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‘A Soldier’s Home’ by Ernest Hemingway short summary
‘A Soldier’s Home’ by Ernest Hemingway short summary
symbolism in soldier's home
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The story, A Soldiers Home, is about a man in conflict with the past and present events in his life. The young man’s name is Harold Krebs. He recently returned from World War 1 to find everything almost exactly the same as when he left. He moved back into his parents house, where he found the same car sitting in the same drive way. He also found the girls looking the same, except now they all had short hair. When he returned to his home town in Oklahoma the hysteria of the soldiers coming home was all over. The other soldiers had come home years before Krebs had so everyone was over the excitement. When he first returned home he didn’t want to talk about the war at all. Then, when he suddenly felt the urge and need to talk about it no one wanted to hear about it. When he returned all of the other soldiers had found their place in the community, but Harold needed more time to find his place. In the mean time he plays pool, “practiced on his clarinet, strolled down town, read, and went to bed.”(Hemingway, 186) When his mother pressures him to get out and get a girlfriend and job, he te...
In the story “Home Soil” by Irene Zabytko, the reader is enlightened about a boy who was mentally and emotionally drained from the horrifying experiences of war. The father in the story knows exactly what the boy is going through, but he cannot help him, because everyone encounters his or her own recollection of war. “When their faces are contorted from sucking the cigarette, there is an unmistakable shadow of vulnerability and fear of living. That gesture and stance are more eloquent than the blood and guts war stories men spew over their beers” (Zabytko 492). The father, as a young man, was forced to reenact some of the same obligations, yet the father has learne...
The main point of “Vagueness and ambiguity in Hemingway’s “Soldier’s Home” two puzzling passages” is to describe what made Ernest Hemingway’s character Krebs such a mysterious dynamic character and how was his influences impacted on who he is. Milton Cohen describes how Hemingway use the “iceberg technique” to enhance readers to figure out the missing idea on what’s being interpreted in Krebs mind. At the beginning of the article Cohen use the word “vagueness” which means to not have a clear sight or any other senses that is recognizable in an indefinite way (Cohen 159). Statements that Cohen have noted about Hemingway’s story being too vague included the two passages that exaggerating his war stories towards others and the idea for Krebs to
Author Tim O’Brien in “How to Tell a True War Story” uses the physical and mental mindset of isolation in the Vietnam war to create a story with many literary devices that makes a captivating story. The author uses point of view, verbal irony, and the character Tim O’Brien to enhance his written experiences of the Vietnam War. This story teaches the reader that experiences that were lived by the reader can be altered by the mind to a certain extent, where they can be questioned as true or not. Perhaps at a sports game or in a heated situation such as a police chase or court case. Tim O’Brien’s experiences have captivated many readers, but are they true? Or just a product of insanity from war? Well, Tim O’Brien leaves that up to the reader to decide.
Beginning with an introduction of the “all American boy,” Hemingway launches the short story “Soldier’s Home” with a simplistic, yet through depiction of the protagonist Harold Krebs. Attending a Methodist college in Kansas based with a strong religious foundation, Krebs seemed to be one who had his life all figured out. Nonetheless, this all changes when Krebs makes a conscious decision to enlist in the Marines during the occurrence of World War I. Based off of Ernest Hemingway’s famous works, it is very typical of him to initiate his short stories with a contrasting theme---in this case war and religion. One of the Ten Commandments of the Bible is “thou shall not murder.” However, regardless of whether it is believed that war is justifiable
The initial reaction I received from reading Soldier's Home, and my feelings about Soldier's Home now are not the same. Initially, I thought Harold Krebs is this soldier who fought for two years, returns home, and is disconnected from society because he is in a childlike state of mind, while everyone else has grown up. I felt that Krebs lost his immature years, late teens to early 20's, because he went from college to the military. I still see him as disconnected from society, because there isn't anyone or anything that can connect him to the simple life that his once before close friends and family are living. He has been through a traumatic experience for the past two years, and he does not have anyone genuinely interested in him enough to take the time to find out what's going on in his mind and heart. Krebs is in a battle after the battle.
