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Gender role stereotypes in literature
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According to W.E.B. DuBois, “double consciousness” is the “sense of always looking at one’s self through the eyes of others, of measuring ones soul by a tape of a world that looks on in amused contempt and pity” (DuBois 5). In other words, it is the self that a person views themselves as, compared to the self that comes from the outside perspective, where the person viewing it believes more in the outside view. This idea connects to gender stereotypes, how women cannot see themselves as equal in society because they are often portrayed as being voiceless, lonely, or dependent on men. Despite such stereotypical views that separate women from men, Audre Lorde “challenges her feminist community to deliver a collective voice ale to attend …show more content…
After the death of Joe Starks, as he dies not only from kidney failure but also from Janie annihilating his pride and masculinity, Janie feels a sense of freedom and happiness. This is evident in the story when Janie is not crying at her late husband’s funeral, “…nor did the things of death reach inside to disturb her calm…herself went rollicking with the springtime across the world” (Hurston 88). Janie feels a sense of empowerment because there is no man in her life to control her voice and movement. This is the beginning of her new life, feeling a sense of accomplishment of voicing against male’s social standards, since “sisterhood are perceived as impossible because they exclude those who do not inhabit the current center of feminism” (Norman 131). Brian Norman elicits that feminist power ends inequality. It takes practice and work to escape bias and “double-consciousness.” Janie becomes a feminist by speaking up to Joe Starks at the store in front of the townspeople, which breaks male’s social standards Now, the men in her town no longer have the “double-consciousness” lenses on Janie because society no longer perceives her as voiceless, lonely, or dependent on men. Janie made all the men see women in the same way Janie sees women as, …show more content…
Tea Cake is much younger than Janie but is very respectable, less controlling, and promotes equality, unlike Joe Starks. This is evident in the story when Tea Cake offers Janie the opportunity to work with him in the field in exchange for his service cooking dinner at home. “‘After dis, you betta come git uh job uh work out dere...So Ah won’t be losin’ time comin’ home’…It got the whole field to playing off and on. Then Tea Cake would help get supper afterwards…Only here, she could listen and laugh and even talk some herself if she wanted to” (Hurston 133-134). Tea Cake represents the men in society that do not allow society’s standards to oppose women because they believe in equality. As a result, Janie even has more freedom just by being married to a man who believes in equality of both genders. She can mix the men at work, speak her mind, and have fun without being judged by her husband. In terms of gender stereotypes, the idea of “double-consciousness” does not exist in Tea Cake and Janie’s type of relationship because each sees nothing wrong in performing opposite gender roles. “To aspirational visions of national belonging…this move may jeopardize visions of full equality for all if they reside in the particular of identity” (Norman 117). Brian Norman’s idea supports Tea Cake’s vision of equality because he wants Janie to join him in
Tea Cake as a man is not without vices and flaws. Janie is still able to forgive and love him, though, because he genuinely makes her happy; Tea Cake is the realistic version of the idealized man she has envisioned since her awakening under the pear tree of her youth. When Janie first met Tea Cake she mused that he "looked familiar," and from that moment on she shared with him an undeniable connection (Hurston 94). When she continues to get to know him, to play checkers with him, to go hunting, fishing, dancing with him, even Sam Watson comments "she looks might good dese days" (Hurston 111). Tea Cake does little but bring out the good in Janie. He combs through her hair instead of forcing her to tie it up with a rag. He loves how she looks
When Janie is finally on her own, she begins to acquire her own sense of self-esteem and ethics. As Janie meets Tea Cake, the man who will change her life, Janie is prepare to have a relationship in which she is as important to herself and also important to the man who is with her. With Tea Cake, everything was different. Janie’s attitude indicates freedom and self-discovery, her hair is what communicates her independence and power. Janie could wear colorful dresses and she could show off her hair, something that she did not do while she was married to Jody Stacks. Janie was finally free to love whoever she wanted to. As always, not everyone accepted Janie’s relationship, when Janie left town to marry Tea Cake, the town starts to gossip about how Tea Cake was younger than Janie, they also assure that Janie was being taken for her money. Despite all of the critics, Janie decides to continue with her romance, she no longer cares about the comments of people because she finds that her new husband loves and appreciates her immensely. “He kin take most any lil thing and make summertime out of it when times is dull. Then we lives off a dat happiness he made till some mo’ happiness come along” (Hurston 141). For the first time, Janie has found happiness in a marriage, Tea Cake was not a wealthy man, but he was the perfect man for Janie. He reveals his love by praising in Janie’s beauty; he loves her the
There is a double-consciousness, according to W.E Burghardt Du Bois, in which we view ourselves through a veil. Underneath of this veil is the true self. The person that we are in our purest state. The veil itself, however, is how society sees us and our realization of that projection. Looking in a mirror, both layers can be seen. However, the true self is still covered, muddled, unclear beneath the sheer outer shell of expectation. In her poem “Coal”, Audre Lorde alludes to this concept through the dual image of a piece of coal and a diamond. As a black woman, Lorde only transforms from coal to diamond when she embraces her blackness as coal and, ironically, rejects the societal pressure to conform by speaking her words and embracing that she is black and coal.
