An anti-war poem inspired by the events of the Vietnam War, Homecoming inspires us to think about the victims of the war: not only the soldiers who suffered but also the mortuary workers tagging the bodies and the families of those who died in the fighting. The author, Australian poet Bruce Dawe, wrote the poem in response to a news article describing how, at Californian Oaklands Air /Base, at one end of the airport families were farewelling their sons as they left for Vietnam and at the other end the bodies of dead soldiers were being brought home. Additionally, he wrote in response to a photograph, publishes in Newsweek, of American tanks (termed ‘Grants’ in the poem) piled with the bodies of the dead soldiers as they returned to the city following a battle.
Set in both Vietnam and Australia, this powerful poem focuses on the ‘homecoming’ of the dead Australian soldiers, the homecoming motif reflective of the ritual of the same name – the packing, the journey and the reaching of the final destination. Written from a third person point of view, it is clear that the speaker, while an outsider, is emotionally affected by the events and regretful at the deaths. Dawe employs third person and ‘production line’ language of the first section (‘they’re’, ‘them’, etc. – impersonal pronouns) to communicate the detachment of the workers as they process the bodies. When the scene moves from the Saigon mortuary to the Tan Son Nhut airport and then onto the suburbs of urban Australia, we are able to appreciate that the obvious victims (the deceased participants of war) are not Dawe’s only focus: he responds to the role of the mortuary workers who locate and name the deceased as well as to the families who are about to receive the horrible n...
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...plores the process of the return of fallen soldiers to Australia, the metaphor suggesting a happy return which does not take place; and also the various victims of the tragedy, including the mortuary workers and the families, as well as the grief that does not merit any award. A powerful and moving poem, it causes me to think about the wars in the world today and the Australians taking part in them – will the same thing that happened to the Vietnam soldiers happen to them? Will they simply be carted home without honour, only to be deposited on their family’s doorstep causing sorrow throughout the neighbourhood? This poem, despite it referring to the Vietnam War, holds a timeless message: that the victims of war are not only the deceased soldiers but any person who comes into contact with them and their story, including the mortuary workers and the grieving families.
This is demonstrated with his claim of “If you could hear…the blood Come gargling” which shocks and confronts the reader. Similarly, the intended audience for Dawe’s Homecoming was the government, media, Australia and people going to war, who by analysing the overall tone of the poem, encapsulate the despairing sorrow that is felt for the young people who were killed in war. This is described in the line, “they’re rolling them out of deep-freezed
For centuries, war has broken families and caused scarring both physical and mental. Consequently, the futility of war has been universally accepted and Bruce Dawes powerful poems ‘Weapons Training’ and ‘Homecoming’ reveal this. Dawe creates an Australian insight to the training and consequences of the Vietnam War. The Vietnam War was a long conflict Beginning in 1954 and ending in 1975. More than 3 million people were killed in the tragic War. Dawes ‘Weapons Training’ demonstrates the guidance of an abusive Sergeant whilst ‘Homecoming’ illustrates the shocking consequences and impact of war. Bruce Dawes powerful war poems, paired together, showcase a journey. One filled with harsh and vulgar training whilst the other proves that even training
Julianna Claire, an award winning poet once said, “War makes men act like fools, and makes fools pretend to be brave.” War is a very difficult and dangerous game. There must be a just cause to fight for, supporters on either side of the war, and clear plan on what the war ought to look like. Though, as much as countries plan their strategies and perfect their tactics, war never seems to go how people think it should. War creates heartache, makes countries question their governments, and changes the lives of the soldiers who fight in them. One such story that address the damages of war, is Ambush, by Tim O’Brien (1946). In this short story, Tim O’Brien tells a story of a young man fighting in Vietnam who kills a member of the Vietnam army. Robin Silbergleid, a neurosurgeon in Seattle, Washington, who minored in
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
During times of war, man is exposed to the most gruesome aspects of life such as death, starvation, and imprisonment. In some cases, the aftermath is even more disastrous, causing posttraumatic stress disorder, constant guilt, as well as physical and mental scarring, but these struggles are not the only things that humans can take away from the experience. War can bring out the appreciation of the little things in life, such as the safety people take for granted, the beauty of nature, and the kindness of others. These universal consequences of fighting all contribute to what war is really capable of doing, sometimes bringing out the best and worst in people, and constantly shaping society. In The Things They Carried, Tim O’Brien goes through this himself when he writes about setting up base camp in the Vietnamese pagoda, the return to site of Kiowa’s death, the story about the old poppa-san guide, and Mitchell Sanders’ “moment of peace”. When O’Brien includes these stories, it is not to insert joy into a tragedy, but rather to create a more wholesome and authentic feel into a tough, realistic war story. O’Brien’s’ “sweet” stories are there to show the hope he had during war, and also serve as a universal example that even in the darkest tunnels, it is always possible to find rays of light.
