where King Arthur is buried and whence he will come again, and therefore it is not surprising that she does not conform to the standard status of women.
In Malory’s famous account of the King Arthur legend, the most notable example of woman as destructive sexual temptation is, of course, Queen Guinevere. Sir Lancelot’s affair wi...
Throughout the witch trials many were accused, both male and females; however, most of the time women were to blame for witchcraft. Individuals could be considered witches if there was an argument between neighbors,
Kocic, Ana. (2010). Salem Witchcraft Trails: The Perception of Women In History, Literature And Culture. Linguistics and Literature, Vol. 8 (Issue N1), 1-7. http://facta.junis.ni.ac.rs/lal/lal201001/lal201001-01.pdf
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
Women were far more likely to be accused of being a witch than men were. Out of the 200,000 trials, 80% of the accused were female, and of the 100,000 executed, 85% were also female (Clark). This was do to the reason that society feared and resented independent women, therefore, this was an attempt at keeping the female gender at a status below that of males.
Toivo, Raisa M. ‘Women at Stake. Interpretations of Women’s Role in Witchcraft and Witch-Hunts since the early 20th century to the present’ Australia: University of New South Wales, 2005.
To conclude, we see that whether or not gender was sex-specific or sex-related plays a huge contribution when discussing witchcraft. However, coming to the conclusion that it appears that the witchcraft craze which dominated most of this period in time was in fact sex-related. Agreeing with Stuart Clark, it was in fact a hunt for women as at the time more women were beginning to be more assertive in the patriarchal system. For the Church and those who ran it they occasionally had to reinforce the system and so in order to achieve this goal witchcraft trials were an effective means. Sexual differences between men and women created a world were blackmail was very useful in order to keep the woman in line by using witchcraft accusations to do this.
The word witch is derived from the old English noun wicca which means sorcerer and the verb wiccian which means to cast a spell. Claims of witchcraft have existed in all societies at one point in time. There have also been many different beliefs on what witches are and how they look. Witches throughout history have been pegged as unnatural or hideous creatures with hooked noses or talon like fingers. It was a wide spread belief that witches compelled spirits to carry out their demands. However many believed that they could not compel angels as they were under God’s protection, thus the spirits they did compel were evil demons. This was a huge reason witches were so feared. If these witches compelled evils demons which were controlled by Satan than they must be evil themselves was the general co...