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American literature how to use nature
Nature in literature
Symbolism in the literary criticism
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In an excerpt from The Crossing by Cormac McCarthy, McCarthy uses gruesome and dying diction to argue the enlightening impact that the death has on the narrator, in order to portray that nature is beautiful, yet harsh. The narrator reached the first talus, and it is made clear that he is in touch with nature. He cradles and tends for the wounded wolf, while he brings the horse to a creek so it may get water. The author uses the word blood repeatedly while setting the initial image, showing the reader that there is still life among them, but blood has been drawn. McCarty does this to show the reader that at this point, death is not prevalent. Soon after reaching a stopping point, the boy sets up a fire and puts the wolf down to rest, while
When Lee first introduced his readers, he started off with a beautiful metaphor to summarize how every human’s life goes as he wrote, “We are circuit boards swallowing the electricity of life upon birth,” (Lines 2 to 3, Lee). To clarify, Lee is explaining the beauty of life when we are alive and how we essentially use this electricity to create unforgettable memories along with emphasizing the importance of existing. However, not long into the poem, a sudden change in the emotion occurs as Lee depicted Stephen’s death with, “…as though his chest were an auditorium his life an audience leaving single file,” (Lines 24 to 25, Lee). In consideration with how the main lesson Lee was applying on his poem, it is easily visible that this sudden change in mood was done purposefully. With this dark simile, readers will be captured and feel that sudden shock in mixed emotion when someone’s death occurs. In effect, not only will readers who have seen death understand, but Lee also taught readers who have not seen a similar event what will happen, allowing any reader to understand the topic even without any past experiences. Quickly after though, Lee re-introduces a cheerful environment with similes to describe the people he has found as he visualized, “…his lungs flapping like sails,” and, “…teeth shinning like
In Cormac McCarthy’s novel The Crossing, there is a dramatic sequence described by the narrator. The author uses many different techniques to convey the impact of the experience on the narrator. Some of these such techniques are: repetition, diction, and simile.
David Wilkerson author of “The Cross and The Switchblade” grew up in Pennsylvania where his father and grandfather were both Pentecostal ministers. David later married his wife Gwen, they had three children two girls and one boy. David and his family were pastors in Scottsdale and Phillipsburg, Pennsylvania. His life was pointed in a new direction when he saw the pictures of young teenagers in a magazine who had been on trial for a murder they committed in New York. This caught his attention and he suddenly had a heart for the kids who struggled with gang violence, and drug abuse. David and the youth pastor of his church at the time in Phillipsburg went to New York to see what kind of difference they could make. It was a long process for David.
It has become evident, more so in our day and age, that children often feel burdened by the expectations that one’s parents have. Blinded by their own pretences, parents pressure their children to follow a path which they themselves think is best. As seen in “The Boat” by Alistair MacLeod, the narrator endures a tremendous amount of pressure from his parents. In comparison to my own life, my parents also put a lot of pressure on me because they want me to be successful. However, I find that the pressure exerted by my parents onto me is not helpful at all. To start, pressure often leads to stress, which then leads to long term complications such as anxiety and depression. Ever since I was young, my parents have wanted me to pursue a career in medicine. I was not very happy as it was not a field that I found
“The Hitchhiker,” by Lucille Fletcher, narrates the unusual happenings Ronald Adams, the protagonist, experiences, while driving along the deserted and densely populated roads of the United States. Adams continually observes a hitchhiker, whom he first saw, having almost hit him, on the Brooklyn Bridge, and apprehends traveling on the highways, for fear this phantasmal man shall reappear. Struggling to grasp reality once receiving news of his mother’s breakdown after the death of her son, Ronald Adams, he reverts his attention to the hitchhiker, the realization of never having been who he thought he was, and being alone without protection from the traveler, both wrench his mind in two. Lucille Fletcher uses suspense to build the plot of, “The
Known for his raw, punctuation-barren prose and biblical symbolism, Cormac McCarthy is one of the most highly regarded writers of our time. In his novel, No Country for Old Men, McCarthy explores biblical doctrine in a parabolic manner and illustrates the depravity of society through his signature macabre lens. Through a story about a drug deal gone awry and the deadly chase that ensues, McCarthy unravels a theological discussion about man’s relationship with sin. His bloody story is one that parallels Romans 3:10, which says: “There is no one righteous, not even one”(English Standard Version Rom. 3:10). Through the actions of a hitman, a war veteran and a sheriff, he reveals that human righteousness is impossible due to our
Richard Connells “The Most Dangerous Game” is a short story which illustrates that calm analytical thinking can increase your odds of survival and controlling panic.