Tim O’Brien is an accredited writer who writes mostly about war. Although, I can conclude that Tim O’ Brien is different from other war writers because he brings war stories to life. O’ Brien does not explain the strategies of the war, he describes the guys that he fought amongst in the war. His novel, “The Things They Carried” is an emotional retelling of the Vietnam War. He allows readers to experience the thoughts, feelings, and conflicts of the characters throughout the book. By allowing readers to experience the character’s moods, readers are able to relate to the characters through their own memories, thoughts, and feelings. I related to many of his stories, especially, “On A Rainy River”, “Stockings”, and “The Things They Carried.” Throughout this paper, I will express my reflection of the short stories, “On A Rainy River”, “Stockings”, and “The Things They Carried.”
Bruce Dawe is considered to be one of Australia’s most influential poets of the 20th century. Dawe’s poems capture Australian life in numerous ways, whether it is our passion for AFL in Life-Cycle or our reckless nature towards war as in Homecoming. Dawe creates very complicated poems reflecting the author’s context relevant to the time period, your context is based upon your reading of the poem, where you may gather different meanings, to that of the original intent, hidden within the text.
Tina Chen’s critical essay provides information on how returning soldiers aren’t able to connect to society and the theme of alienation and displacement that O’Brien discussed in his stories. To explain, soldiers returning from war feel alienated because they cannot come to terms with what they saw and what they did in battle. Next, Chen discusses how O’Brien talks about soldiers reminiscing about home instead of focusing in the field and how, when something bad happens, it is because they weren’t focused on the field. Finally, when soldiers returned home they felt alienated from the country and
Tim O’Brien served in the Vietnam War, and his short story “The Things They Carried” presents the effects of the war on its young soldiers. The treatment of veterans after their return also affects them. The Vietnam War was different from other wars, because too many in the U.S. the soldiers did not return as heroes but as cruel, wicked, and drug addicted men. The public directs its distaste towards the war at the soldiers, as if they are to blame. The also Veterans had little support from the government who pulled them away from their families to fight through the draft. Some men were not able to receive the help they needed because the symptoms of Post-traumatic Stress Disorder (PTSD) did not show until a year
The Vietnam War was not a “pretty” war. Soldiers were forced to fight guerilla troops, were in combat during horrible weather, had to live in dangerous jungles, and, worst of all, lost sight of who they were. Many soldiers may have entered with a sense of pride, but returned home desensitized. The protagonist in Louise Erdrich’s “The Red Convertible,” is testament to this. In the story, the protagonist is a young man full of life prior to the war, and is a mere shell of his former self after the war. The protagonists in Tim O’Brien’s “If I Die in a Combat Zone,” and Irene Zabytko’s “Home Soil,” are also gravely affected by war. The three characters must undergo traumatic experiences. Only those who fought in the Vietnam War understand what these men, both fictional and in real life, were subjected to. After the war, the protagonists of these stories must learn to deal with a war that was not fought with to win, rather to ensure the United States remained politically correct in handling the conflict. This in turn caused much more anguish and turmoil for the soldiers. While these three stories may have fictionalized events, they connect with factual events, even more so with the ramifications of war, whether psychological, morally emotional, or cultural. “The Red Convertible,” and “Home Soil,” give readers a glimpse into the life of soldiers once home after the war, and how they never fully return, while “If I Die in a Combat Zone,” is a protest letter before joining the war. All three protagonists must live with the aftermath of the Vietnam War: the loss of their identity.
The title ‘Anthem of Doomed Youth’, is juxtaposed to its real meaning of anthem being something to celebrate and be proud of. The assonance between the ‘Doomed’ and collective noun ‘Youth’ can come as a shock to society as topic of death and youth do not go together. In other words, the soldiers are too young and are already fated to death by enlisting in the war. This highlights how war is cruel as the soldiers are stolen of their youth, entering a battlefield designed to ‘sapt the soldier 's spirit.’ Furthermore, Owen shows that the fallen soldiers themselves will not get a proper burial of “candles,” “pall,” nor “flowers.” Instead, these are substituted with negative imagery “The pallor of girls’ brows” and personification “patient minds” to demonstrate that the thoughts of the ones waiting for the fallen soldiers back home are the closest thing they will have to a funeral. This is epitomised in the personification “bugles calling them from sad shires,” which conveys a nation in mourning back home. Collectively, these poetic devices in “Anthem for the Doomed Youth” shows that the death of the young soldiers negatively affects the people around
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.
Throughout the times war has effected people immensely both physically and mentally. All people deal with their circumstances differently to help cope with what they dealing with. Whether it’s a fatality in the family, or post traumatic stress disorder most people find a way to heal from injury or emotional damage. In Brian Turners poem, “Phantom Noise,” he writes about the constant ringing he hears from the war he served in. The poem expresses that Turner seems to deal with his emotional damage by writing poetry about what he feels, hears, and sees during the time he spent in war and in civilian life. Even though Turner is no longer in war it still effects him greatly each day. The overall tone of the poem is very solemn and makes the reader
As we got further and further into the Vietnam War, few lives were untouched by grief, anger and fear. The Vietnamese suffered the worst hardship; children lay dead in the street, villages remained nothing but charred ashes, and bombs destroyed thousands of innocent civilians. Soldiers were scarred emotionally as well as physically, as