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The love song of j alfred prufrock analysis
Symbolism in the love song of j alfred prufrock
Representation of love in poetry
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In "The Love Song of J. Alfred Prufrock" by T.S. Elliot the speaker Alfred is a very isolated and indecisive man. Through out his monologue he speaks of himself and the way the world is through his eyes. He embodies a man that is too intelligent to realize he is the one holding him back. My view of Alfred is that he is an older man in his late fifties that has led a very passionless life. He lives in a city were there is yellow fog and smoke against the window-panes, a number of one-night cheap hotels and sawdust restaurants. Also there are narrow streets and smoke that rises from the pipes of the buildings. Alfred has a bald spot on the middle of his head and his legs and arms are very skinny. The baldness shows him aging and the scrawny body structure illustrates a man whose youth and strength was sucked out of him. When Alfred says that he has seen the eternal Footman holding his coat and laughing means he knows that he is reaching near the end of his life. I believe that Alfred Prufrock works in the medical field. He clearly attends tea parties and is surrounded by sophisticated people that speak of Michelangelo. He shows he has money because he wears a morning coat and tie, which is like a tuxedo today. Alfred describes the evening sky like a patient etherized upon a table which is describing a patient anesthetized during operation. Also he says there will be time to murder and create which is the essence of what doctors do. He could be talking about his ability to save lives or accidentally kill someone. For all the works and days of hands shows he probably works with his hands. He is also very cultivated with his knowledge of Shakespeare and The Bible showing he is well schooled like doctors. ... ... middle of paper ... ...f rejection by just putting off being with a woman. He questions would it have been worth while to actually be with a woman. It is clear to me that he is sexually inexperienced because he wonders what if they squeezed the universe into a ball. The ball is representing a microcosm in which a man and woman form one to make a baby. He is curious to know what he is missing in life As much as Alfred yearns to be with a woman and to have passion he is overwhelmed with his sense of doubt and hesitant attitude. It would seem from the outside that Alfred J. Prufrock is an educated man who has made a good life for himself. It is no doubt that Alfred has money, but the distressing fact that he has nobody to share it with is very lonely. He dreams everyday of being with someone or at least breaking out of his monotone lifestyle, but to disturb the universe he does not dare.
One thing everyone in world has in common is that we all seek love. Everyone wants to be love and to know the feeling of loving someone unconditionally. Humankind, regardless of geography, gender,sexual orientation,religion,race,education or economic status all humans seek love and it is through literature that authors provide in sight,comfort,and oftentimes advice to help us cope with our humanity and our journey of seeking love.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
People go through life wanting to achieve their full potential; however, many never take a moment to analyze what may affect how their life turns out. In this essay, I will be identifying and analyzing the three most significant points of comparison shared by the character Harry in Hemingway’s “Snows of Kilimanjaro” and the narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock”. The character Harry in “Snows of Kilimanjaro” has lived a good life and has traveled throughout many countries in Europe. Even though he pursued a career in writing, he is not well accomplished because he is drawn towards living a lazy luxurious life. While in Africa with his wife, he faces a huge conflict, which causes him to be regretful for how he has chosen to live is life. The narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock” enters the dynamic consciousness of its character Alfred Prufrock whose feelings, thoughts, and emotions are displayed in an
Haiqin, Xue. "On 'An Overwhelming Question' In The Love Song Of J. Alfred Prufrock (Critical Essay). " Canadian Social Science 2 (2009): 79. Academic OneFile.
prophet like Lazarus or a prince like Hamlet, and he slips into the safety of a
On the surface, ?The Love Song of J. Alfred Prufrock? is about an older man who is distressed by his own inability to tell a woman of his desire for her. He tries to relay his feelings to her but comes up with all kinds of excuses not to, and ultimately does not. The speakers? real problem is not that he is just too timid to confess his love for this particular woman, it is that he has a somewhat unproductive, bleak life and has a lack of willpower and boldness to change that life.
How does T.S. Eliot portray Prufrock’s crippling social anxiety in ‘The Love Song of J. Alfred Prufrock’?
