One of the most remarkable aspects of Anne Bradstreet’s poetry ─apart from highlighting the intellectual capacities of women in a society that destined for them another type of activities─ is the contraposition of her themes and the puritan ideas about marriage and love.
Despite marriage being of extreme relevance for Puritans, love should never distract them from devotion to God. However, to Bradstreet her love for her husband is so intense that she feels they are only one person, as she expresses in the poems she dedicates to him: “If ever two were one, then surely we” (“To My Dear and Loving Husband”) or “If two be one, as surely thou and I […] I here, thou there, yet both one” (“A Letter to her Husband, absent upon Publick employment”). They are united by such a special bond that it is even stronger and closer than that that links her to God, because her husband takes for her a place reserved to God, as he seems to be her main concern.
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Though, taking care of their relationship to make it endure after death could also be closely related to her Puritan beliefs, as their eternal union would be the outcome of their love on Earth; what would be the future reward expected to obtain in Heaven. In this sense, even though she seems to prioritize her earthly feelings to her religious devotion, it would be throughout this love and care for her husband that she would receive recompense in Heaven. Nonetheless, she clearly feels that she is already accomplishing it in life, and her main objective would not be achieving the future treasure but enjoying her actual happiness. Therefore, her poetry unexpectedly manifests that her priority is not the heavenly future happiness, but the most immediate on
One of the most cherished doctrines of the Puritans is the well-known weaned affections. From a Puritan perspective, people must learn to wean their way off of “Earthy possessions” in order to dedicate their attention on God. Puritans were preoccupied with the belief that if people invested themselves in Earthy distraction including relationships, they would struggle to find everlasting-spiritual beauty. In both “The Author to Her Book” by Anne Bradstreet as well as the “Prologue” by Edward Taylor, the authors portray themselves in a struggle to be weaned from their affections.
While Anna Williams views escaping the confines of marriage as a desirable thing, Charlotte Lennox’s greatest lament, as expressed by her poem “A Song,” is merely to have the freedom to love who she pleases. Although Charlotte Lennox has a more romantic view of men and love than Anna Williams, neither woman denies the need for companionship. Charlotte Lennox’s opinion towards love is expressed clearly in her piece “A Song.” The poem’s female speaker is experiencing unrequited love.
Anne Bradstreet was a Puritan and wrote her religious faith about God. When Bradstreet was used to the Puritan culture she felt like God didn’t guide her through her struggles and she started to questioned God existence and as a Puritan’s religious belief was to always accept God. The letter, “To My Dear Children” was from Bradstreet to her children about her relationship with God. The summary of the letter is Bradstreet accepted the Puritan culture when she was about sixteen years old coming to America. After she was married she started to observe God and questioned him because she felt sickness and pain and hoped God would lift her up the light on her. Bradstreet also questions her afterlife with a quote, “And could I have been in heaven without the love of God, it would had been hell to me, for in truth it is the absence and presence of God that makes heaven or hell.” This quote can be pertained in today’s world because it’s
The components of marriage, family and loss has played a big role in Anne Bradstreet’s writing of “Before the birth of One of Her Children”, “In Memory of Dear Grandchild Elizabeth Bradstreet”, and Edward Taylor’s “Upon Wedlock and the Death of Children.” In, these writings both authors Puritan culture and their faith plays a big role. In these poems one author starts questioning their God and the other to take honor in their God throughout their grieving process, while both showing different aspects of their everlasting union with their spouse, and the love for their children.
Marriage is an important theme in the stories Their Eyes Were Watching God by Zora Neale Hurston and The Story of an Hour by Kate Chopin. When someone hears the word “marriage”, he thinks of love and protection, but Hurston and Chopin see that differently. According to them, women are trapped in their marriage and they don’t know how to get out of it, so they use language devices to prove their points. Chopin uses personification to show Mrs. Mallard's attitudes towards her husband's death. Louise is mournful in her room alone and she is giving a description of the nature as a scene of her enjoying “the new spring life” and “the delicious breath of rain was in the air” (Chopin1).
Anne Bradstreet’s poetry resembles a quiet pond. Her quiet puritan thinking acts as the calm surface that bears a resemblance to her natural values and religious beliefs. Underneath the pond there is an abundance of activity comparable to her becoming the first notable poet in American Literature. Anne Bradstreet did not obtain the first notable poet’s title very easily; she endured sickness, lack of food, and primitive living conditions during her time in the New World. Despite these misfortunes she used her emotions and strong educational background to write extraordinarily well for a woman in that time.
