Authoritarian Society In Spring Awakening

2787 Words6 Pages

Carreras, Daniela Barrow Theatre 11 May 2014 Extended Essay Outline I. Introduction: A. Topic: How does the 2007 Broadway production of Spring Awakening convey the structure of an authoritarian society and its detrimental effects on the youth of the musical? B. Thesis: Through the use of juxtaposition in characterization, staging, and text (script) the 2007 Broadway production of Spring Awakening provides clear social commentary on the structure of an oppressive authoritarian society, and its devastating effects on the adolescent characters in the musical. C. Why did I select this topic? I really enjoyed watching this musical in New York and was immediately enthralled with all the taboo themes it seemed to incorporate into just one show. The underlying social commentaries of the play as well as the stories of characters like Moritz, Melchior, and Wendla made me want to examine the script and production in depth. D. Synopsis of musical and what is an authoritarian society. • An authoritarian society is one in which those with power “ [favor and enforce] strict obedience to authority…at the expense of personal freedom” (Abate). Authoritarian societies have strict rules and severe consequences if those rules are broken. However, unlike an authoritative society, an authoritarian society imposes rules without rationale or providing reasons for why these rules are being implemented, “‘we have rules in this house. Your father will not be disobeyed’” (Sater 43). [I’m going to try to find more information on this.] E. How is this specific? Not only am I looking at only one musical in particular, as opposed to a plethora of plays that have in some way or another conveyed a world of teen angst and oppression; only one production of “Sp... ... middle of paper ... ...ed to make the choice whether to runaway or endure. • Moritz commits suicide from the guilt, shame, and stress brought upon him by failing finals and not passing to the next grade. • Melchior loses his two best friends, is sent to reform school, and almost commits suicide. • Hanschen is left “the System work for him” (Sater 77). While it is an interesting notion, the concept is utterly wrong, the system will eventually take them over. As shown in the foreshadowing in Act 2 Scene 5, even though Hanschen and Ernst have their intimate moment and aren’t caught, they sing the same song Melchior and Wendla sing in Act 1, “Word of Your Body” which says “O, you’re gonna be wounded” (Sater 78) meaning that the relationship will probably not last once the adults find out about the boys homosexuality and everything will fall apart just like it did for Wendla and Melchior.

Open Document