“We represent reality, we don't reproduce it.” Says Michael Slovis in Behind the Lens: Michael Slovis, ASC & Breaking Bad. “One trademark in the show that's terrific and that Vince and I talk about and exploit is that we often don't see the faces of the main characters. Vince says that everyone knows who these people are so we really don't need to see their faces.” Again Michael Slovis in Behind the Lens: Michael Slovis, ASC & Breaking Bad. https://library.creativecow.net/kaufman_debra/Behind-the-Lens-Michael-Slovis/1 I also often think for important aspect of the storytelling consists of getting each audience member to subconsciously (or consciously) ask himself or herself a series of questions. If viewers are confused and asking themselves structural or procedural questions (“Why is this happening? Why doesn’t this person flow smoothly into what I already know? Why are the characters doing things that seem out of character or stupid?”), they’re constantly being taken out of the narrative and can’t fully absorb what the storytellers are trying to do. I find that when I’m asking …show more content…
But when do we cross the important lines? Is it when we break the law? Or when is it when we violate the codes that have been implanted in us by our cultures, our communities and ourselves? How do we explain it when we do something really wrong? Because we’ve all done bad things and found ways to tell ourselves those actions weren’t thаt bad. Walter White( the main character in “Breaking Bad”) was just a guy like us, trying to get by and not break too many of the big rules. But then, he started breaking rules, and he became addicted to those feelings of overstepping and superiority — as addicted as the poor junkies who buy his super-pure meth. More than ever, he thinks he’s in control, but it’s his addiction to being better than everyone else that has always been in the driver’s
Murray is arguing in this article that the shows on today are not portraying the real situations that families are forced to deal with in life. Almost all shows on today are scripted. The actors in fake family TV shows try come together to be a real life family, but it does not portray a real family at all. For the most part, all the adults in the shows have jobs,
...e the beginning of time, Television has been one the most influential pieces of media that the world has ever encountered. Bravo TV’s hit number one reality television show, The Real Housewives of Atlanta, deals with the everyday lives of modern-day “housewives”. When speaking of these women and their family life, the show shows its viewers that family life in modern times is dramatic, full of misrepresentations of how people are perceived, and how fame comes at the cost of family. The show stands strong with the critics and its faithful viewers around the world. Clearly, the show is not going astray anytime soon. Families who watch the show will eat up the drama and prays that their families never deal with those petty types of problems. The world will keep spinning in the television cycle, and drama will continue to invade the homes of millions of Americans.
Breaking Bad is a show about Walter White, who is a middle-aged chemistry teacher that is a victim of the economy, cancer, and himself. This makes the audience feel a connection to the series, as it deals with ‘real-life’ problems. Walter barely makes enough money to cover his disabled son’s medical expenses and an incoming baby. After a ride-along with his DEA Agent brother, Hank, Walter sees a former student escaping from a meth-lab bust. Soon after that encounter, Walter approached the former student with an ultimatum, either Jesse (the student) cooks meth with Walter, or Walter will turn him into the DEA. Walter starts selling methamphetamine under the pseudonym Heisenberg. In order to provide for his family, he breaks moral and federal laws and justifies them all in the name of transcendence, or a higher calling as a father.
...writers of all races and every ethnicity could be shown this video to learn about stereotypes to avoid in their screenplays. Television and movie producers could benefit from hearing other producers such as Hal Kanter and David Wolper talk about their experiences with African-American representation in their shows.
Douglas Light said that our imagination is better than any answer to a question. Light distinguished between two genres: fantasy from fiction. He described how fantasy stimulates one’s imagination, which is more appealing, but fiction can just be a relatable story. In the same way, Books and movies are very different entities. In the short parable Doubt, the readers are lured in to the possibility of a scandalous relationship between a pastor and an alter boy. The readers’ curiosity is ignited because they are not given all the details. Therefore, their mind wanders further than the plot to create a story and characters that acted on one’s imagination; thus, the story became entertaining- flooded by the questions of what? Who? How? By which the reader can only answer. At this point, the readers create their own movie in a way. They will determine important aspects: how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen. The movie leaves little to viewers' imaginations.In order to be entertained by literature or art, the viewer needs to feel that they can use their imagination and not be confined to a plot that reveals all.
...g and appreciation of qualities of characters, and hence, a deeper understanding of underlying motives and psyche. Intricate and methodical characterization is crucial to grasp the full meaning of a narrative.
Blue meth? This is what the TV series Breaking Bad is shaped around. First, I will be discussing why I chose Breaking Bad to analyze. Secondly, I will discuss the topic of communicating verbally with Walter and Jesse. Thirdly, I will see how they managed conflict and power. Fourthly, I will look at Walter White's relationship with his friends. Fifthly, I will see how listing actively played a role in Breaking Bad. Next, I will dissect Walter and Jesse's relationship in the workplace. Lastly, I will see what this means for communication as a whole.
Have you ever been watching a TV show and find yourself relating it to your life in some way? You might relate it to some problem that is going on in your life or some issue going on around your society. All of the sudden, I found myself thinking sociologically one day when I was watching the TV series Grey’s Anatomy. Almost seven series in, I started to realize similarities between Grey’s Anatomy and topics we have been learning about in class. I noticed ideas and concepts that related to sociology. From norms and agents to theories and structures, the series Grey’s Anatomy is a great analysis of sociology.
What makes reader to see an feel that ? The literary elements used by author to describe and coll or this main character through his journey to find the answer to all of the question arisen in a upcoming situations.
Dialogue gives the audience a clear view of what is happening in the story, but the
Back in 2000, viewers were introduced to Bryan Cranston in the television show, Malcolm in the Middle. He played the role of a father with three extremely unruly children. His acting was good, and he played an integral role in the series, yet it was nothing close to the magnitude of greatness in Breaking Bad. This comparison can be easily appl...
At the end of the NPR article they discuss the problem between keeping television shows diverse, “without amplifying the problems of stereotyping and prejudice” (Feld). Television shows feel that in order to a successful show with diversity, the people need to be cast-typed or take on every stereotype that is associated with that particular race or gender. The Erigha article discusses how, “many of actors were type-casted, or put in racialized roles, that fit their ethnicity” and some of these people do not necessarily fit that type, “they used Asian Actors as an example, many of the actors that were born in America, were asked to speak in a Chinese accent.”
Though many story arcs are used to work with each other, the one that sticks out is the telling of a tragic hero. Walter White is a modern day Hamlet, Oedipus, and Macbeth. And I think that is one of the reasons that I am attracted to this type of story. In the comparison to those characters, I can see the qualities that made Walter White who he is. From the traits of hubris and hamartia all the way down to catharsis, everything is there working together. As a filmmaker, it’s interesting to put it all into context and see that Breaking Bad is not something brand spanking new. It made me realized what made a story bad and not relatable. It’s no reason Breaking Bad is used a ton in storytelling classes and as a Bible for writers. It also leaves a lot of questions for the audience and how they choose to relate to Walter White. For me, I felt pity and sadness and would consider him a tragic hero. However, other people would disagree and say that his sidekick is the hero and Walter is a complete psycho. And no one would be wrong. That’s important in literature and movies. There should be no one right answer and linear path otherwise what are we going to talk
I believe laws is what determines what’s wrong and what’s right. Though, there are some people that might not agree with this. For example, a husband is stealing medicine for his sick wife and they’re poor but it’s the only way to save her. The husband still broke the laws but others felt he did right. That’s why there’s a phrase that says, “Sometimes you have to do the wrong thing for the right reason”.
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.