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Recommended: Grief case study
We’re headed down to Texas with the sole purpose of seeing an armadillo. It was the final thing my dad asked me to be do before he died and when we found out the news, we packed everything into boxes and stuffed it in the car. We quit our jobs and sold the house to the greedy business who has been trying to put a mall where it is for months. The next stop was the bank, where everything was emptied from our account and put into our wallets and then tupperware from the car when we ran out of room. And, now, we’re headed down to Texas in a 1983 Chevy Camaro with everything we owned sitting in the trunk and no thoughts of consequences about leaving. We reached the Texas-Oklahoma border an hour ago, but didn’t get much further than that …show more content…
We need a professional.” “We can’t afford a professional, Monica. And, what’s the point? We don’t have anywhere to return to. I just want to see this armadillo and we can do that right here.” “We can’t do anything right here. What are we gonna do after that? Keep traveling?” “I don’t know! Maybe! I just want to see this damn armadillo.” “Well, unless one walks by on the side of the road, we aren’t going to get to do that, Fred.” “We can wait! It doesn’t need to be fixed or even looked at right now. Let’s put some duct tape or something on it and keep going.” “It can’t wait! We are stuck here until we do something. We only have so much time.” “We are doing something. We are fulfilling my dad’s dying wish and looking for an armadillo.” “It’s me or the armadillo, Fred.” I look around at the ground and huff. “Don’t say that, Monica.” “Why? Because you’ll choose the armadillo?” “Yes. Because I will choose my father’s wish and the one thing he wanted me to do. The one thing he asked me to do before I died.” “You aren’t dying right now. You could spend the next few months with me and then we can go find an armadillo or
The last days of Arizona living were hard, the disastrous Grand Canyon trip left them with no car, and Rex was drinking and violent again. As they left town, it came as no surprise to the children that they left everything but one special choice behind. They were familiar with this method of moving on Rex Walls style (Walls __). Jeanette comments “I ran into the backyard and said goodbye to the orange trees” (Walls 124). This poignant goodbye shows her awareness that such a simple boun...
"This is an island. At least I think it's and island. That's a reef out in the sea. Perhaps there are not any grownups anywhere."
“Thought about it, but didn’t believe it. Well then,” my father’s voice was still the same, “that changes things, doesn’t it?”
“But before they do it I want you to try and remember what it was like to have been very young.”
As my family piled into our car for our four-hour drive, I sincerely hoped my brothers wouldn’t ruin the best chance that we’ve had in a long time. They were already arguing about who got what video game, and were not making my mom and dad feel any better about going. We were going to Illinois, to Chicago, to be even more specific. Chicago was the city I’d been dreaming about visiting for a long time. (Well, that and New York.) I could not believe that my parents were getting out of their comfort zone and taking us to a big city.
“Where did you get the money to get my leg fixed?!” Ann furiously pressed Bradley.
“ Hey. If I don’t make it, give this to the Mrs.’s.” Jonathan hands me a piece of crumbled paper.
“No”, Steve reacted, “he’s right, I know what my father expects of me. I just don’t know if I can do it.”
"Two-Bit, I swear, if you don't shut up I will come over there and personally beat the tar outta you."
“That’s irrelevant, he still sighed it, with or without permission, just get into the new reservation today. Then nobody gets hurt”
Garland shoots her a cool glare, “I’m going to Costa Rica, leaving in the next few hours. There’s no way the Feds are ever going to find them, at least not alive.”
I shrug it off and get up. I ask, “where are we going today? Is there a goal for this escape?”
Observational documentary is the fourth form that Nicholls presents, however he argues that it presents a completely objective construction of reality, which is not true. The observational mode stresses the nonintervention of the filmmaker (Nichols, 1991, p38). Such films cede ‘control’ over the events that occur in front of the camera more than any other mode (Nichols, 1991, p38). Whilst the idea of observational documentaries is to be completely objective, it is still the directors’ decision on where to put cameras, and how to edit the film. The characters could also change their movements with the awareness of being on camera.
"The person said something bad occurred at Sally's, and I should hurry. I hope one of those—those malfunctions she’s always helping didn’t hurt her. You know how she is. Everyone’s tried to warn her, but she won't listen."