In Alain de Botton’s collection of philosophical essays, The Art of Travel and Tim Winton’s short story ‘Neighbours’ the representation of people and landscapes leads us to a greater awareness of the complexity of human attitudes and behaviours. This is explored through the idea that changes in one’s receptivity to the landscape can determine their perspective of it and thus influence their behaviour and attitude towards those people in the landscape. The desire for a new landscape is due to the non-receptivity to the old landscape, this is explored in de Botton’s first essay, ‘On Anticipation’ with his experience of Barbados. The representation presented to him by the travel brochure was a severe abbreviation of reality, and thus his expectations When the newlyweds move in they are wary of their new landscape, the unfamiliar surroundings, cultural barriers and difference to their old landscape along with the people in the landscape cause them to be unreceptive to the landscape. The changing relationship between the people is demonstrated through the comparative description of the couple in their old and new neighbourhoods. Their prior residence was “in the expansive outer suburbs where good neighbours were seldom seen and never heard”. This is juxtaposed against the noisy Macedonian family that “shouted, ranted and screamed”. The accumulation implies the severity of the noise and juxtaposed against the silence of their old neighbours, Winton demonstrates his purpose that the landscape shapes us and irrational emotions of fear and worry interfere with our receptivity to the landscape. The negative connotations of “uncomfortable”, “nervous”, “disapproval”, “resented” and “disgust” used to describe their neighbours highlights their lack of receptivity to their new landscape. The strained relationships with the neighbours continued into autumn and although displeased, the couple “took careful note of what was said”. The gradual acceptance emphasises the time required to fully accept the new people and their landscape as well as the shift in perspective that is only possible with time. The lack of receptivity to the landscape impacts the couple’s relationship with the neighbours and hence this shows the complexity of human behaviour because it is based on emotions which are impacted by the receptivity to the
Cronon, William “The Trouble with Wilderness; or, Getting Back to the Wrong Nature” ed., Uncommon Ground: Rethinking the Human Place in Nature, New York: W. W. Norton & Co., 1995, 69-90
The case of the Nedlands Monster was very much a defining moment for Perth. The city lowered its safety as a big country town, and raised its profile to new heights. “down the swept side path into the heartland where it smells of...vegetables and the hard labour of people...with his heart a-dance he comes wheezing”(pg367) .Through the effective use of dialogue cultural ideas are threatened. Winton uses connotative language such as “his heart a-dance” to reinforce the violent and dysfunctional nature of Edgar who was able to threaten Perth’s identity so strikingly without feeling any sense of apathy in doing so. How Edgar was able to manipulate a very vulnerable society was by challenging the resilience of not only working class people, but an entire society from the loss of security, optimism and innocence that the murders brought to Perth. “The town is in frenzy this is what it means to be a city...no one at night moves” (pg365). T...
New experiences shock and captivate readers consequently prompting a reassessment of their perceptions of respect, truth and friendship. Tim Wintons short story “Neighbours” confronts individual stereotypes through exploring the multicultural context in which the story is set. Winton explores the transition of a “young couple” into a new phase of life by describing their move to a lower socio economic suburb full of “European migrants”. The composer does not name the characters, rather calls them the “Macedonian Family” and the “Polish man”, in order to show their cultural differences and highlight multiculturalism. Through the development of the short story, Winton shows how the young couple transition and develop their societal perspectives
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
This places the reader in recognisable landscape which is brought to life and to some extent made clearer to us by the use of powerful, though by no means overly literary adjectives. Machado is concerned with presenting a picture of the Spanish landscape which is both recognisable and powerful in evoking the simple joys which it represents. Furthermore, Machado relies on what Arthur Terry describes as an `interplay between reality and meditation' in his description of landscape. The existence of reality in the text is created by the use of geographical terms and the use of real names and places such as SOrai and the Duero, while the meditation is found in...
