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The hobbit character analysis
The hobbit character analysis
The hobbit character analysis
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An archetype can be defined as genres of characters in a certain film or book. Archetypes can also be related to basic human experiences such as emotions like love, loss, anger, and many more. In the Lord of the Rings: The Two Towers directed by Peter Jackson some archetypes include the best friend and light vs dark, these archetypes will be connected to human experiences.
In The Lord of the Rings: The Two Towers one of the archetypes shown is the best friend by how Sam is always there for Frodo. The definition of the archetype the best friend is sweet safe-never lets anyone down-will always be there. Sam is that exactly to Frodo, Sam is always standing up for Frodo on their quest to Mordor. “What are we holding onto?” (Peter Jackson, 2003) Frodo sighed after almost being taken over by the ring and killed by the wrath, and like always Sam is there inspiring Frodo “That there is still some good in this world Mr.Frodo and it 's
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This is shown countless times in the Lord of the Rings, an example of this is the orcs and elfs, orcs are more of a darker color and wear black armor and clothing, while the elves which can be seen as saviors of middle earth usually have bright white hair and light clothing. During the battle at Helms reach the Uruk-hai army was blinded by light that Gandalf gave off giving him and his army and advantage on conquering them in their battle. “It 's like the great stories Mr.Frodo, the ones that really mattered, full of darkness and danger there were, sometimes you didn 't want to know the end because how could the end be happy.” (Peter Jackson, 2003) Sam spoke after Frodo was almost taken by the nazule. In his speech Sam referenced to times of danger as being times of dark, yet another example in the Lord of the Rings of how darkness can be viewed as evil and light can be viewed as hope and
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
The different archetypes are the shadow, the mandala, the great mother, the transformation, the hero, the spiritual father, and the trickster. All archetypes were drawn from a part of what makes us human and hidden in our subconscious. Many of the characters in the film often play more than one character. An example of this would be Ben Kenobi seems to play the archetype of Luke’s father, then he also plays the archetype as an old, wise man.
Though each story differed in many ways, these themes still held the essence: a hero goes on a quest to defeat a villain. Archetypes are recurring themes found in essentially all stories written by mankind, including “Momotaro” and “Theseus”. Not all stories are exactly the same, however, because these archetypes are bent in order to create unique, engaging stories with interesting characters with the same essential plot
Every story has characters with different roles, and each of them are important to make the story complete. Three characters, Bilbo, Gandalf, and Smaug represent three archetypal roles in this story. Their guide Gandalf, represents the mentor, Bilbo represents the hero, and Smaug represents the shadow. Smaug symbolizes fear to the characters, and the dragon represents one of the characters that are most often causing the most terror and trouble to the other characters in the story. The hobbit symbolizes the hero of the story, because he sacrifices himself throughout the book. Mr. Bilbo Baggins learns more and more each day, and he tries to always do the right thing. Gandalf symbolizes the guidance and help as a mentor, and he provides training and motivation to the characters. These three important characters greatly explain the
An archetype, as defined by Literary Terms, is an idea, symbol, pattern, or character type that appears repeatedly in stories from cultures worldwide, symbolizing something universal in the human experience. There are three types of archetypes: symbolic, character, and situational. In her memoir, The Glass Castle, Jeannette Walls employs each archetype to capture her difficult life growing up due to her father's alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel's theme of perseverance. The central theme of the novel is perseverance, as Jeannette and her siblings worked hard and never gave up, managing to build a better life for themselves.
Le Morte d’Arthur and many other stories have many wonderful archetypes in them. The definition of an archetype is a typical character action or situation that seems to represent universal patterns of human nature. This means that things represent things that naturally happen and will still happen. Archetypes play into Le Morte d'Arthur by showing how the character act and react with other characters and objects. In Thomas Malory´s Le Morte d´Arthur he illustrates the three types of archetypes they include character, situational, and symbolic.
Archetypes are a common theme in many ancient mythologies across the world, and have become a common characteristic in modern day pop culture. A popular archetype is the Trickster, which has a strong influence in the popular T.V. show Supernatural. The trickster archetype in Supernatural is similar to the tricksters Loki in the Prose Edda and Prometheus in Roman culture because they share similar powers, they experiences a battle of wits with the gods, and the outcomes of the trickster’s deeds lead to their punishment. The trickster in Supernatural is also very similar to the god trickster Loki in the Prose Edda because of their relationship between the other gods.
