Ancient Greek Theater

1037 Words3 Pages

At about 700 B.C., the fine art of theatrical performance arose to its fullest potential in Ancient Greece. With the intentions of fostering religious and spiritual beliefs, festivals that would honor their most praised gods, such as Dionysus, became a cultural tradition. Athens, which was considered the core of theatrical portrayal did not only lure neighboring allies but also developed and promoted a common identity that everyone could relate to and abide upon. As the general nature of producing and presenting plays experienced a stage of evolutions, so did the different genres of playwrights. Prestigious scriptwriters, including Sophocles, Euripides, and Aeschylus, essentially, did more than simply entertain; their works eventually created …show more content…

As scriptwriters continued to innovate throughout the 5th century B.C., three actors, a chorus, and a few non-speaking performers were permitted. Ultimately, Euripides also supplemented the prologue, which would introduce the theme of the play. He also contemplated the art of theatrical depiction with the “deus ex machine”, a crane that could lower or raise an actor to represent the characteristics of a God or goddesses to a much greater extent. As Greek theater continued to progress as a fashionable medium of entertainment, the variety of genres expanded simultaneously. Soon, Comedy, Satyr, and Tragedy became a component of this sophisticated art and incremented its notorious …show more content…

Aeschylus, one of the best-know tragic poets, is considered to be the innovative of the three. Besides being an excellent tragic dramatist who preferred to address complex theological difficulties throughout his composition, Aeschylus also enhanced Greek theater by incorporating a second character and allowing the chorus to directly embroil themselves into the storyline. Regarding his scriptural works, only seven of approximately eighty plays have survived, including: Agamemnon, The Libation Bearers, The Eumenides, The Persians, Seven Against Thebes, The Supplicants, and Prometheus Bound. Sophocles, the second great tragic poet, is characterized as being the pinnacle of tragedy. Antigone, Ajax, The Women of Trachis, Oedipus King, Electra, Philoctetes, and Oedipus at Colonus are the last seven existing tragedies of this composer. Scholars have been able to discover that Sophocles addressed a variety of topics and introduced a number of crucial novelties, including the tradition of writing trilogies on linked topics, adding painted background sceneries, incrementing the amount of actors, and enlarging the chorus. Euripides, the last Athenian great poet, is believed to be the most controversial. Despite creating exuberant plays, a majority of Euripides’ dramas are known to be quite irrelevant. Euripides’

Open Document