After Janie ran off with Tea Cake to the Everglades things remained the same. When they arrived in the Everglades, they met a woman named Mrs. Turner. This woman prided every bit of the white features she had on her body, and loved Janie’s as well. However, she attempted to class Janie off from the very man she loved. Mrs. Turner even had the audacity to say, “She didn’t forgive her for marrying a man as dark as Tea Cake, but she felt that she could remedy that. That was what her brother was born for” (Hurston 140). Janie loves Tea Cake, but the forces are against them due to their difference in social standing. While it may be a tough fight, Janie continues to fight to be free of the social
Tea Cake has a compassionate, strong-willed attitude towards his love interest in Janie. This is exemplified in chapter 18 “ If you kin see de light at daybreak, you don’t keep if you die at dusk”(159). In this quote, Janie is saying how Janie doesn’t regret anything she’s done with Tea Cake, even if they are doing things differently that might’ve risked her life. Although for Janie, loving Tea Cake, even for only a short two years, has given her a lot of contentment.Tea Cake is referred as the sunlight in her life, and Tea Cake is amazed by the intensity of her love and devotion. If Tea cake didn’t invest so much dedication, love for Janie in this quote it wouldn’t have been essential. Janie has significantly grown as an individual. She perceives love in a different manner, as shown with Tea Cake, Janie admires him and genuinely embraces Tea Cake, she’s very excited when it comes to describing her husband. As shown in chapter 11"[Tea Cake] looked like the love thoughts of women… Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God” (101). Janie is explaining that no matter how cautious and suspicious she has become of men and the world around her, Tea-Cake was a relief towards her. He became Janie's gift from
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Initially when Janie meets Tea Cake, Janie already begun to develop a strong, proud sense of self, but Tea Cake accelerates this personal growth. Ever since her moment under the pear tree, Janie has known that she will find the meaning of love through Tea Cake. In Tea Cake, she finds someone who doesn't suppress her personality and someone who respects her. Whereas Logan treats her improperly and Jody suppresses her, Tea Cake plays with her. Instead of stifling her personality, he encourages it, introducing her to new experiences and skills. Staring from chapter 11 Hurston deepens our understanding of Janie’s attraction to Tea Cake. Although it was Tea Cake who has more feelings for Janie these feeling spark Janie’s mindset to actually consider Tea Cake to be the blossoming pear tree. Moreover further in the chapters the audience witnesses how much Janie has matured since her relationship with Jody as previously she wasn’t able to express ideas and emotions such as when she blames her Nanny for distorted priorities about life in general. Her Nanny experienced slavery which was a harsh life in which she passed down the notion that materialism is particularly ideal in order to live a smooth life. Janie’s sympathy for her grandmother represents
Tea Cake demonstrates his sense of equality in two ways: teaching Janie and giving her a voice. During their initial encounters, Tea Cake teaches Janie to play checkers: “he set it up and began to show her [how to play] and she found herself glowing inside. Somebody wanted her to play. Somebody thought it natural for her to play” (95-96). Tea Cake’s willingness to teach Janie checkers show his belief that women should have the chance to learn the same things as men; he even says Janie must be hard to beat, showing his respect for women’s intelligence. After they move to the Muck, Tea Cake also teaches Janie how to shoot a gun, a skill that only men typically knew in their time period: “Tea Cake made her shoot at little things just to give her good aim...She got to be a better shot than Tea Cake” (131). Not only is he willing to teach her to shoot, but also seems to accept that a woman could be better than a man at typically masculine tasks. Tea Cake also demonstrates his sense of equality when he gives Janie a voice by allowing her to interact with the men on their porch. While in the Muck, “she could listen and laugh and even talk some herself if she wanted” (134) with the people on her porch. The freedom to talk to the others as she pleased gave Janie the voice that she
Janie is learning and seeing things that she does not expect. At the beginning of their relationship, Tea Cake suggests that they go night fishing, going against societal norms; however, this activity makes Janie “[feel] like a child breaking rules. That’s what [makes] Janie like it” (102). Unlike her previous marriages where she is constrained, Janie is shattering the image of a stereotypical housewife. In addition, Tea Cake introducing her to gambling, which “[is] very exciting to Janie who [has] never touched dice in her life” (125). Allowing Janie to gain this experience, allows her to broaden her horizons. In addition in her third marriage, Janie does not fill the role of the obsequious wife, who doesn’t have a voice. After Tea Cake returns from being gone for a few days, Janie warns, “Tea Cake, if you don’t hurry up and tell me, Ah’ll take and beat yo’ head flat as uh dime” (122). Janie does not have to bite her tongue around him because Janie feels comfortable with Tea Cake, since there is a balance of power and mutual respect between the two. TRANSITION
Tea Cake’s love and care helps Janie find her voice and build her confidence. After living her life restricted by Joe for years, Janie gets used to holding in her true feelings. She is scared to express her honest emotions, and pretends as if there is no problem even when there is. Tea Cake notices how Janie claims to be all right even when she is not, and he tells her, “Have de nerve to say what you mean… you got the keys to the kingdom” (Hurston 109). This shows how he treats Janie as an equal, and wants to hear her opinions. Also she is not subordinate to him like she was to Logan and Joe. She is finally getting the reciprocal love that she had always wanted and is escaping the control of her former husbands. This is the moment when Janie starts to understand that she doesn’t have to care about what other people think of her and that she doesn’t need to modify her behavior to please others.