Mike Stern is an American jazz guitarist known presently for his solo work and previously as the guitarist for legendary trumpeter Miles Davis in the early 1980s. Much of Stern’s compositions and improvisations incorporate a variety of musical styles including rock, blues and jazz traditions. Big Neighborhood is Stern’s 14th solo album released in 2009. The album is recognized for its eclectic musical styles and guest artist collaborations. As one reviewer states, “Big Neighborhood’s styles range from blazing jazz-fusion to African tinged exotica and trippy Middle Eastern journeys.” (Widran, 2009). Both reviews incorporate Stern’s diverse musical content and guest artists as the focus for their arguments.
The first images of the garden are seen through the exaggerated imagination of a young child. “” are as “ as flowers on Mars,” and cockscombs “ the deep red fringe of theater curtains.” Fr...
Many years ago, people saw the wilderness as a savage wasteland, but today, it is viewed as “the last remaining place where civilization, that all too human disease, has not fully infected the earth.” (Cronon) He discusses this changed point of view by stating the difficulties that society will have rectifying environmental ailments if it stops viewing wilderness as “a dualistic picture in which the human is completely outside the nature.” (Cronon) This is understandable because humans rely on others to create opinions, and they do not know how to form their own thoughts and solutions to issues such as environmental ones. Therefore, it is with great importance that humans begin to learn how to formulate their own thoughts and share those personal thoughts with others, such as sharing solutions about environmental
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
It is the landscape and Achille has found his happiness and appreciates the only home he knows and what ties him to this homeland. Walcott has taken the frame of the epic and given the Caribbean voice and struggle.
In the short story, “The Shining Houses “ the author Alice Munro, suggests that change may be inevitable. The main conflict is between the older generation, Mrs. Fullerton and the newer generation, the residents of Garden Place. The older generation has to adapt to change and towards a modern society. Conflict can be avoided if Mrs. Fullerton agrees to have her house demolished. However, because of the sentimental value her households, she is firm against change.
The novel Cloudstreet, by Western Australian born novelist Tim Winton is essentially a story revolving around how two rural families have come to live together at number one Cloudstreet. This novel’s themes are about finding one’s place in the world and the search for the meaning of life. As in this instance, Winton has successfully used setting and structure, crucial factors in any prosperous novel to help create a feeling of a real-life type atmosphere and perspective. This essay will demonstrate how Winton has used setting and structure to help develop and convey his themes.
Flourishing nature is most beauteous in areas which have not been maimed by the human race. The idea that spiritual and philosophical wellness can be found in nature is supported world-wide. Many different cultures use their eco-rich surroundings to become more spiritually/philosophically endowed. In the short story “A White Heron” by Sarah Orne Jewett there are two fundamental relationships with society and nature that reflect the author’s point of view in support of this idea. The first is a good example of how nature can positively affect the spiritual/philosophical wellness of a person through an appreciative, loving, and tolerant relationship (Sylvia). The second is a destructive, parasitic relationship that is only beneficial to one party (the hunter). Sylvia struggles with her loyalty to her own innocence and respect of nature because of the exciting new possibilities the hunter promises to her. I will elaborate on topics such as the nature of Sylvia’s relationships, the narrator’s point of view, and the writing style in the text to demonstrate an understanding of how the author saw the relationship of society and nature in “A White Heron”.
When I think of the perfect place, I imagine a cascading waterfall, a vast forest, a stunning mountainside, or a warm sunset on the beach. I look up around me, mesmerized by the vastness of the natural world and breathe in the fresh air. Over the course of my life, I have come to respect the environment and the earth’s natural surroundings in ways that most others do not in the industrialized and technological era of today. I can appreciate the beauty of the Earth and of all the different landscapes and organisms that surround me. The way in which I value and treasure the environment has evolved just as I have. I see the environment as something to be preserved and admired, not destroyed or exploited. My relationship with the environment is
Hirsch, E. 1995. “Introduction, Landscape: between place and space” in Hirsch, E. (ed.) The Anthropology of Landscape: Perspectives on Place and Space. Oxford : New York: Clarendon Press.