Blue, songs are like tattoos
You know I've been to sea before
Crown and anchor me
Or let me sail away
Hey Blue, there is a song for you
Ink on a pin
Underneath the skin
An empty space to fill in
Well there're so many sinking now
You've got to keep thinking
You can make it through these waves
Acid, booze, and ass
Needles, guns, and grass
Lots of laughs, lots of laughs
Everybody's saying that hell's the hippest way to go
Well I don't think so
But I'm gonna take a look around it though
Blue, I love you.
Blue, here is a shell for you
Inside you'll hear a sound
A foggy lullaby
There is your song from me.
(“Blue”, Joni Mitchell)
As an act of creation, writing a song or playing a passage of music is a development for the artist, a birth. Intercourse begins the artistic cycle, allowing the artist to take into herself the experiences necessary for creation. With time and through tribulations, the artist's carried experiences takes shape. The crescendo climaxes with the pain of birth and the creation of art. This view reveals a lot about the nature of art. For one, art is not created in a vacuum; art draws off of experiences in the artists life. Art also takes time, and involves some pain. The most important and difficult concept for any parent to accept is that child, once outside of the womb, will develop into his or her own person. In this same way, once art is produced, it will have interactions with people other than its creator that are far beyond the scope of what was originally intended. “Blue,” by Joni Mitchell, is no exception, as it is art. It will always have an intimate relationship to Joni Mitchell, but is also capable of provoking emotion in other people, such as myself.
Born November 7, 1943 in Fort McLeod, Alberta, Canada, Joni Mitchell is one of Canada's most prominent celebrities. I don't quite know what experiences she draws on to create blue; all I know are what experiences I draw on when listening to it. “Blue, song are like tattoos.” With this line I get a feeling of the power of music in general. Tattoos are permanent, just like music is permanent. I can't help but be changed by a song after I listen to it, because it is part of the nature of song. As I implied above, it is important to realize that these statements hold true about the artist as well as the audience.
In Black and Blue, Fran Benedetto tells a spellbinding story: how at nineteen she fell in love with Bobby Benedetto, how their passionate marriage became a nightmare, why she stayed, and what happened on the night she finally decided to run away with her ten-year-old son and start a new life under a new name. Living in fear in Florida--yet with increasing confidence, freedom, and hope--Fran unravels the complex threads of family, identity, and desire that shape a woman's life, even as she begins to create a new one. As Fran starts to heal from the pain of the past, she almost believes she has escaped it--that Bobby Benedetto will not find her and again provoke the complex combustion between them of attraction and destruction, lust and love. Black and Blue is a beautifully written, heart-stopping story in which Anna Quindlen writes with power, wisdom, and humor about the real lives of men and women, the varieties of people and love, the bonds between mother and child, the solace of family and friendship, the inexplicable feelings between people who are passionately connected in ways they don't understand. It is a remarkable work of fiction by the writer whom Alice Hoffman has called "a national treasure." With this stunning novel about a woman and a marriage that begins in passion and becomes violent, Anna Quindlen moves to a new dimension as a writer of superb fiction. Black and Blue is a beautifully written, heart-stopping story in which Anna Quindlen writes with power, wisdom, and humor about the real lives of men and women, the varieties of people and love, the bonds between mother and child, the solace of family and friendship, the inexplicable feelings between people who are passionately connected in ways they don't understa...
Martin Luther is the creator of the 95 Theses which was a major document in the Reformation. The 95 Theses “protest against the sale of indulgences and clerical abuses.” Indulgences state that one can pay for the sins they committed, and also for the sins that will be committed in the future. Even though the 95 Theses rejects indulgence it states that you may be renewed through Christ and you can be baptized to do so. Luther argued that the Christians were being wronged and being tricked into thes...
Siddhartha Gautama attempted to help people break out of the cycle of suffering in this world and as a result established the religion of Buddhism. Throughout his life, or at least the life described in Asvaghosa’s Buddhacarita, he was constantly struggling with the world in order to obtain enlightenment. After achieving enlightenment, he was able to spread his teachings which eventually became the religion we have today. However, Buddhist principles are not shown simply through the words of Gautama, or the Buddha, but they are defining characteristics of the Buddhacarita. The entire story the Buddha must combat the recurring suffering of human life due to desire and the eventual separation of desire that allows for one to break free of
Musicians have claimed song writing is their therapy. By it’s very nature, the process of song writing can be both freeing and emotionally challenging on a writer. Song “text often provides an early experience of how to symbolically represent the world, and of how we can use metaphors to understand the meaning of what is happening to us” (Baker et al. 9). Lyrics articulate the values and beliefs of people, which weave their way into the lives of others. In the midst of song writing, an important phenomenon is taking place: the writer is communicating and sharing their thoughts in an intimate way, much like how psychological counseling is seen and used today.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
In this section Tolson seems to be criticizing white people. He emphasizes the flaws in the ways of the white men in that time by pointing out some of the things they did. “None in the land can say/ To us black men Today/ you dupe the poor with rags-to-riches tales/ and leave the workers empty dinner pails”(lines 99-102). Tolson basically changes the tone in this section and goes from praising the New Negro in the previous section, to calling out the whites as liars. He even points out how corrupt they are in the government by stuffing the ballot box and smashing the stock market. Tolson even goes on to say that the white man is counterfeiting Christianity and bringing contempt upon Democracy. These statements although true had to be a hard pill to swallow for some readers that may have been in denial about the unjust ways of the privileged class in
"And Pecola. She hid behind hers. (Ugliness) Concealed, veiled, eclipsed--peeping out from behind the shroud very seldom, and then only to yearn for the return of her mask" (Morrison 39). In the novel The Bluest Eye, by Toni Morrison, the main character, Pecola, comes to see herself as ugly. This idea she creates results from her isolation from friends, the community, and ever her family. There are three stages that lead up to Pecola portraying herself as an ugly human being. The three stages that lead to Pecola's realization are her family's outlook toward her, the community members telling her she is ugly, and her actually accepting what the other say or think about her. Each stage progresses into the other to finally reach the last stage and the end of the novel when Pecola eventually has to rely on herself as an imaginary friend so she will have someone to talk to.