In this passage from The Crossing by Cormac McCarthy, the narrator describes the protagonist’s interaction pertaining to a recently killed wolf. For an unknown reason, this experience has a very deep, emotional effect on the protagonist. Throughout the text, McCarthy uses detailed diction to truly convey just how much this involvement meant to the main character. McCarthy also uses imagery to show the profound connection the protagonist feels with this dead wolf, this imagery is brought to life through polysendeton.
This section of The Crossing begins in media res and the tone is one of frantic concern. Diction plays an enormous role in expressing the impression the wolf's death (and circumstances surrounding it) has on the subject. From the onset, the author establishes a dramatic mood by describing the scenery as having "talus sides" and "tall escarpments". The frantic tone is justified by the description of the wounded animal the protagonist discovers. The author demonstrates careful diction. The wolf is described as “stiff and cold” and her fur is “bristly with the blood dried upon it.” It can be inferred from this description that this wolf was not recently injured; rather it has been enduring the wound. She (the wolf) is not tossed over the back of the character or thrown to the side, but rather “cradled” by the protagonist. The connotation of this word implies that he cares for the wolf, since the word “cradle” is generally associated with the handling of a human infant. The second paragraph begins with “He got the fire going,” introducing the author’s contrasting images of darkness and light. Fire is usually associated with life, warmth, safety and comfort. In this case, it is a source of light which guides the main character whe...
As a reader, I appreciate Cormac McCarthy's writing style in The Road, and believe it influences the way readers perceive the characters and the post-apocalyptic nature of the setting. McCarthy's writing produces a “dreamy feel”, which reminds me of older black and white films. The staccato movements which dominated cinema screens in the earlier half of the 20th century, produced an effect usually associated with dream sequences. Also, older films were characteristically black and white, while The Road's landscape is covered with an ashy grey. Overall, the writing produces a strong disorienting effect which correlates to the protagonists who have also lost everything anchoring them to the past. Beyond the effect produced on
I would quite often hear “ba da da da, da da, da da” as a kid on the radio. There was awe listening to those specific vocals, but I never knew what the song was called. Fast-forwarding years later to 2014, I finally found out what this song was after all those years of wondering: “Ride Like the Wind,” by Christopher Cross. With an uncommon “storyline [that] is one not often heard on Adult Contemporary radio,” Cross was able to gain instant fame as a result (“Ride Like the Wind” par. 1). Within “Ride Like the Wind’s” promo video, Cross and his band are shown playing as part of a studio recording. Though there was rarely anything portrayed that would make the video display a visual message, Christopher Cross romanticizes the idea of a wanted man escaping the law to Mexico through the lyrics.
In the passage from Cormac McCarthy’s novel The Crossing, there are several techniques that are used to convey the great impact on the main character. These techniques include the use of action words throughout the passage, the great amount of detail used in the writing, and the writer's use of past tense. All of these techniques worked very well together and makes the reader feel like they can actually feel and visualize the experiences that the main character is having.
The words of Mahatma Gandhi state; “You must not lose faith in humanity. Humanity is an ocean, if a few drops of the ocean are dirty, the ocean does not become dirty.” Cormac McCarthy’s 2006 novel The Road unfolds the journey of a father/son duo as they struggle to head slowly to the coast, with the difficulty of retaining one’s humanity in a world devoid of meaning. McCarthy uses imagery, narrative structure and pathetic fallacy to lead readers to reflect on the loss of meaning in the world around them.
On April 27, 1992, Christopher Johnson McCandless wrote, “I now walk into the wild”. His intention was to leave behind the sins of society for the wilderness in order to find true happiness in himself. Notably, he wanted to leave the pain of abuse and materialism in his family behind. Chris chose to pursue the theory that happiness can only be achieved through self-reliance and appreciation of the purity in nature; thus, he embarks on his Alaskan odyssey.
In the poems “Traveling through the Dark” by William Stafford and “Woodchucks” by Maxine Kumin two men must make a difficult decision about nature. In “Traveling through the Dark” the narrator is faced with a tough situation dealing with life and die, while in “Woodchucks” the narrator struggles with his belief about killing. These two poems focus on the reaction of their characters to the death of an animal. “Traveling through the Dark” shows a respectful relationship with nature when a man comes across a pregnant deer who has been hit by a car. “Woodchucks”, on the other hand, shows the long-term effects of killing rodents on the mind. Both poems show the relationship between animal and man as well as man’s dealings with nature. Through the use of imagery, tone, and diction the poet of “Traveling through the Dark” shows the speaker’s compassionate attitude towards the animals while the speaker of “Woodchucks” has an antipathetic attitude toward them.