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Analysis of daddy sylvia plath
Analysis of daddy sylvia plath
Analysis of daddy sylvia plath
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“Metaphors” by Sylvia Plath is a poem about what it’s like to be a pregnant woman. When a woman is carrying a child, the world looks at her differently. Some may say that is a good thing, but for Plath not so much. Plath doesn’t strictly write out anything in this poem. As the title reads, it’s all a metaphor that the reader has to decipher. This poem is describes the end of a pregnancy, when a woman feels the worst. The narrator feels as if the child she is carrying is the true value, not herself who is carrying the baby.
The second line of the poem states “An elephant, a ponderous house,” referring to the size of her belly and also the other things that tend to get larger while with child (Metaphors). Of course we know that pregnant women
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It seems as if you can picture a large, uncomfortable pregnant woman about that looks and feels as if she is about to go into labor. Pregnancy is supposed to be a beautiful thing that happens to women, but at the same time it can be a painful experience as well, mentally and physically. Line 5 states “This loaf’s bog with its yeasty rising.” This is a symbol of the developing child inside her, as it is making the mother get bigger and “swell.” Plath uses some comical images and word choices in this poem.
The number nine in this poem is a symbolic number and is featured a lot. She says in the first line, “I’m a riddle in nine syllables,” which symbolizes the nine months of pregnancy. The poem itself has nine lines, and the title itself has nine letters. When Plath talks about “nine syllables” she is also referring to how she is going to make all of the lines go by the nine syllable pattern. Plath couldn’t have picked a better title for this poem. Metaphors appear throughout the whole poem. A metaphor is defined as an implicit comparison of unlike objects, using the dissimilarity of objects to create the frisson of the comparison (Glossary). Nothing is pointed out clearly, you have to think about what she is trying to say. She also uses a lot of negative metaphors in this
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This sounds as if she is, once again, large but also uncomfortable. But if we think about this a little harder, Plath seems as if she is being used. She feels as if she is just a stage in someone else’s master plan. When the line states that she is a cow in a calf is probably the most obvious metaphor in the entire poem. This is the line that states that the poem is clearly about a pregnant woman. If you think about an actual cow, most of the time on a farm they are used only for milk or meat. So once again, the woman feels as if she is just being used. To think about death and birth all in the same sentence seems a little cruel, but Plath finds a way to connect the two with figurative
This is shown through the tone changing from being disappointed and critical to acceptance and appreciative. The speaker’s friend, who after listening to the speaker’s complaints, says that it seems like she was “a child who had been wanted” (line 12). This statement resonates with the speaker and slowly begins to change her thinking. This is apparent from the following line where the speaker states that “I took the wine against my lips as if my mouth were moving along that valved wall in my mother's body” (line 13 to line 15). The speaker is imagining her mother’s experience while creating her and giving birth to her. In the next several lines the speakers describe what she sees. She expresses that she can see her mother as “she was bearing down, and then breathing from the mask, and then bearing down, pressing me out into the world” (line 15 to line 18). The speaker can finally understand that to her mother the world and life she currently lived weren't enough for her. The imagery in the final lines of this poem list all the things that weren’t enough for the mother. They express that “the moon, the sun, Orion cartwheeling across the dark, not the earth, the sea” (line 19 to 21) none of those things matter to the mother. The only thing that matter was giving birth and having her child. Only then will she be satisfied with her life and
A good example would be when the mother in the story talks about her life using a metaphor of a staircase. In the beginning of the poem, the mother says, "Well, son, I’ll tell you: Life for me ain’t been no crystal stair. It’s had tacks in it, And splinters, [...] But all the time, I’se been a-climbin’ on" (Hughes lines 1-9). This metaphor describes the mother's life experience, the reader can infer was hard, but the nice part of this excerpt is the final lines, where the metaphor of continuing to climb on the staircase is used to symbolize the mother's goal to persevere, no matter how tough life gets because she believes her efforts will accomplish something good.
Hence, the poem's tone contains elements of remorse as well as impassivity. The traveler's detached description of the mother, "...a doe, a recent killing; / she had stiffened already, almost cold" (6-7), and the wistful detail with which he depicts her unborn offspring, "...her fawn lay there waiting...
She has excepted the risks that come along with being pregnant, but She feels a sense of sorrow at being separated from her husband and her children. It’s almost like she was writing a farewell letter to her husband if something did happen and she did pass on. The fact that she faces the reality of death is I can imagine very painful especially at a time when you are supposed to be excited and happy. During the time, many women died before their husbands because of child birth and other health related issues. So, she in a sense was coming to terms that she may die while trying to have this child. So, she wanted to leave something behind for her husband as I would think as like a token or something to remember her by. She says, ‘‘and when thy loss shall be repaid with gained look to my little babes, my dear remains. ‘’ this is her coming to grips that her child and husband may be going on in life without
The poem “Daddy” is similar to a final statement of freedom to a father from his daughter. The simple title suggests that it was meant for one particular person and that person is this woman’s father. The fifth line in the poem, “Barely daring to breathe or Achoo,” suggest that the narrator is feeling trapped because of her father and her feelings towards him (Plath 866). The visual image that can be interpreted from this sections is of how one would feel if they lived in a very small place with no room to move or breathe. The simple way to describe how the daughter is feeling is to say that she feels confined by exactly who her father was. This woman feels the weight of the world on her or perhaps it is the burden of who her father is that weighs her down, and in line eight she describes her father as “Marble-heavy, a bag full of God”(Plath 866). The reference to God suggest that the father was viewed as a god himself by his daughter at first, similar to any little girl who looks up to their daddy. The father is portrayed as a very large and imposing man, especially in line ten where his size is being compared to a Frisco seal, which brings to mind a very large aquatic mammal with blubbery features (Plath...