Beauty is dangerous, especially when you lack it. In the book "The Bluest Eye" by Toni Morrison, we witness the effects that beauty brings. Specifically the collapse of Pecola Breedlove, due to her belief that she did not hold beauty. The media in the 1940's as well as today imposes standards in which beauty is measured up to; but in reality beauty dwells within us all whether it's visible or not there's beauty in all; that beauty is unworthy if society brands you with the label of being ugly.
Louis Armstrong’s rendition of “(What Did I Do to Be So) Black and Blue” altered various components of the original tune as he incorporated several jazz techniques typical of the 1920’s and pulled the piece out of its original context of Broadway. Doing so greatly changed the piece as a whole and its meaning, to call attention to the necessity of civil rights for the black population. Armstrong’s life was not purely devoted to music. As a civil rights advocate for the black population in the U.S., he grabbed the attention of the government through his fame and helped to bring equal rights to his brethren. But at times, Armstrong allowed his actions to undermine the importance of African American civil rights, which created negative sentiments
To construct Saint Peters Basilica, Archbishop Albert borrowed money from the Fuggers (wealthy banking family). To pay for this loan Pope Leo X gave permission to Archbishop Albert to sell indulgences in Germany. An indulgence is a way to reconcile with God, by confessing your sins to a priest and perform a penance. By the later Middle Ages people believed that indulgence removed all their sins and ensured entry to heaven. The selling of indulgence troubled Luther, he thought people were ignorant to believe that they didn’t have to repent after they bought an indulgence.
During the 16th century, the Protestant Reformation transformed Europe from a nation previously united by a singular Christian faith into one divided by conflicting religious beliefs and practices. Martin Luther, a German monk and theologian, played a significant role in the onset of this reform movement. In 1517, Luther wrote the Disputation of Doctor Martin Luther on the Power and Efficacy of Indulgences, more commonly referred to as the Ninety-Five Theses, which called for a scholarly debate on various church practices, particularly the sale of indulgences to absolve human sin. Contrary to the church’s teaching, Luther asserted that people obtained salvation by faith, not through works or deeds, such as purchasing indulgences. Although Luther did not intend his work to be a program for reform, its widespread publication created public upheaval about the corruption within the church and thus threatened the power of the Pope. Therefore, the Ninety-Five Theses served as the catalyst for the Protestant Reformation because it sparked a theological conflict between Martin Luther and the papal authority, which eventually resulted in Luther breaking away from the Roman Catholic church and forming a new sect of Christianity.
A new concept started which permitted the selling of forgiveness of sins, also known as indulgences. Indulgences started becoming a problem when people who were poor or could not afford to pay for their sins, but were God loving people felt they were being condemned. Tetzel defended himself by saying, “Are you not willing . . . you may bring, not your money . . . soul, safe and sound.” (Tetzel). That no price is too high to save your soul, his opinion was people should have no problem paying indulgences. The church had been facing corruptions of years and at this point when the church started profiting off of people 's sins, the people needed a reform. The most famous argument about Tetzel and the corruption in the church was from Martin Luther. He believed no one should ever have to pay the monetary value to forgive their sins but that all one needs is faith. His doctrine spread quickly and people learned the meaning of justification by faith. “But now that God has taken my salvation out of the control of my own will, and put it under the control of His, and promised to save me not according to my working or running, but according to His own grace and mercy.” (Luther). Luther led the reformation by showing people the scriptures and preaching that God had already saved the people, that they did not need rituals or indulgences to purify their selves.
Ethics is a branch of philosophy dealing with what is morally right or wrong (Merriam-Webster, 2015). Nurses practice patient care without self-interest, thus, attempting to make decisions that are right for the patient. This writer’s goal is to be a patient advocate and make decisions based on nursing ethics and the patient’s right to choose.
Martin Luther is viewed as of Western history’s most significant figures in his fight for equality and civil rights.Initially, Luther, born in Germany spent his early years in relative anonymity where he was a monk and also a scholar. However, it is his contribution and scholarly work in 1517 that Luther is mostly renowned for. He wrote a document that was attacking the then Catholic Church’s corrupt practice. This practice was in the form of selling different indulgences to absolve sins that the church believed was a common attribute in the society (Ziegler and Bentley 55). His scholarly document was named the “95 Theses”. The document provided and discussed two central beliefs. One of the central
... to pass on, singing “We’ll meet beyond the shore, we’ll kiss just as before.” This showed an acceptance of what was inevitable. After David was discharged from music therapy, he had passed on a week later. This study demonstrates the power of music therapy with association to grief and mourning. The song choices helped to promote a communication between the husband and wife, and the neurologically impaired David was able to sing words that he was unable to express on his own. (Bailey, 1984). The power of music is incredible, and has the ability to say what we are unable to.