Anne Bradstreet, whom most critics consider America’s first “authentic poet”, was born and raised as a Puritan. Bradstreet married her husband Simon at the tender age of eighteen. She wrote her poems while rearing eight children and performing other domestic duties. In her poem “Upon The Burning Of Our House, July 10th, 1666”, Bradstreet tells of three valuable lessons she learned from the fire that destroyed her home.
Anne Bradstreet is seen as a true poetic writer for the seventeenth century. She exhibits a strong Puritan voice and is one of the first notable poets to write English verse in the American colonies. Bradstreet’s work symbolizes both her Puritan and feminine ideals and appeals to a wide audience of readers. American Puritan culture was basically unstable, with various inchoate formations of social, political, and religious powers competing publicly. Her thoughts are usually on the reality surrounding her or images from the Bible. Bradstreet’s writing is that of her personal and Puritan life. Anne Bradstreet’s individualism lies in her choice of material rather than in her style.
She values Gods views and the way of life over materialist things and believes that is above all, with hopes of getting into heaven. Her religious views can be seen throughout her poems that I have read and ultimately tell a lesson that we can all learn from. In the poem, “Before the Birth of One of Her children” she describes death as inevitable and a act of God. Death because of birth was a common issue during that time period and she reassures that it is Gods plan and will protect of her children. She also makes references to God and heaven in her poem, “ To My Dear and Loving Husband”, as she writes to her husband that they must love so strong here on earth so that their love will last in heaven and for eternity. She says how God commands her to love her husband as she claims her love for her husband its stronger than anyone else 's. Through her poems she describes various tragedy that have happened in her life such as the death of her two grandchildren. Although their lives were “taken away from them” she believes that it was in Gods hands and that it must have been faith. So through terrible times she seems to look past them and move on because it is all apart of Gods
Anne Bradstreet starts off her letter with a short poem that presents insight as to what to expect in “To My Dear Children” when she says “here you may find/ what was in your living mother’s mind” (Bradstreet 161). This is the first sign she gives that her letter contains not just a mere retelling of adolescent events, but an introspection of her own life. She writes this at a very turbulent point in history for a devout Puritan. She lived during the migration of Puritans to America to escape the persecution of the Catholic Church and also through the fragmentation of the Puritans into different sects when people began to question the Puritan faith.
Bradstreet’s poetry is fully religious. Being a pious woman, as everyone was at that time period, she wrote poems claiming high morals and religious motifs. Her writings were very popular among puritans who started colonizing America. His Puritan belief was the reason of her special attitude to her life, soul and sufferings. “She thought that God was so hard on her because her soul was too in love with the world. She also wrote some poems where she asked God to watch over her children and husband” (Gonzalez, 2000).
...o curb the appetite that humans have to know the secrets of life and death. This, then, is the central theme of all her poems: Though she believes strongly in idea of an afterlife, even she understands that nothing is certain, but that a bit of logic and a large amount of faith will guide her through the chaotic journey towards her final resting place—wherever or whatever it may be.
For the most part of the poem she states how she believes that it is Gods calling, [Then ta’en away unto eternity] but in other parts of the poem she eludes to the fact that she feels more like her granddaughter was stolen from her [or sigh thy days so soon were terminate]. One of the main beliefs in these times was that when someone died it was their time; God needed them and had a better plan. Both poets found peace in the idea that God had the children now and it was part of the plan, but are also deeply saddened and used poetry as a coping mechanism.
While it has traditionally been men who have attached the "ball and chain" philosophy to marriage, Kate Chopin gave readers a woman’s view of how repressive and confining marriage can be for a woman, both spiritually and sexually. While many of her works incorporated the notion of women as repressed beings ready to erupt into a sexual a hurricane, none were as tempestuous as The Storm.
faith to reject fate. Therefore, she detaches herself from her strong affection for “Elizabeth,” and accepts the reality that God has taken her to “everlasting state.” The speaker compares the death of the child to nature: “corn and grass are in their season mown” (10) to reveal her sadness that her child does not live long as it is common in the natural order. But the speaker concludes with comfort in her faith that it is in “His [God’s] hand alone that Guides nature and fate” (14).