Analysis Of The Film 'The Killer'

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The Killer (John Woo,1989, Hong Kong)

John Woo is one of the most celebrated Asian filmmakers in the West, with his even directing films in Hollywood. This title is his most renowned. Ah Jong is a contract killer who, during his latest assignment, accidentally traumatizes a female singer at a nightclub. In order to pay for her operation, he agrees to take on one last mission.
John Woo’s distinct style found its apogee in “The Killer”, with its stylized violence, constant bloodbaths, slow motion editing, impressive action scenes, the elaborate usage of guns, and the flying of pigeons, a motif that began in this particular film. Furthermore, the final scene in the church is one of his most distinct scenes.
Furthermore, Chow Yun Fat in the protagonist role gives a masterful performance, which made him an icon in all of Asia and eventually led him to Hollywood.
Chungking Express (Wong Kar Wai, 1994, Hong Kong)
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Wong Kar Wai directs a movie about two lonely individuals who experience isolation inside their marriage. Their answer toward their discovery is to attempt the same, in a nonconforming and cruel effort at reenactment.
Wong focuses almost exclusively on his two protagonists, with the rest of the characters being just shadows. Both Tony Leung and Maggie Cheung delivered in wonderful, art-house fashion, exemplifying their acting skills as much as their overall style.
The film netted a Best Actor Award for Tony Leung and the Technical Grand Prize for that magnificent cinematography of Christopher Doyle and Mark Lee Ping Bing, becoming the most renowned in the art-house filmmaker's cinematography.
Crouching Tiger, Hidden Dragon (Ang Lee, 2000, Taiwan)
Evidently, the most celebrated film of the list in the West, Ang Lee's magnum opus was nominated for 10 Oscars, eventually winning

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