Janie steps down from her pedestal to enter a relationship with Tea Cake, but she steps into one built on reciprocity rather than hierarchy. In teaching Janie to play checkers, to shoot, and to drive, and in inviting her to work alongside of him, Tea Cake breaks down the rigid gender definitions that Joe sought to impose. Janie continues to use her voice and her relationship with Tea Cake progresses. Because she is in a give-and-take relationship and she has joined a community on the muck, Janie experiences the freedom of speaking her mind. Hurston emphasizes the joy of this ability to communicate by writing: "Only here, she could listen and laugh and even talk some herself if she wanted to" (Hurson,
When Tea Cake enters Janie's life, Janie really starts to come out of her shell. She lets down her hair that was kept up the entire time with Starks. This symbolizes Janie letting all her inhibitions out. In finding Tea Cake, Janie has "completed her voyage" of self-discovery. Tea Cake allows her to feel exhilarated and young again. She makes more friends and becomes more social. During this time in her life Janie is an excellent role model for other black women. She does not give a second look at what other people think about her, which is very admirable. This is shown when Hezekiah Potts tells Janie that Tea Cake is too low of a man for Janie yet, she stills persists on seeing him. Many people also think that Tea Cake is courting Janie for her money only. Janie pays no regard to these onlookers though.
After Janie finds out about Tea Cake and his gambling, they move to the Everglades where TeaCake wants to prove to Janie that he can provide for her. They buy a house, and Tea Cake acquires a job working in a green bean field. As time goes on, he eventually becomes lonely out there and asks Janie if she would come and work with him: “Ah gits lonesome out dere all day ’thout yuh. After dis, you betta come git uh job uh work out dere lak de rest uh de women—so Ah won’t be losin’ time comin’ home” (Hurston 171). Unlike before with Logan, Tea Cake desires her company in the fields because he doesn’t want to lose spending time with her. Janie also has the choice to decline a job, and it wouldn’t hurt the relationship like it did with Logan. Thus, freedom is present in this relationship. Also, Janie doesn’t have to worry about being too good for people like she did with Joe. She is able to be present in the moment, instead of her body being there, and her mind being
Unable to stand being separated from his wife for the entire work day, Tea Cake tells his wife, “ ‘You betta come git uh job uh work out dere lak de rest uh de women’ ” (Hurston 133). “At first this sounds similar to what happened to Janie when she was married to Logan Killicks,” (Thomas), who forced his wife to do unpleasant farm chores so he could avoid having to do them (Hurston 26-32). Jody Starks, too, treated her as inferior, assigning his wife the burden of “ ‘[helping] out in de store and… [looking] after things whilst [Jody drummed] up things otherwise’ ” (Hurston 43). While basking in the adulation of his role as mayor, “Joe would hustle [Janie] off inside the store to sell something” (Hurston 54). Therefore, why is Tea Cake’s treatment of her any
... Janie is free-spirited and unconcerned about what others think of her. When she returns to Eatonville after Tea Cake’s death, she shows no shame for what she has done or where she has been, because she is finally able to live the life she always wanted to lead. Hurston’s own struggles in life for individuality and an outlet for her suppressed spirit clearly contribute to the development of Janie’s character. Just as Hurston struggled for recognition, equality, and purpose in the literary world during the Harlem Renaissance, Janie’s struggle for the recognition, equality, and purpose in her relationships.