An archetype is a universal symbol. It is also a term from the criticism that accepts Jung’s idea of recurring patterns of situation, character, or symbol existing universally and instinctively in the collective unconscious of man. Archetypes come in three categories: images (symbols), characters, and situations. Feelings are provoked about a certain subject by archetypes. The use of the images of water, sunsets, and circles set the scene of the movie. Characters, including the temptress, the devil figure, and the trickster, contribute to the movie’s conflicts that the hero must overcome in order to reach his dream. However, to reach his dream, the hero must also go through many situations such as, the fall, dealing with the unhealable wound, and the task. By using archetypes in the movie, the viewer can obtain more than just the plot and better understand the true theme of the movie: to never give up on dreams.
According to The return of The Kings, “known as The Lord of the Rings, was so immediately successful that a new, larger printing was required, and soon another, still larger printing became necessary. The Hobbit, under wartime pressure of paper shortages, went out of print in 1942, and its subsequent popularity largely derives from the success of The Lord of the Rings” (Kroeber). According to The return of The Kings, The Lord of The rings was successful because people read it and liked it. JOHN RONALD REUEL TOLKIEN (always called Ronald by his family) was born on 3 January 1892, at Bloemfontein, South Africa, where his father Arthur had taken a position with the Bank of Africa (Firchow). The Tolkien family had been prosperous piano manufacturers, but the business had failed. Mabel Suffield, Arthur’s wife, was the daughter of a once successful drapery manufacturer in Birmingham, England, who had gone bankrupt and survived by selling disinfectant to shopkeepers around the city. According to the Background, Sauron always sought pleasure in whoever has interest in the ring and whoever had possession of the ring was called the ring Barer. Sauron is a giant eyeball sitting on top of a tower. From there, he watches every move anyone takes but he is mainly looking for the ring bearer. Once Sauron finally obtained possession of the ring, he then transformed into his omnipotent transformation meaning he makes all that is afraid of fear, fear him. He was then so powerful to the point that no man can defeat him only women. The first of Tolkien’s four children was born in November 1917. After the Armistice Tolkien joined the staff of the Oxford English Dictionary, and in 1920 he was appointed Reader in English Language at Leeds University, whe...
For a hero to be an archetype hero there is a list of character traits and situations that have to exist in the story. “The universal hero myth always refers to a powerful man or god-man who vanquishes evil in the form of dragons, serpents, monsters, demons, and so on…”
Without archetypes, characters would be harder for the audience to relate to and understand. They help people from all over the world comprehend foreign characters. Through The Odyssey and The Alchemist, the audience is exposed to a diverse group of characters with a variety of traits that contribute to their personalities and the way they are perceived. The Bildungsroman, vengeful villain, damsel in distress, sage, and flawed hero then become recognizable in other pieces of literature and in films. Therefore expanding the audience’s experiences and ability to understand diverse compositions and apply what they know to real life
The fairy tales that we have become so familiar with are embedded with love, imagination and enchantment. In truth, these are just common archetypes; originally fairy tales had a much darker backdrop. They were once symbols of sexualisation and brutality as not everything ended happily ever after. Deriving from promiscuous and overlooked on goings from the 19th century (such as molestation), these ideas were later suppressed when they became children’s tales. John Updike described traditional fairy tales as ‘The pornography of their day’, hence they contained elements of wish-fulfilment and gratification such as rape, pleasure and attainment. This is true to a certain extent but they also consisted of violence, mutiny and injustice. An exploration
But for darkness its the opposite, all the bad events took place during the night, for example when Macbeth goes to kill king Duncan because of greed, he wasn't happy with the position he received, he wanted to be king so he can have more power. Another example of Darkness is when the witches come to tell him his prophecy (I, iii, 125). This is a type of tragic situation because if the witches hadn't appeared and told Macbeth that he would be king, he wouldn't have so much lust. In this scene, Macbeth describes the witch as an ugly old lady dressed in black. The color black represents the witch’s evil nature.
The Maze Runner is a 2014 mystery/science fiction film that can be viewed from an archetypal perspective. An archetype can be described as a pattern that can and is copied and recurring symbols or characters. The concept of archetypes came from Carl Jung a psychiatrist who believed that all cultures use archetypes to build stories without communicating to each other about them. Two groups of archetypes are the character and symbolic archetypes. The film The Maze Runner should be analyzed through an archetypal perspective because it has character and symbolic archetypes.
Some examples of archetypes are, the wounded child, the victim, the villain, the rebel, the savior, finding redemption, death, and the happy ending. Now that there is an understanding of what an archetype is we can look at four different archetypes in The Bell Jar.