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Analysis of Shrek character
shrek as a non-traditional fairy tale
two similarities between a fairy tale and a movie
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Recommended: Analysis of Shrek character
Analyzing Characteristics of Shrek and Lord Farquaad
In this essay, I am going to analyse the characters of Shrek and Lord
Farquaad, and write about how film makers use different presentational
devices to create an unusual fairytale.
In 'Snow White And The Seven Dwarfs' the Prince freed Snow White from
the spell by kissing her. In 'Jack And The Beanstalk' the giant chases
Jack and wants to eat him. In Shrek we see a different type of
fairytale which shows that Shrek is a modern fairytale.
Language is an important device, and I am going to write about how
language can create the impression of good and evil in both characters
and in films. The film, 'Shrek', opens with the usual, man telling the
story about a Princess and how she is trapped in a tower waiting for
her Prince to rescue her. Then a hand comes in and tears out the page.
Then Shrek comes out of the toilet wiping his arse. I think that the
viewers are surprised because they're expecting an old fashioned
fairytale. I think that the opening suggests it's a modern fairytale,
with a different ending.
When the storybook characters arrive Shrek threatens them by saying he
will 'Grind your bones, and make jelly from your eyes'. He tries to
frighten them by saying 'Orges are worse than giants'. They react by
running away screaming.
At first Shrek seems like a traditional orge because he's horrible,
ugly and says nasty things like orges and giants do in traditional
fairytales.
When Donkey approaches Shrek, Shrek roars at him and tries to
intimidate him, but Donkey isn't frightened and says 'You need some
tic-tacs' talking about Shrek's bad breath. Donkey is persisten...
... middle of paper ...
...Farquaad looks like a Lord, his actions suggest that he
is evil. Examples of Lord Farquaad's evil side is when he tortures the
gingerbread man, when he dumps all the fairytale creatures in Shrek's
swamp, he gets the knights to try and beat up Shrek and when he sees
what Princess Fiona looks like when the sun goes down he says 'Get
that out of my sight' and because he wants to become king so bad he
says the marriage is legal.
The story of Shrek uses presentational devices to reverse our
expectations, so that by the end of the film the viewers know that
'Shrek' is a modern fairytale, because the characters of Lord Farquaad
and Shrek have been switched.
What I learnt from this story is that the times are changing and that
fairytales are becoming modern and all the characters are switched or
the story plots change.
Presentational Devices of Shrek and Reversal of Traditional Roles In this essay, I am going to analyse the characters in 'Shrek'. I will mainly focus on Shrek and Lord Farquuad. I will also write about how the film makers use different presentational devices to create an unusual film. Stereotypically the prince is good and the ogre is evil. In traditional fairy tales ogres are pictured as man-eating beasts, while the Princes are tall, handsome and save the Princess.
of books in her house. When Guy went to commit arson at the house, he slipped
the loud soldier. When he is in the tent talking to Henry and conklin he
Shrek’s journey begins when he receives an invitation from Fiona’s father and promptly travels to the city of Far Far Away. Barely arriving home from his honeymoon, Shrek is “hereby summoned to the kingdom of Far Far Away in celebration of [his] marriage” (Adamson, Asbury, Vernon, Shrek 2). He discerns that Fiona compels him to attend; however, Shrek has observed the grandiose procession during the reading of his summoning, and remarks he is out of place, being an ogre. By highlighting the differences brought upon by the notice, Shrek demonstrates he understands that his life is about to change drastically, fulfilling his call to adventure. Under pressure from Fiona and Donkey, his loyal friend, Shrek embarks on the road to Far Far Away. When he finally enters the gate of the extravagant city, Shrek sighs and asserts that “[they] are definitely not in the swamp anymore” (Adamson, Asbury, Vernon, Shrek 2). The area between Shrek’s swamp and the land of Far Far Away that he crosses serves as a threshold,...
throne, and only wanted to find a faster way to obtain that authority, thus he
"From behind the maid who opened the door darted a lovely little girl of nine who shrieked ‘Daddy!’ and flew up, struggling like a fish, into his arms. She pulled his head around by one ear and set her cheek against his.
“How can I when you started the uprising in my Kingdom,” King David bellows, pushing up from his chair. “You think with this lie you have won, but you can never defeat an enemy that has already outsmarted you. That is why I will always be better than you will. Your father has never gotten the best of me, and he was twice the adversary you’ll ever
What’s that in the sky? A bird? A plane? No, it’s the sidekick! Wait, something is wrong with this situation. It should be the hero who is getting recognition and hype from curious spectators while the sidekick is ignored, but this is not how it should be. The importance of the loyal retainer is so great that without them, the hero would not be the person with such power and nobility. They should not be ignored completely, and authors, directors, and creators have come to this realization that a loyal retainer makes for a great story. This realization has created an archetype used in many pieces of literature across time and cultures everywhere. A loyal retainer has the task of showing a hero’s power and nobility; therefore, this character
deviant they could be labeled deviant in an environment where their dissociation with society and their lifestyle may be viewed as dysfunctional because they do not prefer living in the safety of the pride lands.
very unsuccessful monarchy. He is so caught up in his guilt that he doesn’t have time
The Reversal of Traditions in Shrek In traditional fairy tales ogres are man-eating beast. The prince usually rescues the princess; they marry and live happily ever after. How do the makers of 'shrek' use presentational devices to reverse this tradition to reveal the ogre as good and the prince as evil?
Shrekis about an ogre who in order to keep his swamp he has to rescue
“That’ll do Donkey. That’ll do”. This scene is filmed in medium close-up, not in a low angle shot to demonstrate a softer side of Shrek. Shrek is really just a misunderstood character judged by his appearance before people actually get to know him. We now have the true “villain”, Lord Farquaad, who portrays the real ugly side, greed and evil. A low angle shot is used to make Lord Farquaad seem more powerful, and inspire fear in the audience. The unusual choice of the protagonist results our biased definition of hero and villain to be subverted.
...nd his morality. His practicality ties him to the throne. A part of him still depends on approval, on the “worldly symbols” he was never truly able to relinquish.
Johnson ignored her husbands yells. She tore the fertility books she bought off the bookshelf and began flipping through it vigorously, searching in vain perhaps for more options. The fairytale book that she bought so long ago started sliding, tipped off the shelf, and landed on the floor, falling open to the story with the widow woman and her lizard child.