The author use personification in the poem because he sees but things will be easier to explain if he uses figurative language. The metaphor comparing to things without using like or as like when she said in the poem ´´ Big ghost in a cloud´ ´ She used metaphor to give a better example of what she sees and what she sees Is cloud shaped as different animals or anything but in the poem she pretty much-seen cloud shaped as the ghost.
The poem is about the early stages in the narrator’s pregnancy. The doctor gives her news that the baby may be unhealthy. In a state of panic, we see the narrator turning to the methods of her homeland and native people to carry her through this tough time, and ensure her child’s safe delivery into the world. Da’ writes, “In the hospital, I ask for books./Posters from old rodeos. /A photo of a Mimbres pot /from southern New Mexico /black and white line figures—/a woman dusting corn pollen over a baby’s head/during a naming ceremony. /Medieval women/ingested apples/with the skins incised with hymns and verses/as a portent against death in childbirth” (Da’). We not only see her turning to these old rituals of her cultural, but wanting the items of her cultural to surround her and protect her. It proves her point of how sacred a land and cultural is, and how even though she has been exiled from it, she will continue to count it as a part of her
But, in “Lady Lazarus” it also contains similes like in lines 39 and 40, “I rocked shut/ as a seashell” (676 ed.8). Throughout the poem, Plath questions the reader in a few lines, symbolizing her uncertainty of emotion. While Kizer maintains a conversation with internal self and her ex-lover, she does not directly address the reader. In “Lady Lazarus” there is many metaphors comparing her feelings for instances, saying her face is like “Jew linen” and her skin is bright as a “Nazi lampshade” (675 ed. 8). Plath was known as “One of the most celebrated controversial of postwar poets writing in English” (Sylvia Plath Poetry Foundation). By using a well-known horrific moment in history, the poem conveys a deeper feeling than it would if comparing a common experience. Plath creates an illusion of an unfamiliar world to many readers that most likely have not experienced such an intense emotion towards suicide like the speaker did. Also, this poem creates a play/theater metaphor when the speaker describes how there is an audience waiting to see such a terrible act of her taking her life. She seems to get pleasure out of the attention she lures in just like in a play, the actor’s purpose is to entertain the audience. Metaphors and similes are used to help explain the thoughts and feelings of the speaker by using a universal object to create a better
In the poem, “Daddy,” Sylvia Plath shows her character to have a love for her father as well as an obvious sense of resentment and anger towards him. She sets the tone through the structure of the poem along with her use of certain diction, imagery, and metaphors/similes. The author, Sylvia Plath, chooses words that demonstrate the characters hatred and bitterness towards the oppression she is living with under the control of her father and later, her husband. Plath’s word choice includes many words that a child might use. There is also an integration of German words which help set the tone as well. She creates imagery through her use of metaphors and similes which allow the reader to connect certain ideas and convey the dark, depressing tone of the poem.
In this way she shows how motherhood is a necessary part of a woman’s life since she is simply waiting to “ripen” (30). However, she also portrays pregnancy in a negative light by associating it with death and weakness. In this poem, the speaker connects whiteness with death. That connection is evident when she says that the flowers “cast a round white shadow in their dying” (“Moonrise” 6), emphasizes a falling pigeon’s white fantail, and mentions a dead “body of whiteness” (... ...
Overall, the imagery that Plath creates is framed by her diction and is used to convey her emotions toward all relationships and probably even her own marriage to Ted Hughes, who had rude, disorderly habits. Even the structure of the poem is strict in appearance as each stanza ends with a period and consists of exactly six lines. In addition, the persona of the poem is very detached and realistic, so much that it is hard to distinguish between her and Plath, herself. However, Plath insinuates that the woman actually wants love deep down, but finds the complexity and unpredictability of love to be frightening. As a result, she settles for solitude as a defense against her underlying fear.
Poetry in the early 19th century was a form of therapy that allowed the writer and reader to get in touch with their emotions. In the poem “To a Little Invisible Being Who is Expected Soon to Become Visible”, Anna Barbauld discusses the feelings of what it is like for a mother awaiting her unborn child. The poem is written in a third-person narrative style and the author uses many exclamation points, which suggests the urgency and emotion through the punctuation. The rhyme scheme of the poem is ABAB. The language is positive and hopeful, which helps form an inclusive tone of romance. Likewise, the poem is broken into nine quatrains which aids in the depiction of the mother carrying a child for nine months in her womb.
" its hard not to feel some sadness or even a feeling of injustice. All the incidents that I mentioned in the previous paragraph are among the many vivid images in this work. Brooks obviously either had experience with abortions or she felt very strongly about the issue. The feelings of sadness, remorse, longing, and unfulfilled destinies were arranged so that even someone with no experience or opinion on this issue, really felt strong emotions when reading "The Mother". One image that is so vivid that it stayed with me through the entire poem was within the third line.
A brief introduction to psychoanalysis is necessary before we can begin to interpret Plaths poems. Art is the expression of unconscious infantile desires and the strongest of these desires is the wish to “do away with his father and…to take his mother to wife” (Freud, “Introductory Lectures on Psycho-Analysis 411).This is what Freud called the Oedipal conflict. For women the desire is of course reversed to killing the mother and marrying the father and is called the Electra complex. Children resolve this conflict by identifying with their same sex parent. Loss of a parent can prevent the normal resolution of the Oedipal conflict and result in a fixation or obsession with the lost object (object is the term used to define the internal representations of others). The desire to have the lost object back is also the desire for what Freud called primary narcissism. ...
I was slightly confused when I read this poem at first, but it became apparent from the rich metaphors, that it was about the sexual relation between the woman and man. It is also about conception - or rather the potential of creating a child from this sexual act - told from the woman's point of view.