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Impacts of Mexican culture
Media portrayal of Latinos hispanic prezi
Impacts of Mexican culture
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Héctor Tobar is an American journalist and author, who was born in Los Angeles and a previous journalist and editor for The Los Angeles Times. He now teaches journalism at the University of Oreagon. His work covers imperative political topics and examines the relation between US and Latin America. Tobar has been awarded multiple prizes for his books, such as for the novels “The Tattooed Soldier” and “The Barbarian Nurseries”. Tobar was the bureau chief for the newspaper, The Los Angeles Times, in Mexico City and Buenos Aires, where he covered political subjects. He won and achieved the Pulitzer Prize with a journalism team for reporting the 1992 riots. The article “Why Latino Children Are Scared of Donald Trump” was published in the newspaper, …show more content…
Spanish words are used, when the author refers to figurative creatures and bedtime monsters. Imagery language appear in the article by using descriptive words that create visual images for the audience. An example of imagery language is expressed as follows: “...(...)…a Lynwood mall that celebrates Mexican identity with replicas of Olmec sculptures, a statue of Pancho Villa and the facade of a colonial church.” Epithet language appears in the text by the usage of adjectives and phrases in order to help create the visual images, and some examples of epithets are “unapologetic xenophobia” and “scary Latino bedtime stories”. Metaphors are employed in the piece, and an example is “rhetorical daggers”. Symbols appear similarly in the text, when the author use the bedtime monsters and the piñata as symbolic elements. Pathos is utilized by the author to appeal to and evoke the reader’s emotions, and the author accomplishes this by appealing to the Latino children’s fear of monsters, which is exemplified as follows: "MANY monsters and ghosts haunt the dreams of Latino children. There is “La Llorona,” who is said to moan for her dead children. And more recently, the Chupacabra, which sucks the blood from farm animals and maybe a boy or a girl if he or she doesn’t behave." The Latino children correlate Donald Trump to monsters, which emphasize the notion of
It is no secret that the United States has a history of economic and political interventions in countries around the world, especially in Latin America. By comparing the lives of the characters in Tobar’s novel, The Tattooed Soldier, to events that occurred in Latin American history, this paper will focus specifically on how U.S. imperialism, political and economic interventions in the central American countries of Guatemala and El Salvador forced many to flee and immigrate to the United states. Where the newly immigrated Central Americans faced lives of hardships and poverty compared to other Latin communities such as the Cubans who had an easier migration due to their acquisition of the refuge status.
Immigrants’ experience can be describes as being transcultural, meaning their experiences from their country (including cultural signifiers) are translated or transported to the mew country they live in. During the transcultural experience, people can be changed by the new culture, and they also bring some their own traditional culture to the new environment. In 1990s, a lot of Latinos leave their countries to come to the United States because of the civil war. Hector Tobar’s book The Tattooed soldier tells a story of a Guatemalan refugee Antonio who comes to live in Los Angeles. His wife and son were killed by the government army. Antonio has to escape from his country because he could be killed too. After the murder, the sergeant
It takes on the role of pathos in that sense because it is difficult for the audience to imagine moving to a foreign country, knowing no one, and not being able to speak the native language and trying to make a living. Mr. Sanchez as well as the other two gentlemen has risked so much to be where they are today. It states in the article that, “Mr. Sanchez is part of a small class of immigrants who arrived in the United States with nothing and, despite speaking little or no English, became remarkably prosperous.” By putting this in the text, it instills a sense of sadness for the reader and makes the reader feel that if someone can come from nothing and have to face so many obstacles and still become successful, then anyone can do the
of the native tongue is lost , certain holidays may not be celebrated the same , and American born generations feel that they might have lost their identity , making it hard to fit in either cultures . Was is significant about this book is the fact it’s like telling a story to someone about something that happened when they were kid . Anyone can relate because we all have stories from when we were kids . Alvarez presents this method of writing by making it so that it doesn’t feel like it’s a story about Latin Americans , when
Durán, Javier. “Nation and Translation: The “Pachuco” in Mexican Popular Culture: Germán Valdéz’s Tin Tan.” The Journal of the Midwest Modern Language Association 35.2 (2002): 41-49. JSTOR. Web. 25 March 2014.
Awarded the French Prize for best foreign novel, The Tortilla Curtain by T.C. Boyle follows the lives of illegal immigrants after entering the United States and the struggles they face in their everyday lives. The Tortilla Curtain, although a fiction book, discusses politically charged issues such as illegal immigration, racism, and poverty. Racism and the Mexican culture are two main thematic topics in this piece of literature. As the debate over immigration continues to escalate across the nation, T.C. Boyle has many questions directed towards him from his readers. More specifically, what his views on immigration are. And Boyle has questions of his own. The such questions he states in an interview: “Do you have the right
Junot Diaz’s “Otravida, Otravez” depicts a perspective of life where one’s present and future always reflects their past in some way. Diaz’s representation of symbolic figures, convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken.
A question that every high school student is faced with is: “What extracurricular activities so you participate in?” Some can answer confidently while others are slapped with a moment of sudden realization. These people are just floating along with the crowd, with no driving force or motivation. What I believe differentiates me from my peers and gives me a sense of uniqueness, is what I do outside of my academia. Out of the deluge of activities that are available, Latinos In Action is the one that I feel the most passionate about and shapes my persona the most.
In the Los Angeles Times a feature article “The forgotten victim from Florence and Normandie,” the author, Steve Lopez, explains the main discussion of his article which is about his curiosity on finding what happen to Fidel Lopez, a victim who was brutally beaten nearly to death. This has been broadcast on television around the Los Angeles area at the 1992 Los Angeles riot, also known as the “LA Riots.” Author, Steve Lopez, writes this article about Fidel Lopez to give readers a reason to not forget others, just how the media forgot about Fidel, demonstrating “why I couldn’t find a single story about him after 1993” (Lopez, pg. 2) said author Steve Lopez. Most of Fidel views were nothing but as what he stated in the article as “bright lights”
The quote “Enrique cannot see blood, but he senses it everywhere. It runs in gooey dribbles down his face and out his ears and nose. It tastes bitter in his mouth….The sun is high and hot. Enriques left eyelid won't open. His battered knees don't want to bend” is a great example of how the author gets our attention by appealing to our emotions (Nazario 61). In Sonia Nazarios book “Enrique's Journey,” the author does a great job of using all three of the Aristotelian appeals. The one that stands out the most is pathos, the appeal to emotion. In this novel, the author uses pathos to better the story; and try to change the minds of Americans about immigration by using many different techniques such as
Taylor, Diana. "Trapped in Bad Scripts: The Mothers of Plaza de Mayo". Disappearing Acts. Spectacles of Gender and Nationalism in Argentina's "Dirty War." Duke Univ. Press: 1997. 183-222.
All in all Anzaldua's essay is very motivating and “colorful”, due to her utilization of metaphors she uses give the reader gains insight into her writing process, most of all into the process of connecting images and building ideas. However Anzaldua's use of language and style, the transition from English to Spanish and back again in particular, may create confusion for certain readers, who are not familiar with the different
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
The creature’s embodiment of the non-European, the outcast, the alien and the other stems from the incompleteness of the monster ability to engage in cretin perceptions of the world he was brought in. Unlike the Europeans, the monster was brought to life with no concept of value, or cultural norms. T...
Author’s Techniques: Rudolfo Anaya uses many Spanish terms in this book. The reason for this is to show the culture of the characters in the novel. Also he uses imagery to explain the beauty of the llano the Spanish America. By using both these techniques in his writing, Anaya bring s the true culture of