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Analysis of Shrek character
Shrek as a non-traditional fairy tale
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Analyzing Characteristics of Shrek and Lord Farquaad In this essay, I am going to analyse the characters of Shrek and Lord Farquaad, and write about how film makers use different presentational devices to create an unusual fairytale. In 'Snow White And The Seven Dwarfs' the Prince freed Snow White from the spell by kissing her. In 'Jack And The Beanstalk' the giant chases Jack and wants to eat him. In Shrek we see a different type of fairytale which shows that Shrek is a modern fairytale. Language is an important device, and I am going to write about how language can create the impression of good and evil in both characters and in films. The film, 'Shrek', opens with the usual, man telling the story about a Princess and how she is trapped in a tower waiting for her Prince to rescue her. Then a hand comes in and tears out the page. Then Shrek comes out of the toilet wiping his arse. I think that the viewers are surprised because they're expecting an old fashioned fairytale. I think that the opening suggests it's a modern fairytale, with a different ending. When the storybook characters arrive Shrek threatens them by saying he will 'Grind your bones, and make jelly from your eyes'. He tries to frighten them by saying 'Orges are worse than giants'. They react by running away screaming. At first Shrek seems like a traditional orge because he's horrible, ugly and says nasty things like orges and giants do in traditional fairytales. When Donkey approaches Shrek, Shrek roars at him and tries to intimidate him, but Donkey isn't frightened and says 'You need some tic-tacs' talking about Shrek's bad breath. Donkey is persisten... ... middle of paper ... ...Farquaad looks like a Lord, his actions suggest that he is evil. Examples of Lord Farquaad's evil side is when he tortures the gingerbread man, when he dumps all the fairytale creatures in Shrek's swamp, he gets the knights to try and beat up Shrek and when he sees what Princess Fiona looks like when the sun goes down he says 'Get that out of my sight' and because he wants to become king so bad he says the marriage is legal. The story of Shrek uses presentational devices to reverse our expectations, so that by the end of the film the viewers know that 'Shrek' is a modern fairytale, because the characters of Lord Farquaad and Shrek have been switched. What I learnt from this story is that the times are changing and that fairytales are becoming modern and all the characters are switched or the story plots change.
In this essay I am going to analyse the characters of shrek and Lord Farquaad, and write about how filmmakers use different camera angles, lighting, music and setting to create an unusual fairy tale. The giant in jack and the beanstalk is what we expect of giants/ogres. In traditional fairy tales ogres are normally man-eating beast, at the beginning of shrek, shrek is what you expect him to be like. When the farmers go to his swamp and the meet shrek. When shrek is shouting at them the low angle camera shot makes shrek look intimidating to the crowd and audience.
Courage, selflessness, justice, and humility are all characteristics of epic heroes have exhibited. Both Beowulf and Shrek show the qualities of epic heroes. Beowulf is a brave warrior, and he is a wise king of the Geat’s. Shrek is an ogre that lives in a secluded forest and cannot express his emotions, but he is kind hearted and tries not to hurt anyone. Beowulf and Shrek are epic heroes because they receive assistance from allies, face supernatural foe, and reach lowest points where they appear defeated.
Shrek’s journey begins when he receives an invitation from Fiona’s father and promptly travels to the city of Far Far Away. Barely arriving home from his honeymoon, Shrek is “hereby summoned to the kingdom of Far Far Away in celebration of [his] marriage” (Adamson, Asbury, Vernon, Shrek 2). He discerns that Fiona compels him to attend; however, Shrek has observed the grandiose procession during the reading of his summoning, and remarks he is out of place, being an ogre. By highlighting the differences brought upon by the notice, Shrek demonstrates he understands that his life is about to change drastically, fulfilling his call to adventure. Under pressure from Fiona and Donkey, his loyal friend, Shrek embarks on the road to Far Far Away. When he finally enters the gate of the extravagant city, Shrek sighs and asserts that “[they] are definitely not in the swamp anymore” (Adamson, Asbury, Vernon, Shrek 2). The area between Shrek’s swamp and the land of Far Far Away that he crosses serves as a threshold,...
he wishes he could be more honorable. It shows King Henry's lack of trust and
When Clodius is chasing him down, and they end up fighting each other in hand to
He feels up to the task , though . He feels superior to the monarchy and the aristocracy , who inherited their positions and have no real merits of the king .
Since the days of mythological origin to the origin of pop culture, various mythological stories have been adopted and presented to newer generations. Some of these presented adaptations of mythological stories have significantly been modified in order to be deemed entertaining by audiences in a pop culture generation. Thus, my study will seek to compare mythological hero's during their time to how they have been depicted in modern day. Moreover, my study will analyze the similarities and differences between the Greek hero Heracles and his replica character, Hercules, depicted in Disney's adaptation of this myth. Although there are few similarities between the two versions, the differences between Heracles and Disney's Hercules are prominent. These differences help modern day audiences relate more easily to the characters in the story. Furthermore, the alterations have enabled a new aspect of heroism to emerge since Disney tailors it's movies towards youth who can seek valuable lessons from animated movies. Disney's choices through these alterations will be determined by focusing on the main plot, characters presented in the movie, peripheral details, and the notion of being a "true hero" that Disney presents.
upon him that lead to him deciding to kill Duncan; who is his king. I
Throughout the story he seems to find countless ways to continue baffling his peers. Whether it be from his exciting stories or heroic actions, the sky is the limit for him. He is driven by intrinsic motivation, compelling him to constantly challenge himself and transcend to new heights. This motivation can be seen as both a blessing and a curse. Resulting in his rise to the throne, and demise as king.
the threat he made and also out of loyalty as the prince has a lot of
suggested he would become king meant he had a goal to aim for. It as
deviant they could be labeled deviant in an environment where their dissociation with society and their lifestyle may be viewed as dysfunctional because they do not prefer living in the safety of the pride lands.
· Ambition was his only reason for killing the king – “I have no spur
flesh and blood, hates him so much that she robs him and runs away to
Johnson ignored her husbands yells. She tore the fertility books she bought off the bookshelf and began flipping through it vigorously, searching in vain perhaps for more options. The fairytale book that she bought so long ago started sliding, tipped off the shelf, and landed on the floor, falling open to the story with the widow woman and her lizard child.