...ust deal with similar pains. Through the authors of these stories, we gain a better sense of what soldiers go through and the connection war has on the psyche of these men. While it is true, and known, that the Vietnam War was bloody and many soldiers died in vain, it is often forgotten what occurred to those who returned home. We overlook what became of those men and of the pain they, and their families, were left coping with. Some were left with physical scars, a constant reminder of a horrible time in their lives, while some were left with emotional, and mental, scarring. The universal fact found in all soldiers is the dramatic transformation they all undergo. No longer do any of these men have a chance to create their own identity, or continue with the aspirations they once held as young men. They become, and will forever be, soldiers of the Vietnam War.
Henry is drafted to go to serve the United States in the Vietnam War. Before the war, Henry was an outgoing and lively person and was very close with his brother Lyman. The two of them bought a red convertible together and drove it across the country. The convertible represented the brotherhood bond the two brothers shared and when Henry went to war, it just sat there. Henry wasn’t there to take car of the car and Lyman didn’t want to mess anything up. After the war, Henry was a changed man. He didn’t smile. He didn’t laugh. He rarely talked. All he did was sit in a chair and stare at the TV. Even though Henry had changed, Lyman knew he had to do something to fix their relationship. He knew the only way to get Henry to snap out of his phase was to mess with the red convertible. Lyman tore apart the car and Henry fixed it. After it was fixed, the brothers went for a joy ride to a river. When they arrived at the river, the brothers started conversing just like old times. This just shows that no matter what happens, brothers will always be brothers. Nothing can separate them
Like "The Lives of the Dead," it begins with a statement that the rest of the chapter throws into question. "The War wasn 't all terror and violence," the narrator tells us, "Sometimes things could almost get sweet" (31). What follows, however, is a series of vignettes that are anything but "sweet." When a Vietnamese boy with a plastic leg approaches an American soldier with a chocolate bar, the soldier reflects, "One leg, for Chrissake. Some poor fucker ran out of ammo" (31). When the same soldier steals his friend 's puppy, "strapped it to a Claymore antipersonnel mine and squeezed the firing device," he responds with an ironic affirmation of the initiation right of the conventional war story: "What 's everyone so upset about? ... I mean, Christ, I 'm just a boy" (37). Here, the novel renders ironic both the loss of innocence and the "reconsideration" that structure the traditional war story. The positive spin that underlies the war story as a genre emerges here only as a bankrupt fantasy. Thus in "How to Tell a True War Story," the narrator warns, "If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie" (68). Aimed
America – “the Land of the Free and the Home of the Brave” – is the land where diverse citizens have equally respected rights (Key). This adage was not always considered, though. Before the collaboration from a plethora of African Americans commenced, African Americans had restricted rights. Many people worked together to achieve freedom, and in the process, they helped configure what Florida is today. One African American that stood out from the rest, in particular, was Jonathan Clarkson Gibbs.
The poem chosen for this project was American Soldier Rise by Gregory Boyer. When I began contemplating a poem for a reflection paper I immediately decided to choose one based on personal experiences within my own life. I then had to make a choice between a poem about public safety or military service as I have been involved in both career paths for more 25 years. I questioned whether to use American Soldier Rise after my first reading. As I went back and re-read the poem I realized it began to speak to me in a profound manner. The poem also confirmed one of my fears that we have become so focused on the horrors of war we forget from where our soldiers come.
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
The author, Tim O'Brien, is writing about an experience of a tour in the Vietnam conflict. This short story deals with inner conflicts of some individual soldiers and how they chose to deal with the realities of the Vietnam conflict, each in their own individual way as men, as soldiers.
The story has different elements that make it a story, that make it whole. Setting is one of those elements. The book defines setting as “the context in which the action of the story occurs” (131). After reading “Soldier’s Home” by Ernest Hemmingway, setting played a very important part to this story. A different setting could possibly change the outcome or the mood of the story and here are some reasons why.
The short story “In Another Country” by Earnest Hemingway is a story about the negative effects of war. The story follows an unnamed American officer and his dealings with three other officers, all of whom are wounded in World War I and are recuperating in Milan, Italy. In war, much can be gained such as freedom and peace, however war also causes a plethora of negative consequences. Cultural alienation, loss of physical and emotional identity, and the irony of war technology and uncertainty of life are all serious consequences of war that are clearly shown by Hemingway.