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Themes and poetic style of Sylvia Plath
Themes and poetic style of Sylvia Plath
Discuss Sylvia Plath's attitude towards motherhood in the poem "Morning Song
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Analysis of Daddy by Sylvia Plath
Sylvia Plath uses her poem, Daddy, to express deep emotions toward her father’s life and death. With passionate articulation, she verbally turns over her feelings of rage, abandonment, confusion and grief. Though this work is fraught with ambiguity, a reader can infer Plath’s basic story. Her father was apparently a Nazi soldier killed in World War II while she was young. Her statements about not knowing even remotely where he was while he was in battle, the only photograph she has left of him and how she chose to marry a man that reminded her of him elude to her grief in losing her father and missing his presence. She also expresses a dark anger toward him for his political views and actions in such passages as: “Not God but a swastika / so black no sky could squeak through” and “…the brute / Brute heart of a brute like you.” She goes on talk about how her poor or non-existent relationship with her father caused her to enter an unhealthy relationship. Finally, she conveys a mood of overcoming this man’s dark hold on her. She is still filled with unhealthy rage toward him but in her repeating that she is “through” and discussing having killed someone she demonstrates her feelings of self-empowerment.
As Plath is using this poem as her personal forum to release her emotions, she also provides her audience with a look of her artistic style. She creates a poem that will enthrall the reader using mediums like vague material such as stanza two (2):
“Daddy, I have had to kill you.
You died before I had time-
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal.”
She also uses quite a bit of repetition to emphasize her points. A repeated word tend...
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...n lines 71-73:
“If I’ve killed one man, I’ve killed two-
The vampire who said he was you
And drank my blood for a year.”
This passage eludes that she may or may not have actually killed her husband and in doing so conquered her father in a sense. Nevertheless, it demonstrates her dark perspective of her marriage in describing her husband as a vampire that continually tortured her.
Plath’s work in the poem is undoubtedly bold and expressive. She uses a passion that makes her point clear even though her language may not necessarily be so obvious. She allows her readers to ride the roller coaster of battling her emotions with a freedom that suggests the piece was written for strictly personal expression; never to be read by others. The majority of the poem may certainly even be open for a variance of interpretations providing for a truly interesting work.
The first two stanzas, lines 1-10, tell the readers that Plath, for thirty years, has been afraid of her father, so scared that she dares not to “breathe or Achoo.” She has been living in fear, although she announces that he’s already dead. It is obvious that she believes that her father continues to control her life from the grave. She says that she “has had to kill” him, but he’s already dead, indicating her initial promise to forget him. She calls him a “bag full of God,” telling us that she considers her father a very strong, omnipotent being, someone who is superior in her eyes.
In “The Colossus” Plath expresses her personal and emotions struggles she faced resulting from her father’s death. Plath’s father, Otto Plath was nonexistent. “Plath’s relationship with her father has proven to be one of the more troublesome of her recurrent themes in this respect. By all accounts, including her own, Otto Plath was a kind, loving father, if formal and somewhat remote, and there was little outward evidence that their relationship was troubled” (John Rietz 417). Plath yearned for the everlasting love that she never received from her father growing up. It’s almost as if she was constantly trying to force building a relationship that she never had with her father. “Otto Plath was her muse” (417). This notion is best represented in Plath’s poem, “The Colossus” by the speaker’s constant efforts to reconstruct the fallen Colossus of Rhodes representing her relationship with her...
Sylvia Plath a highly acclaimed twentieth century American poet whose writings were mostly influenced by her life experiences. Her father died shortly after her eighth birthday and her first documented attempt at suicide was in her early twenties. She was married at age twenty-three and when she discovered her husband was having an affair she left him with their two children. Her depression and the abandonment she felt as a child and as a woman is what inspires most of her works. Daddy is a major decision point where Plath decides to overcome her father’s death by telling him she will no longer allow his memory to control her.
...he language of war. One of her last poems shows how this vision both restricted and unconstrained her expression (Magill 2225). Some of Plath’s poems, though the personal voice may be dying out, are still very personal (Magill 2226). Plath’s symbolism comes from an arrangement of misfortune. The purpose of Plath’s poems is to show a deeper pattern (Hughes 5). Plath’s narrative, The Bell Jar, remained important to most readers (“The Importance…” 2). Plath believes relationships are necessary, but destructive (Smith 6).
While at Smith, Plath received many awards in regard to the poetry that she had written. After winning the Mademoiselle fiction contest, the popular magazine offered Plath a place on their editorial board. While working with Mademoiselle, Pla...