Alfred Prufrock”indicates the spiritual emptiness and disillusionment of people , chaos, and futility of modern life and nothingness of human existence on a meaningless world. This is what the poet intends to disclose. And love songs, as many expect, must be very sweet and romantic. Love must be connected with something pleasant. Yet the love song of Prufrock seems very sentimental and sorrowful. The first stanza of the poem presents an unpleasant sight to us.“when the evening is spread out against the sky, Like a patient etherized upon a table”, Prufrock perceives the sunset as a patient oozing on the operation table. Through Prufrock’ s“stream of consciousness”,“ half-deserted streets, cheap hotel, dust restaurants”-the living conditions of the poor appear before him. The situations and the atmosphere are not in harmony with a real love song. This reveals the state of mind of Prufrock, who is not happy, but in a melancholy mood. There is a repetition of the line“In the room the women come and go Talking of Michelangelo”demonstrates the women of fashion pose as a lover of culture and show off their culture accomplishment. They pretend to be educated and converse with so-called civilized gentlemen to relieve their boredom. People in the genteel society in the party eat, drink, dance, and talk to kill much time. This description of the life of genteel society forms a sharp contrast to the poor district with its
For Eliot, poetic representation of a powerful female presence created difficulty in embodying the male. In order to do so, Eliot avoids envisioning the female, indeed, avoids attaching gender to bodies. We can see this process clearly in "The Love Song of J. Prufrock." The poem circles around not only an unarticulated question, as all readers agree, but also an unenvisioned center, the "one" whom Prufrock addresses. The poem never visualizes the woman with whom Prufrock imagines an encounter except in fragments and in plurals -- eyes, arms, skirts - synecdoches we might well imagine as fetishistic replacements. But even these synecdochic replacements are not clearly engendered. The braceleted arms and the skirts are specifically feminine, but the faces, the hands, the voices, the eyes are not. As if to displace the central human object it does not visualize, the poem projects images of the body onto the landscape (the sky, the streets, the fog), but these images, for all their marked intimation of sexuality, also avoid the designation of gender (the muttering retreats of restless nights, the fog that rubs, licks, and lingers). The most visually precise images in the poem are those of Prufrock himself, a Prufrock carefully composed – "My morning coat, my collar mounting firmly to the chin, / My necktie rich and modest, but asserted by a simple pin" -- only to be decomposed by the watching eyes of another into thin arms and legs, a balding head brought in upon a platter. Moreover, the images associated with Prufrock are themselves, as Pinkney observes, terrifyingly unstable, attributes constituting the identity of the subject at one moment only to be wielded by the objective the next, like the pin that centers his necktie and then pinions him to the wall or the arms that metamorphose into Prufrock's claws. The poem, in these
The author chooses to write the novel through the eyes of the main character and narrator, Jack. Jack’s perception of the world is confined to an eleven foot square room. His world consists only of the objects in his room and his Ma. Because of his limited amount of knowledge of the outside world the narrator uses personification which allows the reader to see his life through his eyes.
T.S. Eliot’s poem The Love Song of J. Alfred Prufrock has a plethora of possible interpretations. Many people argue that the poem represents a man who appears to be very introverted person who is contemplating a major decision in his life. This decision is whether or not he will consummate a relationship with someone he appears to have an attraction to or feelings for. People also debate whether or not Prufrock from the poem is typical of people today. While there are a plethora of reasons Prufrock is not typical of people today the main three reasons are he is very reserved, he overthinks most situations and he tries avoid his problems instead of solve them.
Elliot, T.S. "The Love Song of J. Alfred Prufrock." Literature: Reading, Reacting, Writing. Compact 3rd ed. Eds. Laurie G. Kirszner and Stephen R. Mandell. Fort Worth: Harcourt Brace, 1997. 781-785.
To site a specific incident, Marianne describes her opinion of Edward Ferrars- her sister’s interest- as being very amiable, yet he is not the kind of man she expects to seriously attach to her sister. She goes on to find, what in her opinion are flaws, that Edward Ferrars reads with little feeling or emotion, does not regard music highly, and that he enjoys Elinor’s drawing, yet cannot appreciate it, for he is not an artist (15).
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.
Eliot, Thomas Stearns. "The Love Song of J. Alfred Prufrock." 1915. The Twentieth Century and Beyond. Ed. Joseph Black. Vol. 6A. Toronto: Broadview, 2008. 444-47. Print. The Broadview Anthology of British Literature.