As the tone changes the perspective of the reader changes as well. There is no clear way to determine whether the speaker is responding to her situation with the appropriate amount of madness or is actually going mad and escaping into her own mind. Plath’s poem shows how a woman 's happiness was defined by her relationship to a man, which is enough to infuriate or drive any woman insane. The speaker struggles to continue her very existence because of her lost love. It is true that the speaker is very emotional and feels things very deeply, but that is not enough to prove that she had lost her mind. By the end of the poem the speaker seems to realize that she is wasting her time waiting on a man. She would rather have a present love that is completely unfathomable than a real love that is not around. The repetition in this poem makes the reader believe this loss is actually causing the speaker to lose her mind, but through changing tones that mirror the emotions anyone would go through in a situation of loss like this the speaker’s response is completely
Plath and Sexton's lifetimes spanned a period of remarkable change in the social role of women in America, and both are obviously feminist poets caught somewhere between the submissive pasts of their mothers and the liberated futures awaiting their daughters. With few established female poets to emulate, Plath and Sexton broke new ground with their intensely personal, confessional poetry. Their anger and frustration with female subjugation, as well as their agonizing personal struggles and triumphs appear undisguised in their works, but the fact that both Sexton and Plath committed suicide inevitably colors what the reader gleans from their poems. However, although their poems, such as Plath's "Daddy" and Sexton's "Little Girl, My String Bean, My Lovely Woman," deal with the authors' private experiences, they retain elements of universality; their language cuts through a layer of individual perspective to reach a current of raw emotion common to all human, but especially female, understanding.
Throughout the poem, Plath contradicts herself, saying, ‘I was seven, I knew nothing’ yet she constantly talks of the past, remembering. Her tone is very dark and imposing, she uses many images of blindness, deafness and a severe lack of communication, ‘So the deaf and dumb/signal the blind, and are ignored’. Her use of enjambment shows her feelings and pain in some places, in other places it covers up her emotional state. She talks of her father being a German, a Nazi. Whilst her father may have originated from Germany, he was in no way a Nazi, or a fascist. He was a simple man who made sausages. ‘Lopping the sausages!’ However she used this against her father, who died when she was but eight, saying that she still had night mares, ‘They color1 my sleep,’ she also brings her father’s supposed Nazism up again, ‘Red, mottled, like cut necks./There was a silence!’. Plath also talks of her father being somewhat of a general in the militia, ‘A yew hedge of orders,’ also with this image she brings back her supposed vulnerability as a child, talking as if her father was going to send her away, ‘I am guilty of nothing.’ For all her claims of being vul...
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
Plath employs a shift to accentuate a change in time. The speaker of the poem says “I am silver and exact/Now I am a lake” (1, 10) to indicate an alteration in time. The purpose of the device is to convey an adjustment in c...
She compares her dad to a “black shoe in which [she has] lived like a foot” (931). The “shoe” smothers and suffocates her by not allowing her to breathe. She uses another metaphor when she writes that her tongue was stuck in her jaw (932). She was unable to speak for so long that now things, that have been repressed for so long, are coming through.
Throughout the poem "Daddy" by Sylvia Plath, the author struggles to escape the memory of her father who died when she was only ten years old. She also expresses anger at her husband, Ted Hughes, who abandoned her for another woman. The confessional poem begins with a series of metaphors about Plath's father which progress from godlike to demonic. Near the end, a new metaphor emerges, when the author realizes that her estranged husband is actually the vampire of her dead father, sent to torture her. This hyperbole is central to the meaning of the poem. Lines 75-76 express a hope that they will stop oppressing her: "Daddy, you can lie back now / There ís a stake in your fat black heart." She concludes that her father can return to the grave, because she has finally rid herself of the strain he had caused her, by killing his vampire form. Despite this seeming closure, however, we will see that the author does not overcome her trauma.
Daddy was written on October 12, 1962 by Sylvia Plath, shortly before her death, and published posthumously in Ariel in 1963. Throughout the poem it could be viewed from a feminist perspective, drawing attention to the misogynistic opinions and behaviours of the time it was written. Misonogy is a person who dislikes, despises, or is strongly prejudiced against women. It can be manifested in numerous ways, including sexual discrimination, denigration of women, violence against women, and sexual objectification of women. Plath uses the reversal of gender stereotypes/roles within Daddy, which could be interpreted as an attempt to empower women.
Plath writes in seven line stanzas. She uses a unique rhyme scheme that changes from in each stanza. Occasionally she isolates one line in order to annunciate its meaning. She also uses enjambment to help stress the meaning of certain lines. Plath also like to use metaphor and simile in her poem. Lines nine and ten she uses simile when she writes, “Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in”. She is stationary in her bed and almost doesn’t want to see everything anymore but she cannot hide what is going on around her.
Sylvia Plath has brought the attention of many Women’s studies supporters while being recognized as a great American poet. Most of her attention has come as a result of her tragic suicide at age thirty, but many of her poems reflect actual events throughout her life, transformed into psychoanalytical readings. One of Plath’s most renowned poems is “Daddy”. In this poem there are ideas about a woman’s relationship with men, a possible insight on aspects of Plath’s life, and possible influences from the theories of Sigmund Freud.